Fujifilm X-T30 II vs X-E4 vs X-S10: Mid-Range Mirrorless Showdown (2025)

The Fujifilm X-T30 II, X-E4, and X-S10 are three closely related mirrorless cameras that pack Fujifilm’s renowned 26.1MP X-Trans CMOS 4 APS-C sensor and X-Processor 4 engine. Launched in 2020–2021, these models deliver flagship-level image quality in more affordable packages. In 2025, they remain popular choices for enthusiasts and up-and-coming photographers – even as newer models have appeared. This comprehensive comparison will examine their technical specs, photography and video performance, autofocus and burst, design and ergonomics, and much more. We’ll also discuss current pricing/availability and what’s next from Fujifilm (including the latest on the X-T50, X100VI, and X-Pro4).

Below is a quick spec overview before diving into detailed comparisons:

At a Glance: Key Specifications

<small>X-E4 shares the same burst specs as X-T30 II (8 fps mechanical; 20 fps e-shutter full-frame; 30 fps e-shutter with 1.25× crop).</small>

As the table suggests, all three cameras deliver the same core image quality – using Fujifilm’s 26MP BSI X-Trans 4 sensor and quad-core processor. Where they differ is in body style, features, and handling. Let’s break down those differences and see which model might suit you best.

Image Quality and Sensor Performance

Sensor and Processor: Each camera is built around Fujifilm’s fourth-generation APS-C sensor and X-Processor 4 engine, so baseline image quality is virtually identical across X-T30 II, X-E4 and X-S10. All three shoot 14-bit RAW (RAF) and produce superb JPEGs with Fuji’s beloved Film Simulations. In fact, the imaging pipeline is the same as the higher-end X-T4, meaning you can expect “the same outstanding image quality” as flagship models. Dynamic range and high-ISO noise performance are on par with the best APS-C cameras of the era. In other words, you aren’t sacrificing any picture quality by choosing one over the other – the differences lie elsewhere.

Each camera natively ISO ranges from 160–12,800 (expandable to 80–51,200), and they share Fuji’s film simulation modes (the X-T30 II launched with 18 film sims including newer ones like Classic Neg. and Eterna Bleach Bypass). All support 14-bit RAW and even 16-bit TIFF output for maximum post-processing headroom. The X-T30 II, being a 2021 refresh, gained a couple of extra film simulations and an improved AUTO mode over the original X-T30 – features the X-E4 and X-S10 also have (since they launched around the same time).

In practice, all three produce lovely images with Fuji’s characteristic color science. Out-of-camera JPEG color is excellent – for example, DPReview found that “default JPEG color from the X-E4… looks pleasing,” with yellows, greens and blues rendered accurately. Fujifilm’s film profiles (like Velvia, Acros, Classic Chrome, etc.) are a big draw for many shooters and are available on all three bodies.

Unique Sensor Implementations: Despite the shared sensor, there are minor implementation differences. The X-T30 II and X-E4 have no in-body stabilization, which keeps their bodies compact but means you’ll rely on optical image stabilization in lenses or a tripod in low light. The X-S10 includes 5-axis in-body image stabilization (IBIS), leveraging a “miniaturized” IBIS unit derived from the X-H1/X-T4. This gives the X-S10 a huge advantage for handheld shooting at slow shutter speeds and for video – more on this in the IBIS section below.

Another difference is heat management for video. The X-S10’s slightly larger body and magnesium-alloy front plate act as a heat sink, allowing up to 30 minutes of 4K recording dpreview.com. The smaller X-T30 II and X-E4 tend to have shorter safe recording times (around 10–20 minutes in 4K) before overheating or hitting file clip limits, simply due to their size. We’ll dive into video specs next.

Video Capabilities and Performance

Despite their rangefinder/DSLR-like appearances, all three are capable video cameras – though with some limitations compared to Fuji’s video-focused models. They capture oversampled 4K from the full sensor width and slow-motion 1080p, making them versatile hybrids for casual video use.

• Resolution & Frame Rates: Each camera can record DCI 4K (4096×2160) and UHD 4K (3840×2160) at up to 30p frame rate. In Full HD (1080p), they can shoot up to 240 fps for 10× slow-motion. This 1080/240p high-speed mode was introduced with the X-E4 and X-T30 II refresh, giving super slow-motion capability that the original X-T30 lacked.
• 10-bit and F-Log: Internally, video is recorded at 8-bit 4:2:0 (H.264 codec up to ~200 Mbps). However, all three offer Fujifilm’s F-Log flat profile and can output 10-bit 4:2:2 video via the micro-HDMI port for external recording. For instance, you can record 10-bit HDMI to an Atomos recorder while simultaneously capturing F-Log internally (at 8-bit). The X-S10 and X-T30 II also support the newer F-Log and F-Log2 profiles after firmware updates, expanding dynamic range for advanced color grading (the exact support may vary by model/firmware).
• Recording Limits: As noted, the X-S10 can record 4K for about 30 minutes per clip thanks to its efficient heat dissipation dpreview.com. The X-T30 II and X-E4, being more compact, typically have ~10 minute 4K clip lengths (a carryover limitation from the X-T30). This makes the X-S10 better suited for longer takes (interviews, event filming, etc.), whereas the X-E4/T30II are fine for short clips or B-roll. All models allow up to 30 min in 1080p.
• IBIS for Video: The X-S10’s IBIS is a game-changer for video. Hand-held footage on X-S10 is far smoother, especially when walking or panning, compared to the unstabilized X-E4 or X-T30 II (which would require a stabilized lens or gimbal for similar smoothness). In fact, PetaPixel’s review praised the X-S10’s stabilization as “the best performance from any IBIS I’ve encountered on a Fujifilm [at the time]”. X-S10 also has a digital gimbal mode (software IS) available for even more stabilization when needed.
• Audio and Ports: All three have a 3.5mm microphone input. The X-S10 further includes a 3.5mm headphone jack (technically via USB-C adapter in the box) for monitoring audio, whereas the X-T30 II and X-E4 do not have a built-in headphone output (you’d rely on USB-C or hot-shoe adapters, which is less convenient). All models use a micro-HDMI port for video output and USB-C for data/charging.

In summary, all three cameras produce sharp, detailed 4K video with Fuji’s pleasing colors, but the X-S10 is the clear choice for serious video work. Its combination of IBIS, longer recording time, and headphone monitoring make it a more well-rounded video tool. The X-E4 and X-T30 II can absolutely deliver high-quality footage (and are quite “capable of strong video performance” for casual use), but they’re best for shorter, tripod-mounted or static shots unless you add stabilization rigs.

Autofocus Performance and Burst Shooting

All three cameras share Fuji’s hybrid autofocus system with on-sensor phase detection covering essentially 100% of the frame (2.16 million phase pixels). In single-shot AF, you get up to 425 selectable AF points (or a simplified 117-point grid). They offer Face/Eye Detection, subject tracking, and zone AF modes. However, there have been some incremental AF improvements among them:

• AF Speed & Algorithm: The X-T30 II launched with an updated AF algorithm compared to the original X-T30, bringing improvements especially in low-light and moving subject tracking. Fujifilm quoted a locking speed of 0.02 sec and better face/eye detect than its predecessor. In fact, X-T30 II can autofocus down to -7 EV in dim light (with an f/1.0 lens) versus about -3 EV on the older X-T30. The X-E4, released slightly earlier in 2021, also boasts focusing down to around -7 EV thanks to that same generation of updates. The X-S10 (late 2020) had AF performance similar to the X-T4; it’s excellent in most conditions but not quite as sensitive in extreme low light (around -6 EV). In practice, all three focus quickly and confidently in good light, and can handle low-light scenes decently, especially with fast lenses.
• Face and Eye Detection: All models feature face and eye detect AF – great for portraits, street candids, and vlogging. They will automatically detect and track faces in the scene. With firmware updates, Fujifilm has improved the reliability of eye-AF. That said, tracking moving subjects is an area where these mid-range Fujis lag some rivals. As DPReview notes, the AF tracking performance has fallen behind what rival cameras (like Sony) can do. In fast action scenarios (sports, wildlife), the subject tracking may struggle to keep up with erratic movement compared to competitors’ latest AF systems. For single-shot and slower moving subjects, it’s perfectly fine.
• User Control: One difference is the lack of an AF mode selector switch on the X-E4. Unlike earlier X-E models, Fuji removed the dedicated M/C/S focus mode toggle from the body for a cleaner design dpreview.com. You can still switch between single, continuous, and manual focus via menus or function buttons, but it’s a small ergonomic compromise on the X-E4. The X-T30 II and X-S10 don’t have a physical focus mode switch either (the X-T30 II’s predecessor had one on the front). Instead, you toggle AF modes in the quick menu or assign it to a button. This is a departure from higher-end Fuji bodies that provide a switch for quick AF mode changes.

Burst Shooting: Despite their compact size, these cameras can shoot at impressively fast burst rates:

• All three shoot up to 8 fps with the mechanical shutter (full resolution). This is plenty for capturing kids, pets, or moderate action. In electronic shutter mode (silent shooting), they can shoot up to 20 fps at full resolution, or 30 fps with a 1.25× crop (the sensor crops to about 16MP to achieve 30 fps). These speeds match the capabilities of the higher-end X-T3/X-T4 in many respects.
• Buffer and Burst Depth: Where they differ from flagship models is buffer capacity. With their smaller internal memory, the X-T30 II and siblings can’t shoot 8 fps RAW bursts for as long as an X-T5 can, for example. In Fujifilm’s specs, the X-T30 II can capture about 17 RAW frames (lossless compressed) or ~32 JPEGs at 20 fps before slowing. PetaPixel’s test on X-S10 noted ~11 RAW frames at 30 fps (with crop) before the buffer filled petapixel.com. In real terms, this means you get roughly 1–2 seconds of high-speed burst shooting in RAW. For JPEG only, you can shoot a bit longer (perhaps 3 seconds worth at 20 fps). The X-S10 and X-T30 II have slightly improved buffers versus earlier models – for example, X-T30 II’s buffer is just large enough for ~17 RAW frames at 8 fps, compared to 18 on X-S10 (not a big difference). All use UHS-I SD cards, so write speeds aren’t blazing. If you plan to do a lot of continuous shooting, you’ll want a fast UHS-I card and some patience waiting for buffers to clear (the X-E4/X-T30II take ~8–10s to fully clear after a burst).

In summary, for everyday photography and moderate action, the AF and burst on these cameras are more than capable. They’ll nail focus on faces, pets, and candids, and can shoot short bursts to catch peak moments. Just note that for serious sports/action where you need sustained 8–15 fps bursts and rock-solid tracking, you may outgrow these bodies – as “sports and action shooters needing the best AF performance” might find the tracking limiting. Fujifilm’s higher-end X-H2S or a competitor like a Sony a6x00 will outperform them in that niche. For everyone else, they do a fine job.

Body Design, Handling and Controls

One of the biggest differentiators between these models is their body design and ergonomics. Fujifilm offered each in a distinct style to appeal to different tastes:

• X-T30 II: SLR-Style with Retro Dials – The X-T30 II has the classic Fujifilm SLR-like shape (a mini X-T3/X-T4) with the electronic viewfinder centered like a pentaprism hump. It features traditional top dials: a shutter speed dial, exposure compensation dial, and mode switch for stills/video. There is no dedicated ISO dial (you adjust ISO via a button or Auto ISO settings, since only higher-end X-T models include an ISO dial). The X-T30 II’s dial-based operation is a joy for those who love a tactile, analog feel: “Every element of the X-T30 II has been designed with photographers in mind… fusing cutting-edge features with a vintage aesthetic charm”, Fujifilm says fujifilm-x.com fujifilm-x.com. It even has a built-in pop-up flash hidden in the top housing – a convenient touch for fill flash needs. The X-T30 II’s body is compact and lightweight (383 g), with a modest front grip and thumb rest. It’s very similar externally to the original X-T30 – in fact, the design and controls are identical between them (even the name badge still says “X-T30” on the camera front). The only physical giveaway is a small label on the bottom plate. The Mark II did upgrade the rear LCD to a higher resolution panel (1.62M dots vs 1.04M), but it remains a tilting screen (up 90° and down about 45°) – useful for waist-level or overhead shooting, but it cannot flip forward for selfies/vlogging.
• X-E4: Rangefinder-Style Minimalism – The X-E4 is a petite, flat-bodied camera with the viewfinder on the far left, rangefinder-style. It embraces a minimalist design ethos. Fujifilm removed several buttons and even the rear grip that its predecessor had, resulting in a very clean look (but also fewer direct controls) dpreview.com. On top, you’ll find a shutter speed dial (which includes a “P” Program mode setting) and an exposure compensation dial. Notably, there is no built-in flash on the X-E4 (unlike the older X-E3). Fuji instead bundled a tiny shoe-mount flash with early units, or you can use an external flash if needed. The X-E4’s back has no D-pad directional buttons, only the joystick and a couple of flush buttons. Even the AF mode selector switch and rear command dial were axed compared to the X-E3 dpreview.com dpreview.com. The result is a sleek camera that is pocketable (especially in width/depth – it’s only 33mm thick). Its 3.0” tilting LCD can flip up 180° to face front – a first for the X-E series dpreview.com. This is great for self-portraits or vlogging, although note that when you flip it up, it sits above the top plate (potentially blocked if you have something in the hot shoe). The EVF on the X-E4 protrudes only slightly; combined with the lack of a grip, this camera is almost coat-pocket friendly with a pancake lens. Many users love the X-E4’s purity and style – it’s “a stylish camera capable of excellent image quality… the brand’s smallest X-mount offering, a good choice for street, travel, and generalist photographers”. However, the minimalism can be a double-edged sword: some photographers feel Fuji “went a little too minimalist” here, as it takes time to customize and get quick access to settings given the limited buttons. Thankfully you can use touch-screen swipe gestures on the X-E4 to assign four more virtual function “buttons”. Ergonomically, the X-E4 is very flat and can feel slippery; Fuji sells an add-on hand grip and thumb rest which many users consider essential for comfortable handling. Build-wise, it has a solid feel with a magnesium top plate and attractive faux-leather wrapping, though note no weather sealing on this (or any of the three cameras).
• X-S10: DSLR-Style with Modern Controls – The X-S10 took a different approach from Fuji’s usual retro controls. It’s styled more like a modern mini-DSLR, with a deep handgrip and a conventional PASM mode dial on top instead of dedicated shutter/ISO dials. Fujifilm explicitly designed the X-S10 to appeal to newcomers (especially coming from Canon/Nikon DSLRs) who might find the traditional dial scheme foreign. As PetaPixel noted, “the PSAM dial layout will likely be criticized by committed Fujifilm users, but it’s clear Fujifilm are designing [the X-S10] for simplicity – which will possibly attract new users to the system”. The X-S10’s top plate has a mode dial (with Auto and custom positions), a command dial, and a prominent video record button. Uniquely, it also features a Film Simulation dial on the left shoulder – by default this brings up a quick menu to preview and select Fuji’s film looks, with descriptions, which is a fun touch for those learning the system. The handgrip on the X-S10 is excellent – “ergonomics are excellent for a small camera… extremely comfortable to use”. It makes the X-S10 a natural fit with larger lenses that might feel front-heavy on the X-T30 II or X-E4. The X-S10 also has a fully articulating vari-angle 3” LCD that flips out to the side and rotates 180°, ideal for vloggers or shooting at odd angles. It’s the only one of the trio with a flip-out screen (the others are tilt-only). As for build, the X-S10 is slightly bigger and heavier (approximately 465 g with battery) due in part to the IBIS unit and grip, but it’s still compact compared to full-fledged DSLRs. Like the others, it is not weather-sealed. The X-S10 does include a small pop-up flash integrated into the viewfinder hump (just like the X-T30 II) petapixel.com. Overall, the X-S10 handles like a different beast: it forgoes some of the analog charm in favor of modern ease of use – “any photographer will acclimate to this system very quickly,” says PetaPixel, given that almost all buttons are customizable and the layout is familiar.

In summary, handling differences largely come down to preference. If you adore retro styling and direct dials, the X-T30 II delivers that in a tiny package. If you want even smaller and don’t mind (or prefer) a minimalist rangefinder vibe, the X-E4 is unique in Fuji’s lineup – “the X-E4 is a stylish, lightweight camera… a great travel and street companion”, though with some handling compromises (many X-E4 users add a grip or thumb rest to improve comfort). If you prioritize comfort, a big grip, and straightforward controls, the X-S10 might win you over – “The X-S10 is extremely compact [yet] the ergonomics are excellent… it’s not overbuilt and is extremely comfortable to use”.

It’s worth noting that none of these bodies are weather-sealed. They’re solidly built for their class (metal top/bottom plates on X-T30II and X-E4, magnesium alloy chassis on X-S10), but if you need dust-and-splash protection, you’d need to move up to models like the X-T5 or X-Pro line.

Viewfinders and Displays

All three cameras employ a similar electronic viewfinder (EVF) and have rear LCDs with different articulation styles:

• Viewfinder: Each has a 0.39-inch OLED EVF with 2.36 million-dot resolution and ~100% coverage. The magnification is about 0.62× (35mm equiv.), which is decent but on the small side compared to higher-end models. In practice, the EVF is bright and detailed enough for most uses, though some users may find it a bit cramped especially if coming from larger viewfinders. All three support a refresh up to 100 Hz in Boost performance mode, making the live view fairly smooth with minimal lag. There are slight physical differences: the X-E4’s EVF eyepiece is to the left (which rangefinder shooters enjoy, as you can keep your left eye in the finder and right eye open for context). The X-T30 II and X-S10 have the EVF centered. Eyeglass wearers have noted the 0.62× magnification means the finder is workable with glasses, but not overly large. Despite the similar spec, the experience can differ: The X-E4’s finder is essentially identical to X-T30 II’s (same specs), but the positioning on the far left means your nose isn’t smashed against the rear screen – a perk for some. However, with the X-E4’s small size, your face can accidentally trigger the eye sensor when you go to press certain buttons (as DPReview pointed out, your thumb can trip the EVF eye sensor and turn off the LCD unintentionally) dpreview.com. The X-S10’s EVF is also 2.36M dots/0.62×; given the larger grip, it’s comfortable to bring to eye, and it even features an eye sensor to automatically switch between LCD and EVF. None of these EVFs match the larger, higher-res finders of the X-T4 (3.69M dots, 0.75×) or X-T5 (0.8×). But for an entry-to-mid level camera, they’re on par with competitors. The X-T30 II and X-E4 EVFs are described as “par for the course… not outstanding, but adequate” dpreview.com. They work well for manual focusing too, with focus peaking and digital split-image aids available.
• Rear LCD: Here we have three approaches:
  • The X-T30 II uses a 2-way tilting 3.0-inch LCD (tilts up ~90° and down ~45°). Notably, Fujifilm upgraded the resolution to 1.62 million dots on the X-T30 II’s screen (up from 1.04M on the original X-T30). This makes it crisper for reviewing shots. It’s also a touchscreen, supporting touch focus, swipe gestures, and menu navigation. The tilting design is great for low-angle street shots or waist-level shooting, but since it doesn’t face forward, the X-T30 II is not ideal for self-filming or selfies. The screen does not articulate sideways, which keeps the camera slim and is preferred by some photographers for stills.
  • The X-E4 has a unique tilting LCD: it tilts up 90° for waist-level shots and can flip upward a full 180° to face the front for selfies dpreview.com. When flipped up, it mirrors the live view (and automatically flips the info display for proper orientation) dpreview.com. This is a clever solution to allow front-facing capability without a side hinge. The X-E4’s screen is also 3.0” 1.62M-dot touchscreen dpreview.com – essentially the same panel as X-T30 II. It sits flush in the back when closed, contributing to the camera’s sleek profile. One thing to watch: if you have something in the hot shoe (like an external mic or flash), it could block the screen from flipping up fully. Otherwise, it’s great for those who occasionally need to vlog or be in the shot. The flush design with no protruding hinge is quite elegant.
  • The X-S10 employs a fully articulating vari-angle 3.0-inch touchscreen with 1.04M dots. It can swing out to the side and rotate 180° forward, as well as fold inward to protect the screen. This is the most versatile for video creators – you can angle it any which way (low, high, front). Some stills shooters don’t love side-hinged screens (for vertical shooting at waist level, a tilt might be quicker), but it’s undeniably flexible. The resolution (1.04M) is a bit lower than the 1.62M of the other two, but in real use it’s sufficient. X-S10’s touch interface is responsive, and you can even use it while looking through the EVF (to move focus point with your thumb on the screen).

In all cases, the touchscreen functionality allows you to tap-to-focus or swipe through images in playback. The X-E4, lacking many physical buttons, especially benefits from the touchscreen – Fuji enables four custom “swipe” gestures on it, effectively adding virtual function buttons.

Winner? If you prioritize a selfie or vlogging screen, the X-S10 or X-E4 are superior to the X-T30 II. For purely traditional stills use, some prefer the simplicity of a tilt screen (no side hinge) as on X-T30 II and X-E4. The high resolution (1.62M) on X-T30 II/X-E4’s LCD is a nice plus for critical focus check. However, the X-S10’s fully-articulating screen is the most versatile overall, especially coupled with its IBIS for video. It’s worth noting none of these cameras have the clever dual-tilt of something like the X-T3 (which had a three-way tilt), but they cover the basics.

In-Body Stabilization (IBIS) and Shooting Stability

One of the key feature differences is the presence (or absence) of in-body image stabilization:

• Fujifilm X-S10: Has 5-axis IBIS built-in. This was a headline feature at launch – the X-S10 was the first mid-range Fuji to get stabilization, using a newly miniaturized IBIS unit derived from the X-T4. It offers up to 5–6 stops of shake reduction (officially ~6 stops with certain lenses, slightly less with others). In real world terms, handheld shots at 1/8s or 1/4s shutter speeds become very feasible, and even up to ~1 second exposures can be hit-or-miss but possible with steady technique. For video, IBIS is invaluable, smoothing out handheld footage significantly. PetaPixel remarked that “the X-S10 does [have IBIS], and it’s the best performance from any IBIS I’ve encountered on a Fujifilm” at the time, noting it works excellently for both stills and video. The X-S10’s IBIS also works in tandem with optically stabilized (OIS) lenses for even greater effect (lens+body stabilization). It’s great for shooting with prime lenses that lack OIS (e.g. the popular XF 23mm f/2, 35mm f/1.4, etc.), giving those lenses new low-light and video usability.
• Fujifilm X-T30 II and X-E4: No IBIS in either. These cameras rely on the old-school approach of lens-based stabilization or higher ISO/shutter speeds to avoid blur. Many XF zoom lenses (e.g. 18-55mm, 16-80mm, 55-200mm) have optical stabilization that works well with them. And for primes without OIS, you’ll want to keep shutter speeds up to avoid shake (the general 1/(focal length*1.5) rule for APS-C, or use a tripod/monopod as needed). While one could argue that 26MP APS-C is forgiving enough for many situations, there’s no denying that IBIS extends your hand-holdable range significantly for static subjects and is extremely helpful for video.

What does this mean in use? If you often shoot in low light, the X-S10 lets you keep ISO lower by using slower shutter speeds hand-held. For example, you might get a sharp shot at 1/5 second with an 18mm lens on X-S10, which would be nearly impossible on X-E4/T30II without a support. Similarly, if you use telephoto lenses without OIS (there are a few in Fuji’s lineup, though most tele zooms are stabilized), the X-S10’s IBIS is a lifesaver.

If you primarily shoot daytime, street, or use a tripod for long exposures, IBIS might not matter as much to you. But for travel photography (dim churches, evening scenes) or any video work, the X-S10’s IBIS is a decisive advantage. Fujifilm themselves acknowledge it: neither X-T30 II nor X-E4 offers stabilization – you’d have to “step up to the X-S10” if you want IBIS in this class.

In summary, IBIS Availability: X-S10 YES, X-T30 II NO, X-E4 NO. That said, as of 2025, Fujifilm has introduced IBIS in the new X-E5 (successor to X-E4), showing even small bodies can have stabilization. But in the context of these three, only the X-S10 will steady your shots.

Lenses and Mount Compatibility

All three cameras use the Fujifilm X-Mount, so they share full compatibility with Fujifilm’s extensive range of XF and XC lenses, as well as third-party X-mount lenses. There’s no difference in mount between them – any lens that works on one will work on the others.

A few considerations and recommendations when pairing lenses:

• Balance and Handling: The X-E4 and X-T30 II are very compact bodies, best matched with similarly small lenses. They pair beautifully with Fuji’s compact primes like the XF 27mm f/2.8 “pancake” (the X-E4 was even offered in a kit with the 27mm, creating a jacket-pocketable combo), the XF 35mm f/2, 23mm f/2, 50mm f/2 “Fujicron” series, or the tiny XC 15-45mm power zoom. These lenses keep the setup lightweight and balanced – perfect for street photography or travel. By contrast, a large lens (say the XF 16-55mm f/2.8 or 50-140mm f/2.8) can feel front-heavy on X-E4/T30II, and the lack of grip on X-E4 is especially challenging with big glass. You can certainly use them (optically it’s fine), but ergonomically it’s not ideal without adding an accessory grip.
• X-S10’s Grip Advantage: The X-S10’s robust grip and IBIS make it very versatile with lens choices. It can handle larger zooms or telephotos more comfortably. For example, the XF 16-80mm f/4 OIS (one of Fuji’s best general zooms) was a common kit with X-S10, creating a great stabilized combo for travel. The camera’s IBIS also complements primes like the 16mm f/1.4 or 56mm f/1.2 – lenses that lack OIS – effectively stabilizing them for low-light use. If you plan to use heavy lenses or do a lot of video with primes, the X-S10 body is the better platform.
• Kit Lenses: At launch, Fujifilm offered the X-T30 II in kits with the XC 15-45mm f/3.5-5.6 OIS PZ (a very compact power-zoom lens) or the higher-end XF 18-55mm f/2.8-4 OIS (an optically excellent kit zoom). The X-E4’s official kit was with the XF 27mm f/2.8 R WR pancake prime – a fantastic walkaround setup. The X-S10 was often sold body-only or with the XF 18-55mm or XF 16-80mm f/4 OIS WR zoom. All these lenses are great starting points. Notably, Fujifilm’s 18-55mm f/2.8-4 kit lens is widely praised – it’s fast, sharp, and stabilized, making it a perfect partner for any of these cameras if you want a general zoom.
• Third-Party Lenses: In recent years, third-party support for X-mount has blossomed. Autofocus primes from Sigma (16mm, 30mm, 56mm f/1.4 DC DN trio) and Tamron (e.g. 17-70mm f/2.8 OIS) are available and work well on these bodies. There are also many manual focus lenses (from Samyang, Viltrox, Laowa, etc.) for those interested. The good news is all X-mount lenses work across these cameras since they share the same mount and APS-C sensor size (no crop factor differences). If you’re using manual lenses, the focus aids in the EVF (focus peaking, magnification) will be equally useful on each.
• Lens Suggestions by Use Case: For street photography, a small prime on the X-E4 is a magical combo – e.g. the XF 23mm f/2 or 27mm pancake keeps things stealthy. For travel/vlogging, the X-S10 with a wide zoom (like the XF 10-24mm or the new XF 18-120mm f/4 power-zoom) would shine – the IBIS and flip screen complement video shooting and hand-held versatility. For portraiture, all will do well with the XF 50mm f/1.0 or 56mm f/1.2, but note those heavy lenses will be easier to handle on X-S10. If you’re an adapted lens enthusiast (mounting vintage lenses), the X-S10’s IBIS can even stabilize old glass, and its larger grip helps balance heavy manual lenses too.

In summary, there’s no “lens compatibility” difference across these cameras – it’s more about what lenses feel right on each. The X-E4 thrives with compact primes to maintain its low-profile charm, the X-T30 II is a solid all-rounder that can do both primes and midsize zooms, and the X-S10 can comfortably use anything – from tiny pancakes to red-badge zooms – making it arguably the most versatile if you have a growing lens collection. The X-mount ecosystem is rich, and whichever body you choose, you’ll have dozens of lenses to explore.

Which One Should You Choose? Ideal Uses for Each

Each of these cameras has carved out a niche. Here are some ideal use cases and user profiles where one might be better than the others:

• Travel and Everyday Carry: The X-E4 is the ultimate travel buddy if minimizing size and weight is your priority. It’s Fujifilm’s smallest interchangeable X-series camera and slips easily into a small bag or large jacket pocket – making it great for travel, hiking, or just carrying everywhere in daily life. Pair it with the 27mm pancake or 18mm f/2 and you have a high-quality camera barely larger than a point-and-shoot. It’s also one of the most stylish cameras around, which doesn’t hurt when you’re traveling and want something inconspicuous (available in silver or black). Do note that for travel vlogging or selfies, the X-E4’s flip-up screen is handy, but you’ll need to stabilize footage either with an OIS lens or post-processing since there’s no IBIS.
• Street and Urban Photography: Both the X-E4 and X-T30 II excel here, but in different ways. The X-E4’s rangefinder form is beloved by street shooters who like to keep their right eye in the finder and left eye open to observe the scene. Its silent electronic shutter and tilting screen (which can act like a waist-level finder) let you shoot very discreetly. The minimalist controls also encourage a zone-focus, anticipation style of shooting – it “has less buttons for me to accidentally select… exactly what I wanted,” said one user transitioning from an X100F to X-E4. On the other hand, the X-T30 II’s faster access to settings (with its dials) can be beneficial for dynamic street scenes where you might quickly dial in a different shutter speed or exposure comp on the fly. Both are small and unobtrusive, which is what you want for street. The X-S10 can do street too, but it’s a tad larger and more SLR-like – not as stealthy, though the grip might help if you use heavier lenses for street (like a 90mm f/2 for candids from a distance).
• Vlogging and YouTube: The X-S10 is the clear winner for dedicated video and vlogging use. It’s the only one with IBIS (for hand-held walk-and-talk stability) and the fully-articulating screen that can face you while filming. It also has the headphone monitoring option (via adapter) to ensure your audio is good. With X-S10 you can mount a shotgun mic on top, flip the screen out to the side, and vlog away – the IBIS + OIS lens combo smooths out motion. The X-E4 can serve in a pinch for simpler static vlogs: its screen faces front, and you could use the digital image stabilization (DIS) in video or a gimbal, but it won’t be as convenient or smooth as X-S10. The X-T30 II’s lack of forward screen and IBIS really put it at a disadvantage for vlogging, so unless you always have a camera operator, it’s not ideal.
• Portraits and People: All three can produce gorgeous portrait images thanks to the 26MP sensor and Fuji’s color/tonal renditions (the Classic Chrome and Pro Neg film sims are wonderful for skin). For casual portrait enthusiasts, the choice might come down to ergonomics. The X-S10 handles large aperture portrait lenses best (e.g. the 56mm f/1.2 or 50mm f/1.0) and its IBIS helps reduce shake at those short tele focal lengths. The X-T30 II works great too, especially if you prefer using its optical / mechanical shutter dial for control. The X-E4 can absolutely shoot portraits (and has a built-in flash for fill light if needed via the hot shoe unit), but if you’re working with an unwieldy lens or in a studio setting, it’s a bit less comfortable. Still, for environmental portraits or street portraits, the X-E4 with a 35mm f/2 or 50mm f/2 makes a nimble setup that subjects won’t find intimidating.
• Sports, Action, Wildlife: This is not the strong suit of any of these three, but if you had to pick – the X-S10’s better grip and larger buffer give a slight edge for telephoto shooting. The truth is, for fast action you’d ideally want Fujifilm’s X-T4, X-H2S or similar with advanced AF and bigger buffers. As DPReview concluded, “sports and action specialists that need the best autofocus… might want to look elsewhere. But for casual sports (kids’ games, etc.), they can do the job if you time your bursts. The X-S10 with the XF100-400mm (a stabilized lens) could handle some wildlife or airshow shots thanks to IBIS + OIS helping at long focal lengths. Just don’t expect cutting-edge tracking of fast subjects.
• Beginners and Students: The X-T30 II is often recommended as one of the best cameras for beginners in photography. It provides an engaging manual control experience that teaches the fundamentals (shutter, aperture, ISO) via tactile dials – yet it also has an Auto switch (Auto mode lever on top) that can take over when you just need a quick snapshot. “It’s everything a beginner photographer could ask for and more”, writes Digital Camera World, noting that it surpasses the simplicity of old entry-level DSLRs with the benefit of Fuji’s film simulations and cool retro look. The X-S10 is equally beginner-friendly (maybe more so, due to the familiar PSAM dial), and it even has an “Auto/SP” mode that engages scene recognition. Beginners who are coming from smartphone photography might appreciate the X-S10’s simpler interface. The X-E4 is actually the most stripped-down, so in a way it’s also easy for beginners (less buttons to confuse) – but it might frustrate some who want to change settings frequently, as you have to dive into menus more. For students in photography courses, the X-T30 II might be ideal: it encourages learning exposure via the classic dials and has no shortage of capability for projects, all in a budget-friendly body.
• Everyday Family and Travel Video/Photos: If you’re looking for a good all-around family camera, the X-S10 stands out because it does a bit of everything – “an excellent generalist photographers’ camera” as DPReview calls it. It’s great for capturing kids (the grip helps for one-handed shooting while holding a child!), IBIS helps in indoor low-light, and the video is good for home movies. The X-T30 II also works for this purpose, especially if you prefer a smaller form factor and don’t need the advanced video features. Many family users love the X-T30 series for travel and daily life – you get image quality far beyond a smartphone, in a compact body. Just remember it has shorter battery life (approx 325–380 shots per CIPA standard, which usually translates to a day of casual shooting). Carry a spare battery or a USB powerbank to top-up if needed (all support USB charging).
• Professional Backup or Second Camera: These cameras can serve as backup bodies for pros shooting Fuji. For instance, a wedding photographer using an X-T4 or X-H2S might use an X-T30 II or X-S10 as a lightweight second body. The image output will match well since it’s the same sensor. The limitations are the single card slot (pros prefer dual slots for instant backup) and no weather sealing, which pose some risk for critical jobs. However, many have successfully used an X-T30 or X-E3 in pro work. Among the three, an X-S10 might be the best backup for a pro – its controls are different, but its feature set (IBIS, etc.) is closest to flagship models. The X-E4, while capable, might be a bit too minimal for fast-paced pro work, unless you specifically need its stealth factor.

In a nutshell: Choose the X-E4 if you value compactness and style above all – for street/travel and everyday shooting with primes, it’s a joy. Choose the X-T30 II if you want the classic Fuji DSLR-style experience with direct dials in a small form, great for learning photography and general use. Choose the X-S10 if you want the most versatility – especially for video or using a variety of lenses – and you don’t mind the more modern control layout. Each can produce equally stunning photos; it’s really about which design fits your shooting habits. As one reviewer nicely put it: “Xe-4 is great if you’re really going to take advantage of its diminutive size… if you want a better all-around experience, go for the X-S10”.

Firmware, Features and Updates (as of 2025)

Fujifilm is known for supporting cameras with firmware updates that sometimes add significant features. Being 2020–2021 models, what’s the update status for these cameras in 2025?

• X-T30 II: Since it was a minor refresh itself, the X-T30 II hasn’t seen dramatic firmware feature additions. It launched with an improved feature set over the X-T30 (like the extra film simulations and higher LCD resolution), and Fuji mostly issued bug-fix updates. As of firmware v2.04 (Mar 2024), one change was a fix for an image transfer issue to smartphone. Notably, tethered shooting is not supported on the X-T30 II (nor was it on X-T30) – Fuji reserved tethering for higher-end models, so studio shooters requiring that feature won’t get it here. The camera Remote App and Wi-Fi/Bluetooth connectivity allow for wireless image transfer and remote trigger, which all three support.
• X-E4: The X-E4 also received minor updates and bug fixes (ex: addressing a glitch with exposure in rare cases). It did not get new film sims or features beyond what it launched with. By 2023, it was actually marked discontinued by many retailers (more on that in Pricing/Availability), so major firmware changes beyond stability fixes weren’t seen. The X-E4 was the last X-Trans IV sensor camera introduced (before Fuji moved to 5th-gen 40MP in newer models), and FujiRumors reported it would be the last to use that sensor generation – which turned out to be true until its 2025 successor.
• X-S10: The X-S10 benefitted from a couple of meaningful firmware updates. Firmware 2.00 (June 2021) added tethered shooting support and gimbal control via USB – great for studio or film-makers. It also added compatibility with Fujifilm’s webcam utility and improvements in autofocus algorithm (some of these under-the-hood AF tweaks often trickle down). Later updates (v3.00, v3.10) optimized aperture control and fixed minor bugs. By 2025, the X-S10 is superseded by the X-S20, so Fuji’s focus shifted, but the X-S10 in its mature firmware state is very polished. It already had features like 4:2:2 HDMI output, F-Log, etc. from the start, so it didn’t lack much.

Overall, none of these cameras gained revolutionary new functions via firmware – mainly refinements. It’s worth noting Fuji did introduce a new connectivity app, Fuji X App, in 2023, aiming to improve wireless transfer and remote shooting experience. These cameras can use the new app after firmware updates, which is a nice QoL improvement (the old Camera Remote app was clunky). But for the most part, an X-E4, X-T30 II or X-S10 in 2025 operates as it did at launch, just with any initial quirks smoothed out.

One small enhancement: the X-T30 II and X-S10 can now use the Fuji GT-Xpro file transmitter via USB for tethering (third-party solutions also exist). But aside from niche pro workflow tools, the features set remains the same.

In summary, you’re not missing out on much feature-wise by being in 2025 – these cameras are stable and refined. Just be aware that newer Fuji models (with X-Processor 5) have unlocked features these older ones can’t get (e.g. X-T5 and newer have Nostalgic Neg. film sim, improved autofocus with subject detection, etc., which the X-Trans IV models like these do not get via firmware). But given their price and target, they still hold up well for what they offer.

Current Pricing and Availability (August 2025)

As of August 2025, the landscape for these models has changed a bit. Here’s what buyers should know about price and availability in major markets:

• Fujifilm X-T30 II: Initially launched at $899 USD (body only) in late 2021, the X-T30 II could often be found around $799 on sale by 2023–24. In 2025, however, it’s become harder to find brand new. With the announcement of its successor, stock levels are low – for example, some retailers show it on backorder or out of stock. When in stock, it tends to hover around $800–$900 in the US for the body. In Europe, it was around €849–899 new for the body. In the UK, about £769 at launch body-only (and still in the £700-750 range when available). If you find a kit with lens, adjust accordingly (e.g. with 18-55mm usually around $1,299 originally). On the used market, the X-T30 II holds decent value – expect roughly $600 USD for a body in excellent condition (as of mid-2025), which is not far off new pricing due to scarcity. Availability: The X-T30 II is technically still current, but many retailers are awaiting its replacement. Fuji’s own shop listed it as backordered by early 2025, and some reports suggest it’s effectively discontinued as inventory sells through. Adorama showed no stock until summer 2025, according to one user. So if you want a new X-T30 II, you might need to grab it soon or opt for the upcoming model. (Fujifilm has hinted the “X-T30 II successor” is on the way in late 2025.)
• Fujifilm X-E4: The X-E4 launched at $849 USD body-only (and $1049 with 27mm lens) in March 2021. It was a hot seller initially, then went through supply issues and, surprisingly, was discontinued relatively early. By the end of 2023, Fujifilm stopped production of X-E4 – major US/UK retailers marked it “no longer available new”. This led to a spike in used prices during 2024: at one point, used X-E4 bodies were listing for $1200–1500 (well above original MSRP) due to scarcity and increased demand from the TikTok/retro camera craze. It was called “insanely expensive right now” on the used market by mid-2023. In 2025, with the announcement of the X-E5 (the successor) in June, the pressure eased a bit. Still, brand new X-E4 units are virtually impossible to find outside of remaining stock in some regions. If found, they might actually still tag around the original $849 price – but most likely you’ll be looking at used. Used prices in mid-2025 for X-E4 body hover around $700–$900 depending on condition (lower than the peak frenzy, but still holding value). In Europe, expect ~€800 used. Availability: Essentially discontinued – your best bet is used marketplaces or perhaps small dealers with old stock. If you specifically want the X-E form factor, the X-E5 is now the option (though at a much higher price of $1699, since it’s a big upgrade).
• Fujifilm X-S10: The X-S10 launched at $999 USD body in late 2020, and was often on sale for ~$899 by 2022. It was officially discontinued in 2023 when its successor X-S20 was released (the X-S20 came out in mid-2023 at $1,299). Many retailers cleared out X-S10 stock around that time. By 2025, you generally won’t find brand new X-S10s in big stores; however, some camera shops or online sellers might have new-old-stock around the ~$800 mark. Used X-S10 bodies are readily available and tend to go for $600–$700 USD depending on condition. For instance, a quick check shows KEH and MPB (used gear retailers) listing X-S10 in the high $600s. Given that the X-S20 is pricier, the X-S10 remains a budget-friendly way to get IBIS and Fuji tech. Availability: effectively discontinued new. If you prefer new and can’t find X-S10, you’d look at the X-S20 (which is significantly more expensive but adds a new processor, 6K video, bigger battery, etc.). But if cost is a concern, a second-hand X-S10 is one of the best value deals in Fuji’s lineup as of 2025, often labeled “excellent mid-range camera for the money” in reviews.

In major global markets:

• United States: The above USD prices apply. Amazon, B&H, Adorama show X-T30 II occasionally in stock around $899, X-E4 out of stock, X-S10 discontinued (some smaller retailers might have it around $799).
• Europe (Euro zone): The X-T30 II and X-E4 were ~€900 new; now, if found, similar or slightly less. The X-S10 was ~€950 new, replaced by X-S20 at ~€1299.
• UK: The X-T30 II was £769 launch (body), X-E4 £799 launch, X-S10 £949 launch. Street prices fell a bit before discontinuation. In 2025, you might find an X-T30 II around £700 if any stock, X-E4 likely only used ~£600+, X-S10 used ~£500-£600.
• Asia: In Japan, these were popular; you may actually find new units longer there. The X-E4, for instance, was listed as discontinued in Japan earlier, but second-hand shops in Tokyo had them at a premium until X-E5 announcement. Pricing in yen was around ¥95,000 for X-T30II, ¥90,000 for X-E4 at launch.

One thing to consider: With newer models released (X-S20, X-E5, X-T50 soon), the older models can be bargains if you don’t need the latest sensor. For example, if you’re on a budget, an X-S10 at $600 used is fantastic value for a stabilized 26MP camera. Likewise, an X-T30 II around $700 is a great deal if found, considering it’s basically an X-T4 image quality for a fraction of the cost (just with fewer bells and whistles).

Conversely, if prices for used X-E4 climb too high (near $1000), one might argue you’re better off paying a bit more for the new X-E5 (which, though $1699, offers significantly more). But many Fuji shooters simply love the X-E4 for what it is, and its value as a collector camera has oddly risen (the “last of its kind” appeal).

Finally, check Fujifilm’s official refurbished store if in the US – they occasionally stock refurbs (for instance, Fuji’s site had X-T30 II kits and X-S10 kits on refurb sale, e.g. an X-T30 II + 15-45mm kit for around $900). Those come with warranty and can be a good middle ground.

In summary: X-T30 II – around $800 if you find it, but limited stock as it’s being phased out. X-E4 – essentially only used, expect ~$800, and watch out for overpriced listings due to its discontinuation. X-S10 – discontinued but abundant used, ~$600-700, a steal compared to its $1000 original price.

Major retailers: If you’re shopping, here are direct links – Fujifilm’s official product pages (which have specs and dealer locators) and some retailer pages:

• Fujifilm X-T30 II official page (Fujifilm USA) – includes “Shop Now” link to Fujifilm’s online store. Major retailers: B&H Photo has it listed at $899 (if in stock); Adorama similar pricing; Amazon listings vary (as of recent, Amazon showed it only via third-party sellers around $1100 which indicates scarcity).
• Fujifilm X-E4 official page – (Fujifilm US link would be on their site, though it may be hidden since discontinued). Retailers: B&H lists it as discontinued; Amazon had some third-party offers around $1,200 which confirms the inflated market.
• Fujifilm X-S10 official info – Fujifilm USA archived page. Retail: essentially replaced by X-S20 on B&H etc. Your best bet for X-S10 is used: MPB, KEH, eBay.

(Always double-check current prices, as these fluctuate. Also consider bundle deals – sometimes you can snag a kit with lens at a favorable total price.)

Expert Opinions and Reviews in Brief

It helps to hear what the experts and seasoned reviewers have said about these cameras. Here are a few choice quotes and insights:

• On X-T30 II: “It looks good and it’s fun to use – the Fujifilm X-T30 II is everything a beginner photographer could ask for and more!” (DigitalCameraWorld). Reviewers often praise that despite being an “entry” model, it punches above its weight. PhotographyBlog noted the Mark II’s improvements, stating it “offers main improvements of a higher-resolution LCD screen, 1080p/240fps slow-mo, two extra film simulations, improved Auto mode, and improved AF with greater low-light sensitivity” over the original. In DPReview’s video shootout, they found image quality identical between X-T30 II and X-S10 – it really came down to preference and feature needs (stabilization vs. size, etc.). Bottom line: The X-T30 II is often recommended as the sweet spot Fuji for those who want X-T4 performance in a simpler, cheaper form. It even became one of Fuji’s best-selling mirrorless models on Amazon at one point, showing its popularity.
• On X-E4: DPReview gave it an 85% Silver Award, concluding, “The X-E4 is a stylish camera capable of excellent image quality and packed with useful features. It’s the brand’s smallest X-mount offering and a good choice for street, travel, and generalist photographers… [But] the only thing the X-E4 doesn’t excel at is AF tracking; quite a few competitors offer better tracking and face/eye detection.”. In other words, for its intended use (casual to enthusiast shooting in a compact form) it’s great, but action shooters might want more. Many reviews loved the design – “I wonder whether Fujifilm went a little too minimalist on the X-E4,” DPReview mused, but acknowledged you can adapt via the touchscreen customization. PetaPixel’s hands-on said the X-E4 “is essentially an X100V with interchangeable lenses” – delivering that experience with more flexibility. They and others pointed out the irony that the X-E4 was discontinued so soon, elevating it almost to cult status. If you enjoy photography as an aesthetic experience, the X-E4 provides that in spades. Just be ready to work within its minimalist control set.
• On X-S10: This camera garnered a lot of positive press. DPReview’s review rated it 86% and commented, “The Fujifilm X-S10 is an excellent generalist camera. It has great image quality, strong video quality and features, and fast burst speeds… Our only real reservation is its autofocus tracking, which has fallen behind rivals”. They gave it a Silver Award as well. PetaPixel’s review (by Ted Forbes) dubbed it “The Welterweight Challenger”, emphasizing that Fuji delivered a knockout feature set at $999: “You’re going to see the same high-level image quality from a flagship model, [and] Fujifilm has included an impressive feature set… there are of course some small compromises (no weather sealing, smaller buffer)… But it’s an impressive package considering the price.”. In particular, he praised the ergonomics and build: “It reminds me of some of the nice compact designs from Olympus, and the ergonomics are excellent for a small camera.”. The inclusion of IBIS drew big applause; as one reviewer put it, “the X-S10 offers a lot of the features of the flagship X-T4” (same sensor, IBIS, similar video), “in a smaller, lower-cost body” dpreview.com dpreview.com. Many consider the X-S10 a sleeper hit – not as “charismatic” as Fuji’s retro bodies, but arguably one of the best value all-round APS-C cameras of its generation. Rtings.com, which does lab testing, actually rated X-S10 slightly higher than X-T30 II for versatility, mainly due to IBIS and video advantages.

To sum up the vibe: X-T30 II is loved for its blend of performance and classic Fuji charm (“high on my list if I started photography over again” says one editor). X-E4 is adored by those who value compactness and style (often mentioned in the same breath as the X100V for providing that retro rangefinder joy). X-S10 is respected as possibly the best choice for most people who just want great photos/videos without fuss – as one commenter on DPReview forums put it, “if you want a better all-around experience, go for the X-S10. And remember – having that stabilization creates a whole world of opportunities”.

What’s Next? – Fuji’s Latest and Upcoming Cameras (X-T50, X100VI, X-Pro4 & More)

Fujifilm hasn’t been resting – since these models came out, there have been new releases and plenty of buzz about upcoming cameras in late 2024 and 2025. Here’s a brief update on the current news and rumors for context:

• Fujifilm X-T50: The X-T30 II’s successor arrived in June 2024, not as “X-T40” but leapfrogging to X-T50 in name. And it’s a big upgrade – essentially bringing the X-T5’s 40MP sensor and IBIS into a mid-range body. The X-T50 has the 40.2MP X-Trans CMOS 5 HR sensor (same as X-T5), the latest X-Processor 5, 5-axis in-body stabilization, and can shoot up to 6.2K/30p video or 4K/60p 10-bit internally. In other words, it offers “virtually all the features of the X-T5 in a much smaller body”. It even gained a new film simulation mode dial on top (like X-S20 has a mode dial). It’s a blend of old and new – still has retro shutter dial, but more modern internals. The X-T50 launched at $1,399 USD (body), positioning it higher than the X-T30 II was. Fujifilm’s press release frames it as a step-up model. For those comparing, the X-T50’s notable specs: 8 fps mechanical burst (unchanged), 20 fps electronic (like before), improved AF with subject detection (thanks to processor 5), articulating 3” screen, and finally – Fujifilm included weather sealing on it (which previous X-Txx lacked). Reviews from PhotographyLife noted “this lightweight, 40MP camera succeeds the X-T30 II”, and CineD said “features of X-T5 in smaller form… 40MP, IBIS, 6.2K video… for $1399”. So if you’re eyeing an X-T30 II in 2025, know that the X-T50 is out with significantly more capability, albeit at a higher price. Fuji indicated they would continue selling X-T30 II alongside X-T50 for a while, to offer a lower-cost option, but likely the X-T30 II stock will dry up. If budget isn’t an issue, the X-T50 is a compelling “new mid-range” option with cutting-edge tech.
• Fujifilm X100VI: The successor to the famed X100V was officially announced in Feb 2024 (at the X Summit Tokyo) and released soon after. The X100VI (6th-gen of X100 series) turned out to be massively popular – even more than the X100V, which was already a cult hit. Key upgrades: it uses the 40MP sensor and X-Processor 5, bringing it to parity with Fuji’s latest in image quality cined.com. Astonishingly, Fuji managed to add IBIS into the X100VI – the first time the fixed-lens X100 series gets stabilization cined.com. They also improved video: X100VI can shoot 6.2K open-gate video (that’s 6240×4160, using the full sensor 3:2) at 30p, and 4K up to 60p, with 10-bit 4:2:2 internal recording cined.com. It also has other enhancements like built-in 4-stop ND filter, improved 0.5x magnification OVF/EVF hybrid, and a new tilting LCD (finally, an X100 with a tilt screen). The lens remains a 23mm f/2, but rumored to have minor optical tweaks for the 40MP resolution. Demand for X100VI has been sky-high – Fujifilm exec Yuji Igarashi noted that “the number of pre-orders on Day One was so big that some people have been waiting for a year… we’ve already sold in one year what [previous X100 models] sold in 3-4 years”. This led to a backlog and short supply (just like the X100V had). Fuji has been ramping up production to catch up, but if you want an X100VI, expect to either join a waitlist or pay a premium. The MSRP is about $1,599 USD (body – well, fixed lens camera). Many are tempted by the X100VI as an alternative or complement to an X-E4/X-T30 II, since it’s a self-contained compact with unique charm. If you missed the X100V craze, the X100VI is the new hotness – just be prepared for scarce availability for a while. The X100VI’s success indirectly affected the X-E4 too: some who couldn’t get an X100V/VI turned to X-E4 with a pancake lens as the next closest thing. Now with X100VI out (albeit hard to get), we might see some shift.
• Fujifilm X-Pro4 (or X-Pro5?): The X-Pro line has loyal fans, and they’ve been waiting since 2019’s X-Pro3. Fujifilm has confirmed that a successor to the X-Pro3 is in development and that “our plan hasn’t changed” regarding the X-Pro series. However, they have not released it as of Aug 2025. There’s speculation that Fuji might skip calling it “X-Pro4” and name it X-Pro5 to align with the 5th-gen sensor (since by release it will likely use the new 40MP sensor and X-Processor 5). “I wouldn’t bank on it necessarily being called X-Pro4… we could actually be looking at X-Pro5,” notes Digital Camera World. The expected launch is a bit of a moving target – many analysts now predict late 2025 or early 2026 for the X-Pro3 successor. FujiRumors has suggested not to hope for it in 2025, likely 2026. Why the delay? Possibly Fuji wanted to skip the 26MP generation for X-Pro and wait to incorporate the new tech (there were also pandemic and supply delays). Fans are eager for what it will bring: certainly the signature hybrid optical/electronic viewfinder will remain, and Fuji’s execs hinted they will keep the unique elements like the hidden rear screen (which on X-Pro3 flipped down and had a “film sim” sub-monitor). We can expect weather sealing, perhaps the same 40MP sensor as X-T5, improved AF, etc. Some even wonder if Fuji might do something radical like a monochrome-only X-Pro variant (just speculation). Regardless, rangefinder-style aficionados have the new X-Pro on their radar. Until then, the X-Pro3 itself, although discontinued, is still valued by many – but note it had some durability issues (the rear LCD cable failure) that Fuji had to address, which might factor into the new model’s design.
• Other Fuji News: Fujifilm has been busy. In 2022-2023 they released the 40MP X-H2 and 26MP stacked X-H2S (their high-end models), the X-T5 (40MP, essentially a mini X-H2 with retro controls), and in 2023/24 the lower-tier X-T5 generation models: X-S20 (successor to X-S10, with X-Processor 5, same 26MP sensor but much improved battery and 6.2K video, plus a vlogging mode, at $1,299) and X-E5 (just launched August 2025). The X-E5 is particularly interesting because it leapfrogs the X-E4 hugely: it has the 40MP sensor and IBIS in that small body, essentially making it an “X-Pro lite.” It’s also priced accordingly high ($1699 body). Early reviews (e.g. PetaPixel) say “The X-E5 is internally an X-T50 in a smaller body. It gets the same great 40MP sensor… and 5-axis IBIS”. So Fujifilm is clearly pushing their mid-tier cameras upmarket in specs (and price). For someone looking at an X-E4 vs X-T30 II vs X-S10 in 2025, you should also be aware of these new options: the X-E5 (if you love rangefinder style and can stretch the budget), the X-T50 (if you were leaning X-T but want latest tech), or the X-S20 (if video and battery life are priorities, since X-S20 uses a bigger battery doubling the shots per charge over X-S10).
• Rumors of other models: There’s chatter about an X-T100 line revival or X-M series for entry-level – indeed Fuji released an X-M5 in 2024 in some markets, essentially an X-T200 successor with the new processor. But those are more niche. The main ones enthusiasts ask about are the X100 (which we covered – X100VI is here and immensely popular) and the X-Pro (coming eventually). Also, medium format GFX has new stuff (like GFX100 II in 2023, GFX “Eterna” video camera in 2025). But for APS-C mirrorless, the focus is on transitioning everything to the 5th-gen platform.

In summary, Fujifilm’s 2025 lineup is moving upmarket: mid-tier models now have flagship sensors and IBIS, but cost more. For someone reading this comparison – if your budget allows and you want more future-proof specs, consider the X-T50 or X-E5 or X-S20. They offer things like 40MP resolution (great if you print large or crop a lot), better autofocus (including AI subject detection for things like animals, vehicles, etc.), and improved battery life (X-S20 got the new battery). However, if value for money is key, the X-T30 II, X-E4, and X-S10 are still extremely relevant in 2025. They deliver 90% of what most photographers need at a fraction of the cost of the new models. The 26MP sensor is no slouch – it’s well-tested, and some even prefer its pixel size for low-light vs the 40MP. These older models also tend to have better availability and lower prices on the used market, making them savvy buys for enthusiasts.

To wrap up: The Fujifilm X-T30 II, X-E4, and X-S10 each offer a flavorful take on Fuji’s formula – be it the dial-filled retro SLR style, the minimal rangefinder, or the modern all-rounder. In 2025, they remain excellent tools for creating images and videos, supported by a robust system of lenses and Fuji’s ongoing commitment to the X-mount. Depending on your shooting style – whether you’re a travel storyteller, a street photography purist, or an aspiring hybrid shooter – one of these will feel just right. And with Fujifilm’s new releases on the horizon, you have clear upgrade paths too, whenever you’re ready. Happy shooting!

Sources:

• Fujifilm X-T30 II – DPReview specifications and review comments; PhotographyBlog comparison.
• Fujifilm X-E4 – DPReview review (Conclusions on size, image quality, AF); PetaPixel first impressions.
• Fujifilm X-S10 – DPReview review (Conclusion); PetaPixel review (Ted Forbes); DigitalCameraWorld coverage.
• Feature and spec references – DPReview and Imaging-Resource spec pages (burst rates, EVF specs, etc.) dpreview.com; CineD and Fuji press releases for X-T50 and X100VI cined.com.
• Pricing/availability – Amateur Photographer news on discontinuations; Fuji Rumors / FujiXWeekly on used pricing; Retail listings from B&H.
• Upcoming models – DigitalCameraWorld “camera rumors 2025” (Fujifilm section); DPReview interview at CP+ 2025; Fuji Rumors and Reddit discussions on X-Pro line.