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Olympus OM System Cameras in 2025: 10 Shocking Facts & Latest Updates

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Olympus OM System Cameras in 2025: 10 Shocking Facts & Latest Updates

Key Facts & Highlights

  • Olympus Reborn as OM System: After Olympus sold its camera division, OM Digital Solutions now carries the torch with the OM System brand, focusing on Micro Four Thirds cameras for adventurous photographers dpreview.com dpreview.com. The change has brought a more nimble company ethos while preserving Olympus’s legacy of innovation.
  • Flagship Performance: The current flagship OM System OM-1 Mark II packs a 20MP stacked CMOS sensor and shoots bursts up to 50 fps with full autofocus (120 fps with locked AF/AE), unmatched by any comparably priced camera petapixel.com dpreview.com. It delivers industry-leading 8.5-stop image stabilization and advanced AI subject detection AF dpreview.com dpreview.com, making it ideal for wildlife and action photography.
  • Vintage-Inspired Addition: OM System OM-3 (launched Feb 2025) wraps essentially the OM-1 Mark II’s internals in a retro-designed, weather-sealed body inspired by 1970s Olympus film cameras bhphotovideo.com photographyblog.com. Priced at $1,999, it’s a stylish enthusiast camera with the same 20MP stacked sensor – the cheapest camera with a stacked sensor to date – and special creative controls like a film-color Creative Dial dpreview.com dpreview.com.
  • Mid-Range Workhorse: The OM System OM-5 Mark II (mid-2025) updates 2022’s OM-5 with refinements like USB-C connectivity (finally replacing micro-USB) and an improved menu system dpreview.com dpreview.com. At ~$1,199, it shares the 20MP sensor and TruePic processor of its predecessor, making it a durable, compact all-rounder for travel and outdoor shooting dpreview.com dpreview.com.
  • Tough Series Returns: The Tough TG-7 (late 2023) marks the first rugged Olympus/OM System camera under the new brand. It’s waterproof to 15m/50ft, shockproof, freezeproof, and features specialized macro and underwater modes dpreview.com tomsguide.com. Essentially an incremental update to the popular TG-6, the TG-7 caters to adventurers needing a camera that smartphones can’t beat in extreme conditions.
  • Lens Ecosystem & Micro Four Thirds: OM System continues to champion the Micro Four Thirds (MFT) format, offering class-leading in-body stabilization, computational features (Live ND, handheld hi-res), and telephoto reach in a small kit petapixel.com. There are over 100 native MFT lenses available (from OM System, Panasonic, and third-parties), from tiny 9mm f/1.7 ultrawides to monster 800mm-equivalent zooms, giving photographers an unmatched range of creative options petapixel.com. In 2025, OM Digital released updated M.Zuiko primes (17mm and 25mm f/1.8 II) and a 100-400mm II zoom to complement new cameras bhphotovideo.com bhphotovideo.com.
  • OM Digital’s Strategy: The new OM System brand is doubling down on outdoor and wildlife photography, emphasizing portability without sacrificing performance dpreview.com dpreview.com. Executives affirm that formats like MFT still have a bright future, serving photographers who value compact gear with big capabilities over the bulk of full-frame dpreview.com. Signature features like Pro Capture (pre-buffering images before shutter press), Live Composite, and in-camera Focus Stacking set OM System apart for creative shooters.
  • Competitive Landscape: In an era dominated by full-frame hype, OM System cameras carve out a niche. “It’s the best Micro Four Thirds camera ever made and one of the most capable cameras in any format,” PetaPixel said of the OM-1, noting its unparalleled speed and stellar image quality petapixel.com. Compared to APS-C and full-frame rivals, OM cameras offer similar pro features (weather sealing, 4K video, AI autofocus) but in a smaller, lighter package – a wildlife setup that might weigh half as much as an equivalent full-frame kit petapixel.com. That said, larger sensors from Sony, Canon, and Nikon still hold an edge in sheer resolution and low-light performance, so OM System plays to its strengths of mobility and innovation.
  • Upcoming Rumors: Looking ahead, rumors suggest OM Digital may revive other classics. There’s chatter about a PEN-F II to continue the PEN line’s heritage digitalcameraworld.com, and even a digital revival of the Olympus Trip 35 film compact as a fixed-lens camera for street photography digitalcameraworld.com. While the entry-level E-M10 line appears discontinued (no OM-10 is planned) digitalcameraworld.com, OM Digital hints that the PEN series will fill the beginner-friendly role with new models in the future digitalcameraworld.com. No official word yet on a pro sports-oriented OM-1X successor, but the door remains open as OMDS expands its lineup.
  • Accessories & Software: OM System supports its cameras with a robust ecosystem of accessories and software. The OM Workspace desktop software (free) provides RAW editing and even AI-powered noise reduction for OM shooters, and OM Capture/Tether tools cater to studio workflows. The OI.Share (OM Share) mobile app enables wireless image transfer and even remote shooting. On the hardware side, OM offers weather-sealed flashes, the STF-8 twin macro flash for close-ups, underwater housings (e.g. PT-059 for the TG-7), and the new RM-WR2 wireless remote for shake-free long exposures bhphotovideo.com. In short, the system is well-rounded for enthusiasts and pros alike.

From Olympus to OM System: A New Era

In 2021, Olympus Corporation made the tough decision to sell its century-old camera division. The business was transferred to OM Digital Solutions, a new company under Japan Industrial Partners, which now produces cameras under the OM System brand dpreview.com dpreview.com. Freed from Olympus’s corporate shadow (which had prioritized its medical equipment arm), the imaging team gained agility. “OM Digital Solutions was reborn as an imaging business… better able to focus specifically on photography customers,” explains Shigemi Sugimoto, OMDS’s CEO dpreview.com dpreview.com.

Crucially, OM Digital retained the engineering talent and design philosophy that made Olympus cameras iconic – from the OM-D mirrorless line’s weather-sealing and 5-axis stabilization to the PEN series’ blend of style and substance. The first product of this new era, the OM System OM-1 in 2022, carried both the Olympus legacy (it was even badged “Olympus” on the pentaprism as a sentimental touch) and the new OM System logo digitalcameraworld.com. Since then, all new cameras bear only the OM System name.

OM Digital’s strategy centers on what it calls the “mindset of adventure.” The company is targeting outdoor photographers and wildlife enthusiasts, those who appreciate a lighter kit for hiking or travel but still demand pro-level performance dpreview.com dpreview.com. In an interview at CP+ 2023, OMDS executives emphasized that Micro Four Thirds fits these needs perfectly: “The greatest advantage of the OM-1 is the portability of the system, matched with performance… shooting at a focal length of 1000mm equivalent at F5.6 with the size and weight of the M.Zuiko 150-400mm F4.5… ideal for photographers who walk around in the field.” dpreview.com dpreview.com This encapsulates OM System’s pitch: you can achieve extreme telephoto reach and unique techniques without the back-breaking gear.

Another cornerstone is computational photography. Olympus pioneered features like Live Composite (for stacking long exposures in-camera) and high-resolution sensor-shift modes; OM Digital continues this innovation spree. The new OM cameras lean heavily into “AI” – from subject recognition autofocus (trained via machine learning to detect birds, animals, cars, and more) to handy tools like Starry Sky AF (which can autofocus on stars for astrophotography). All of this signals that OM System, as a smaller company, is playing to its strengths: innovation, not brute sensor size. As one camera reviewer noted, “OM System has continued to offer things you won’t find in other systems, such as class-leading in-body image stabilization and LiveND… 50 frames per second at a sub-$2500 price point. Nowhere else will you find absolutely tiny 120mm equivalent macro lenses or 300-1200mm equivalent zoom lenses.” petapixel.com In other words, OM Digital is doubling down on the niche Olympus built – and photographers are still on board.

OM System Camera Lineup (2025): OM-D, PEN, and Tough

OM Digital Solutions has streamlined the Olympus product lineup into a clearer hierarchy under the OM System banner. In 2025, there are three main series of cameras:

OM-D Series: Flagship and Enthusiast Mirrorless Cameras

The OM-D series (now simply referred to by OM System model numbers) comprises the interchangeable-lens Micro Four Thirds cameras, ranging from high-end professional bodies to mid-range enthusiast models. Let’s break down the current lineup:

OM System OM-1 Mark II, the 2024 flagship, continues Olympus’s OM-D legacy with top-of-the-line speed, weather sealing, and in-body stabilization. dpreview.com dpreview.com

  • OM System OM-1 Mark II: The flagship released in early 2024, this is the successor to the original OM-1 (2022) and the spiritual continuation of Olympus’s E-M1 series. The OM-1 Mark II uses a 20.4MP Stacked BSI Live MOS sensor (Four Thirds size) and the latest TruePic X processor, delivering blazing fast performance. It can shoot up to 50 fps with continuous AF/AE tracking and even 120 fps with focus/exposure locked dpreview.com – figures that put it in an elite class of speed, rivaling pro sports cameras that cost far more. In fact, “Is there anything else that can do 50fps with full autofocus and autoexposure? No.” noted PetaPixel bluntly petapixel.com. The OM-1 Mark II also offers advanced computational features inherited from Olympus: Handheld High-Res Shot (50MP images without a tripod), Tripod High-Res (80MP), LiveND filters (simulate up to ND64), and the crowd-favorite Pro Capture mode, which buffers shots to never miss a fast action moment bhphotovideo.com bhphotovideo.com. Autofocus got a boost over the original OM-1: the Mark II has updated AI algorithms and more memory, improving subject recognition and tracking, especially for birds and wildlife dpreview.com dpreview.com. This model also introduced a new high-magnification 5.76M-dot EVF (0.83×) for a bigger, clearer view dpreview.com. Like its predecessor, the OM-1 II is built tough – fully weather-sealed to IP53 (splash, dust, freeze-proof) and featuring dual UHS-II card slots for reliability dpreview.com. It launched at a price of $2,399 body-only dpreview.com. For professionals and serious enthusiasts in the Micro Four Thirds system, the OM-1 Mark II currently sits at the top of the OM lineup, excelling in fast action, wildlife, and outdoor photography.
  • OM System OM-3: Announced in February 2025, the OM-3 took many by surprise – it’s a new tier in the lineup that doesn’t directly replace any prior Olympus model dpreview.com. Priced at $1,999 (body), the OM-3 slots just below the OM-1 II and targets enthusiast photographers who value a retro aesthetic and compact form, but still want high-end performance. Essentially, OM Digital took the OM-1 Mark II’s sensor and guts and put them in a beautifully designed throwback body photographyblog.com photographyblog.com. The OM-3 has a flat-top, silver-and-black body evoking the classic Olympus OM-1 film SLR from the 1970s bhphotovideo.com. There’s no front grip and it’s noticeably slim and wide, reinforcing that vintage feel dpreview.com dpreview.com. Despite the old-school look, the internals are modern: the same 20MP stacked BSI sensor as OM-1 II, TruePic X processor, and 1053-point cross-type phase-detect AF covering 100% of the frame photographyblog.com. It shoots 50 fps bursts with C-AF (120 fps with locked AF) just like the flagship photographyblog.com, and even improves on the OM-1 II in a couple of ways (the buffer can clear unlimited shots at 120 fps, versus 92-frame limit before) photographyblog.com photographyblog.com. However, to hit a lower price, some features are dialed back: the OM-3 has slightly less powerful stabilization (6.5 EV vs 8.5 EV) photographyblog.com, a single SD UHS-II card slot (instead of dual slots) photographyblog.com, and a more modest 2.36M-dot EVF (taken from the older OM-5) photographyblog.com. What makes the OM-3 special is its handling and creative controls. It introduces a top-mounted Creative Dial (inherited from the cult-favorite Olympus PEN-F) that lets you toggle through film-style color/monochrome profiles easily dpreview.com dpreview.com. There’s also a dedicated CP (Computational Photography) button on the back, giving quick access to OM’s unique modes (Live Composite, HDR, focus stacking, etc.) photographyblog.com. These tactile controls encourage a more deliberate, creative shooting process – aligning with the OM-3’s vibe as a travel/street camera for visual storytellers. Importantly, OM Digital confirmed that the OM-3 is effectively “the replacement for the much-loved Olympus Pen-F”, a camera known for its design and JPEG color tweaks photographyblog.com. Unlike the Pen-F, though, the OM-3 is fully weather-sealed (IP53), so you can take it out in rain or dust without worry photographyblog.com photographyblog.com. Early reception was positive: photographers love the blend of nostalgia and tech. Digital Camera World noted the OM-3 was “monumentally well-received” and it filled a gap for a premium, rangefinder-style body in the OM lineup digitalcameraworld.com. If you want near-flagship speed and quality in a smaller, stylish package, the OM-3 delivers. Just don’t expect new sensor tech – this is more about form factor than breaking performance barriers photographyblog.com. OM System OM-3 in silver finish, shown with the compact 17mm f/1.8 prime lens. The OM-3 packs the flagship’s sensor and features into a retro weather-sealed body, including a creative film profile dial on the front. photographyblog.com photographyblog.com
  • OM System OM-5 Mark II: Hot off the press in mid-2025, the OM-5 Mark II updates the mid-range spot formerly held by the Olympus E-M5 series. The original OM-5 (released late 2022) was essentially a repackaged Olympus E-M5 Mark III, and it was also the first camera to drop the Olympus name from the body in favor of OM System branding dpreview.com. The Mark II version, launched about 3 years later, is a mild refresh – think of it as an “OM-5.1” rather than a radical overhaul. It retains the same 20MP Live MOS sensor (non-stacked) and TruePic IX processor as the original OM-5 dpreview.com, so image quality and core speed are similar. However, OM Digital listened to user feedback and addressed a couple of pain points. Most notably, they upgraded the port to USB-C for charging and data, finally retiring the outdated micro-USB that the 2022 OM-5 was criticized for dpreview.com. This change aligns with modern standards (and EU regulations) and makes on-the-go charging easier. The OM-5 II also got the revamped menu system that debuted in the OM-1 and OM-3, with more intuitive navigation and explanatory prompts for greyed-out settings dpreview.com dpreview.com. A small ergonomic tweak was made too: the grip is slightly enlarged for better handling, despite the camera’s compact size dpreview.com. Otherwise, the OM-5 Mark II sticks to what made the OM-5 a solid enthusiast camera: it’s weather-sealed (IP53), has 5-axis in-body IS up to 6.5 stops (or 7.5 stops Sync IS with compatible lenses), and offers advanced computational modes like Live Composite, Live ND, and 50MP Handheld High-Res Shot dpreview.com photographyblog.com. Continuous shooting tops out at 30 fps (with AF) on this model, and it inherits the earlier OM-5’s 121-point phase-detect AF system (which is good, though not as sophisticated as the flagship’s AI AF). Notably, the OM-5 II added unlimited video recording (the original had a 30-minute limit) and even vertical video support – catering a bit to vloggers and content creators. At around $1,199 USD for the body, the OM-5 Mark II aims to be a versatile workhorse. As PetaPixel put it, while the OM-1 Mark II is the “pinnacle of OM tech, the $1,200 OM-5 Mark II will probably be the workhorse of the lineup,” expected to be the go-to for many general users petapixel.com. In summary, the OM-5 II is about refinement over revolution. It keeps the small, lightweight build (just ~414 g) beloved by travel and hiking photographers, yet packs weatherproofing and image stabilization that few competitors offer at this size. Its introduction also shows OMDS’s commitment to iterating on mid-tier models to keep them fresh. With the OM-5 II now out, the original OM-5 and older E-M5 Mark III will likely phase out, solidifying this model as the mid-level linchpin in the OM System.
  • Other OM-D Models: As of 2025, OM Digital’s focus is on the above three OM System-branded bodies (OM-1 II, OM-3, OM-5 II). However, there are a few older Olympus-era models still in circulation or serving certain niches:
    • The OM System OM-1 (original) from 2022 remains an excellent camera and is the last model with “Olympus” on the front. It shares most specs with the OM-1 Mark II, save for the incremental improvements the Mark II brought (better AF, upgraded EVF, etc.). OMDS has been known to continue selling previous flagships at a lower price once the Mark II version arrives. For budget-conscious shooters, the 2022 OM-1 at around $1,999 (new, now often on sale) is still a compelling high-speed MFT body.
    • The Olympus OM-D E-M1 Mark III (2020) and E-M1X (2019) were Olympus’s last pro bodies before the transition. The E-M1 III, with a 20MP sensor and 18 fps shooting, was effectively superseded by the OM-1. The E-M1X was a bulky, built-in grip body for sports (with unique AI AF for trains, planes, etc.), and it hasn’t seen a direct replacement yet. Both are discontinued but can be found on the used market – they demonstrate how far Olympus had pushed MFT for pro use.
    • The Olympus OM-D E-M10 Mark IV (2020) represents the entry-level tier with a 20MP sensor in a small, beginner-friendly body. Interestingly, OM Digital has not released a new “OM System OM-10” or any successor, and recent reports suggest this line might be discontinued rather than reborn digitalcameraworld.com. Despite the Mark IV still being sold (and popular as one of the “best cameras for beginners” digitalcameraworld.com), OMDS appears to be positioning the PEN series to cover the entry segment instead. Production of new E-M10 units may cease, which makes the Mark IV possibly the last of its kind. If you want an affordable, compact Olympus-bodied camera with a built-in viewfinder, grabbing an E-M10 Mark IV while they last might be wise. (Fun fact: even pop superstar Taylor Swift uses an E-M10, which caused a minor viral stir – proving the E-M10’s appeal to style-conscious casual shooters digitalcameraworld.com digitalcameraworld.com!)

In summary, the OM-D lineage has evolved: OM System now offers a flagship (OM-1 series), an enthusiast retro option (OM-3), and a mid-tier (OM-5 series). The older lines (E-M5, E-M10) are either merged into these or on hiatus. All current models share Olympus’s famous strengths: five-axis image stabilization, rainproof weather sealing, and computational modes that few competitors match.

PEN Series: Olympus PEN and the Future of Stylish Compacts

The Olympus PEN series has long been the sleeker, rangefinder-styled sibling to the OM-D line. PEN cameras eschew built-in viewfinders (except the PEN-F) in favor of compact size and retro chic. They’ve been popular among travel photographers and bloggers – essentially, anyone wanting DSLR-quality images in a jewel-like body. Under OM Digital, the PEN line has been quiet but not forgotten:

  • Olympus PEN E-P7: Introduced mid-2021 (in select markets), the E-P7 is the latest new PEN model. It’s a minimalist camera with a 20MP sensor, in-body 5-axis IS, and a tilting LCD – essentially a modern refresh of the PEN concept. Notably, OM Digital released this after the JIP transition, signaling an intent to keep PEN going. The E-P7 inherited the PEN-F’s signature feature: a dedicated Profile/Color Film filter lever on the front, to toggle between normal color, art filters, and monochrome profiles. With no EVF, it’s all about composing via the rear screen, but that keeps the camera very slim. The E-P7 was not widely released in North America, but in Europe and Asia it served as a trendy mid-range option for Olympus fans. It remains on sale in some regions as of 2025.
  • Olympus PEN E-PL10: The PEN “Lite” series (E-PL) were entry-level PEN models. The E-PL10 (2019) was the last of these, a minor update to E-PL9 with a flip-down selfie screen and 16MP sensor. By now, a 16MP sensor is dated (all other OM/Oly cameras are 20MP), and the E-PL10’s internal tech lagged behind. It is still available at low cost, but OM Digital hasn’t replaced it. Instead, if rumors hold true, they may consolidate entry-level offerings into a new PEN model or even a fixed-lens compact (more on that shortly).
  • Olympus PEN-F (2016): This gorgeous 20MP rangefinder-style camera remains a cult classic – a PEN camera with an integrated EVF and exquisite build quality. The PEN-F was beloved for its design and the Creative Dial for film filters, but Olympus never made a Mark II. Fans have clamored for a comeback. OM Digital has repeatedly hinted that the PEN line will continue and they are “interested” in a PEN-F successor digitalcameraworld.com. In fact, as mentioned, OMDS basically acknowledged that the new OM-3 is filling the PEN-F’s shoes in many ways (weather-sealed retro body with a creative dial) photographyblog.com. Still, a true PEN-F II (smaller, rangefinder form, maybe with a new fixed lens?) is on wishlists. As of 2025, it remains speculative. But OM Digital “confirmed it’s still interested in doing something with the PEN line” digitalcameraworld.com digitalcameraworld.com, so we may well see a PEN resurrection aimed at entry-level users who want style and simplicity.

Going forward, industry watchers think OM System might repurpose the PEN series to cover the beginner and influencer market now that the E-M10 is likely gone digitalcameraworld.com digitalcameraworld.com. That could mean an E-P8 or E-PL11 with updated internals, or a surprise like a fixed-lens PEN (borrowing from Ricoh GR or Fujifilm X100 concepts) to lure smartphone upgraders. There’s even a rumor of an “OM System Trip 35” – a modern digital take on the 1960s Olympus Trip 35 film camera, which was a simple, hugely popular fixed-lens 35mm compact digitalcameraworld.com. The rumored digital Trip 35 would potentially have a fixed 20mm lens (40mm equivalent) and emphasize simplicity and nostalgia digitalcameraworld.com. This kind of camera could indeed attract the youth and travel bloggers, especially with the recent boom in retro compacts.

For now, if you want a current PEN, the E-P7 is the one to get (where available). It delivers the Olympus imaging pipeline in a sleek body and pairs nicely with small primes for a carry-everywhere kit. And if you can find a used PEN-F, know that it’s still a lovely camera – OMDS itself knows how popular it is (they cited how despite being 5+ years old, it “still remains popular today”) photographyblog.com.

Tough Series: Waterproof & Adventure Cameras

Olympus earned a stellar reputation with its Tough series of compact cameras – virtually indestructible point-and-shoots for divers, hikers, and extreme sports. Under OM System, the Tough line lives on, filling a niche no smartphone can touch (at least not without a waterproof case).

  • OM System Tough TG-7: Launched in late 2023, the TG-7 is the latest rugged camera and the first Tough model under the OM System name tomsguide.com. At a glance, the TG-7 looks a lot like the preceding TG-6 (2019), and indeed it is more of a mild refresh than a complete overhaul tomsguide.com tomsguide.com. It keeps the 12 Megapixel BSI CMOS sensor (1/2.3″), paired with a TruePic VIII processor, and the same 4x optical zoom lens (25-100mm equivalent, f/2.0-4.9) that has been a hallmark of the series tomsguide.com tomsguide.com. So image quality and basic performance are on par with the TG-6 – decent in good light, with the bright f/2 lens helping underwater and macro shots, but limited by the small sensor in low light. Where the TG-7 improves is mostly in features and accessories. It now includes vertical video support (a nod to social media users) and retains specialties like Pro Capture (which is impressive to have in a compact – buffering images so you capture moments even if you press the shutter late) and multiple underwater shooting modes. The TG-7’s headline abilities remain its build: waterproof to 15m (50ft) depth, shockproof from 2.1m (7ft) drops, freezeproof to -10 °C (14 °F), crushproof to 100 kgf, and dustproof tomsguide.com. Tom’s Guide testers literally dropped the TG-7 on hardwood floors with no damage: “it’s pretty sturdy”, they confirmed tomsguide.com tomsguide.com. For macro enthusiasts, the TG series has a unique microscope mode and the TG-7 pushes that further. Olympus claims the TG-7 has “some of the most advanced macro capabilities seen in any camera in any price bracket” – boasting a 1 cm minimum focus distance and up to 44× magnification with the display zoom explore.omsystem.com explore.omsystem.com. This is fantastic for photographing tiny critters, minerals, or any small details out in the field. Combined with optional accessories like the LG-1 Light Guide or FD-1 Flash Diffuser that snap onto the lens, you can effectively turn the TG-7 into a pocketable microscope. In practice, reviews note the TG-7 is nearly the same camera as the TG-6, so TG-6 owners won’t find a compelling reason to upgrade tomsguide.com tomsguide.com. The changes – a new rubber grip texture, USB-C port (yes, the TG-7 moved to USB-C for charging, thankfully), and some firmware tweaks – are incremental. The price at launch was around $549 USD, slightly higher than TG-6’s last price. For newcomers who need a tough-as-nails camera for diving, skiing, climbing, or family beach vacations, the TG-7 is one of the few options on the market and arguably the best in class. It’s a testament to OM Digital’s commitment that they updated the Tough line; in an age of ubiquitous waterproof smartphones, the TG-7 proves there’s still demand for a camera that you can drop on rocks or dunk in the ocean without a second thought.
  • Previous Tough Models: The Olympus Tough TG-6 remains widely used and is essentially 95% of the TG-7’s capability (12MP, 4x zoom, 4K video, same toughness). If one finds the TG-6 at a bargain, it’s still a great little camera. Older models like TG-5, TG-4 etc., progressively had fewer features, but all share the core DNA of durability. Notably, the TG-6 and TG-5 introduced the Pro Capture and composite modes from big Olympus cameras, which the TG-7 continues.

OM Digital also offers a range of accessories for the Tough series: e.g., the PT-059 underwater housing that extends depth rating to 45m for serious divers tomsguide.com, fisheye and telephoto conversion lenses (FCON-T02 and TCON-T02) that attach to the front for wider or longer views, and protective silicone jackets. The Tough system is well thought-out, making these compacts truly versatile adventure companions.

In summary, OM System’s camera lineup in 2025 covers: a flagship action camera (OM-1 II), a stylish high-performance model (OM-3), a mid-tier all-rounder (OM-5 II), compact PEN options for entry-level users (with new ones likely coming), and a unique rugged compact (TG-7). It’s a comprehensive roster considering OM Digital is a relatively small company now. They have clearly prioritized the areas where they excel – speed, portability, and toughness – rather than chasing trends like full-frame or ultra-high megapixels.

Micro Four Thirds System & Lenses in 2025

Central to any discussion of Olympus/OM cameras is the Micro Four Thirds system (MFT) itself – the lens mount and sensor format these cameras use. Co-developed by Olympus and Panasonic, Micro Four Thirds has a 2× crop factor sensor (about quarter the area of full-frame). While some dismiss it as “small,” OM System is proving that great things come in small packages.

Advantages of Micro Four Thirds: First and foremost, MFT allows for smaller and lighter lenses and bodies. This is physics: a smaller sensor means you can design optics with shorter focal lengths for the same field of view. For photographers, it means a telephoto setup that fits in a shoulder bag instead of requiring a rolling case. For example, Olympus’s flagship super-telephoto lens, the M.Zuiko ED 150-400mm f/4.5 TC1.25× IS PRO, gives a 300-800mm (equiv.) f/4.5 reach with built-in stabilization and a teleconverter – yet it weighs just 1.9 kg and is about 314mm long. A full-frame 800mm f/5.6 lens alone would be twice that length and weight (and that Olympus zoom goes to 300mm equiv at f/4.5, which is even faster) dpreview.com. This illustrates why wildlife shooters who trek through jungles or up mountains adore MFT; you can carry a 800mm equivalent lens handheld.

OM Digital’s CEO gave a striking example: “shooting at a focal length of 1000mm (equivalent, in full-frame terms) at F5.6 with the size and weight of the M.Zuiko 150-400mm F4.5… This is ideal for photographers who walk around in the field.” dpreview.com. Also mentioned was macro: thanks to the smaller sensor, depth of field is greater for a given framing, which aids macro photography. The new Olympus 90mm f/3.5 Macro IS PRO lens (released in 2023) provides a whopping 2× life-size magnification (4× equivalent on full-frame) with autofocus and sync IS, enabling handheld macro shots that would be very hard with larger formats dpreview.com.

Beyond size, MFT cameras like OM System pack features like class-leading IBIS (in-body stabilization). Olympus long held the crown in stabilization, often quoting 5 to 7.5 stops of shake reduction. The OM-1 Mark II pushes it to 8.5 stops with certain lenses dpreview.com photographyblog.com, an industry-leading spec – particularly valuable for low-light, telephoto, and video. Another unique feature is Live ND: OM cameras can simulate neutral density filters by computationally blending frames, achieving effects up to ND64 (6 stops) on the OM-3 and OM-1 II photographyblog.com. This means you can do silky-smooth long exposure shots of waterfalls handheld, no filter needed – a trick no full-frame camera currently matches.

Lens Ecosystem: As part of Micro Four Thirds, OM System cameras have access to one of the most extensive lens libraries in mirrorless. By 2025, there are over 100 native Micro Four Thirds lenses available, spanning Olympus/OM System, Panasonic Lumix, and third-party makers (Sigma, Tamron, Laowa, Voigtländer, Samyang, and more). This is a big selling point – you’re not locked to one brand’s lenses and there’s a ton of choice:

  • OM System (formerly Olympus) lenses: Branded M.Zuiko, these include the high-end PRO series (with weather sealing and generally f/1.2 or f/2.8 constant apertures) and the compact high-value primes and zooms. A quick tour: For wide-angle, there’s the 7-14mm f/2.8 PRO and 8-25mm f/4 PRO – the latter was highlighted as “incredibly versatile… stellar optically” petapixel.com petapixel.com. Standard zooms include the workhorse 12-40mm f/2.8 PRO (recently released in a Mark II version) petapixel.com and the travel-friendly 12-45mm f/4 PRO (tiny but optically excellent). Telephoto zooms include 40-150mm f/2.8 PRO (80-300mm eq.) and the newer 40-150mm f/4 PRO (a compact version), as well as the 100-400mm f/5-6.3 IS for 200-800mm reach – which OMDS just updated to a Mark II in 2025 bhphotovideo.com bhphotovideo.com. Prime lenses range from ultra-fast portrait lenses like 25mm f/1.2 PRO and 45mm f/1.2 PRO, to ultra-compact gems like 17mm f/1.8 and 45mm f/1.8 (each under 120g). In fact, two of those tiny primes just got re-released as “II” versions with weather-sealing upgrades to match OMDS’s newer bodies bhphotovideo.com bhphotovideo.com. Specialty glass includes macro (the 60mm f/2.8 and 90mm f/3.5 PRO) and fisheye (8mm f/1.8 PRO).
  • Panasonic and others: Because of the open mount standard, you can also use Panasonic’s Leica DG lenses (like their renowned 42.5mm f/1.2 Nocticron portrait lens, or the 10-25mm f/1.7 and 25-50mm f/1.7 zooms beloved by video shooters). There are affordable third-party primes from Sigma (16mm, 30mm, 56mm f/1.4 trio) and Tamron (recent 20-40mm f/2.8, 17-70mm f/2.8 zooms). More exotic options exist too: Venus Optics Laowa offers extreme wide primes (e.g. 7.5mm f/2) and ultra macro lenses (like 50mm 2.5x). This breadth is unparalleled in mirrorless except maybe Sony E-mount. As a result, MFT shooters can always find the right tool – whether it’s a tiny pancake lens for street shooting or a pro telephoto for wildlife.

OM Digital has continued to release new lenses to keep the system fresh. Alongside the OM-3 camera, they launched updated versions of the 17mm f/1.8 and 25mm f/1.8 (now weather-sealed, dubbed “II”) and the 100-400mm f/5-6.3 IS II with improved coatings and compatibility bhphotovideo.com bhphotovideo.com. In 2023, the big release was the 90mm f/3.5 Macro IS PRO lens, which instantly became one of the best macro options in the entire photography market (2:1 magnification at a working distance that doesn’t scare insects, with image stabilization).

There’s even a new lens roadmap tease: enthusiasts spotted what looks like a 50-250mm f/2.8 lens in OM System’s published roadmap mu-43.com, which if true, would be a versatile telephoto (100-500mm equiv) perhaps aimed to pair with the OM-3 or OM-5 II for sports and wildlife. This hasn’t been officially announced yet, but it shows OMDS is still investing in optics.

Lastly, MFT benefits from excellent cross-brand compatibility. You can mount any MFT lens on any MFT camera, meaning Panasonic’s push into phase-detect AF with the Lumix G9 II (2023) and GH6, etc., complements OMDS’s efforts – it’s an ecosystem that is collectively keeping the format alive and well. In 2024, Panasonic’s G9 II (a 25MP sensor, PDAF camera) hit the market as a sort of parallel competitor to OM-1 Mark II photographyblog.com, and these two companies’ cameras can even share lenses and flashes. It’s a level of interoperability you don’t see between, say, Canon and Nikon.

To quote PetaPixel’s 2025 lens guide: “Micro Four Thirds is still one of the best systems on the market… [It] offers things you won’t find in other systems, such as class-leading IBIS and LiveND in OM System cameras, or 50fps at a sub-$2500 price point. Nowhere else will you find absolutely tiny 120mm equivalent macro lenses or 300-1200mm equivalent zoom lenses.” petapixel.com This sums up why lens choice and unique capabilities keep photographers invested in MFT despite the allure of larger sensors.

Innovations & Notable Features

One reason Olympus (now OM System) has such a dedicated following is the company’s penchant for innovation. They often pack features into cameras that make you say, “I didn’t know I needed that, but it’s awesome!” Here are some standout features and technologies in the OM System arsenal:

  • In-Body Image Stabilization (IBIS): Olympus pioneered 5-axis IBIS in mirrorless cameras, and it’s arguably still the best. Current models like OM-1 II achieve up to 8.0-8.5 stops of stabilization (with Sync-IS lenses) dpreview.com photographyblog.com. In real terms, shooters routinely handhold 2-second exposures or shoot 150-400mm telephoto lenses without a monopod. This is a huge advantage for low-light and telephoto work. It also stabilizes the viewfinder, making composition easier at long focal lengths.
  • Live Composite & Live Bulb: These modes make long-exposure photography much easier. Live Composite, an Olympus exclusive, continuously blends exposures but only adds new bright pixels – perfect for star trails or light painting without over-exposing the base scene. You can literally watch the exposure build in real time on the screen, then stop when it looks good. Live Bulb/Live Time similarly let you monitor a bulb exposure as it develops, removing guesswork. These are beloved by night photographers. The OM-5 II, OM-1, etc. all have these modes built-in.
  • Pro Capture: Discussed earlier, Pro Capture buffers high-speed shots as you half-press the shutter and keeps them when you fully press. Essentially, it lets you capture moments that happened just before you actually clicked. Wildlife photographers use this for unpredictable action like bird takeoffs – you’ll have a sequence of frames from before the bird’s wings even fully opened. The OM-1 and OM-1 II can buffer up to 70 frames prior to shutter press bhphotovideo.com photographyblog.com (with certain limitations), and the OM-3 can buffer up to 99 frames thanks to its continuous write until card fills photographyblog.com photographyblog.com. It’s like time travel for photographers and really increases your “keeper” rate for critical moments.
  • High-Res Shot (Tripod & Handheld): By shifting the sensor in half-pixel increments and compositing, OM cameras can generate high-resolution images: typically 50MP handheld and 80MP on tripod dpreview.com. This first appeared on the E-M5 II and E-M1 II and has been refined since. Handheld High-Res is a marvel – on the OM-1 II and OM-3, it takes a burst of 12-16 shots and aligns them automatically, outputting a 50MP JPEG/RAW. It’s fantastic for landscape or product photography when you want extra detail but didn’t bring a high-megapixel body. The processing time used to be 2-3 seconds, but OMDS has sped it up generation by generation.
  • Weather Sealing and Durability: All the OM-D series cameras (OM-1, OM-3, OM-5) are weather-sealed to at least IP53 – meaning they can handle rain, dust, and freezing temps without issue photographyblog.com photographyblog.com. Olympus notoriously used to pour water on their cameras at trade shows to demonstrate this. Many lenses, especially the PRO line, are similarly sealed (some even to IPX1 or IP53). This ruggedness is a cornerstone of the “adventure” ethos. Photographers routinely take these cameras into the rainforest or desert with no extra protection. Additionally, the OM-1 series bodies have high-end build quality (magnesium alloy frames). A DPReview interview noted that being a smaller company hasn’t reduced their commitment to toughness – “the OM-3’s handsome, vintage design… is by no means precious,” featuring a magnesium body and freeze-proofing to -10°C bhphotovideo.com bhphotovideo.com.
  • Computational Modes (aka “Creative Shooting”): OM System includes a dedicated ‘CP’ button on new models (like OM-3, OM-5 II) to access all these cool modes quickly photographyblog.com. These modes include:
    • Live ND / Live GND: Simulates neutral density filters up to ND64 or even ND128 on OM-1 II (that’s 6-7 stops). You frame your shot, enable Live ND, and the camera effectively averages multiple frames to output one image with motion blur (while still giving a real-time preview of the effect). Landscapers can shoot waterfalls, waves, or moving clouds midday without carrying physical ND filters photographyblog.com photographyblog.com. Live GND is a newer variant that simulates a graduated ND filter to balance bright skies with darker foregrounds.
    • Focus Bracketing / Stacking: The cameras can automatically shift focus in steps and take a series of images (bracketing). Olympus’s desktop software or camera (in some models) can then stack them for an image with deep focus (great for macro). The OM-1 and others can do in-camera Focus Stacking for a merged JPEG, up to 15 frames. The OM-3 continues this tradition, making macro shots of insects or product photography much easier – one of the “myriad computational photography modes” accessible via the CP button dpreview.com dpreview.com.
    • Starry Sky AF: Introduced on the E-M1 III and in OM-1, this mode uses clever algorithms to allow the camera to autofocus on stars in the night sky. Astrophotography normally requires manual focus; Starry Sky AF can lock focus on pinpoint stars (there’s a “Speed” mode for Milky Way and an “Accuracy” mode for single star). This is a niche but beloved feature for astro shooters.

All these features reflect OM System’s identity: they’re not trying to have the biggest sensor, but to offer the “Swiss Army knife” cameras that let you tackle tricky situations with built-in tools. As one reviewer quipped, “OM System has become known for its many computational photography features” dpreview.com dpreview.com. It’s almost an extension of the old Olympus philosophy that the camera should help you get the shot no matter what.

One potential innovation area to watch is AI and subject detection. Olympus was actually first to do trainable AI subject AF (with the E-M1X recognizing planes, trains, etc.). The OM-1 took it further for birds and wildlife. The OM-1 Mark II’s improved algorithm now rolls all human/animal detect into one unified mode called “Human Detection” that covers eyes/faces and bodies more intelligently dpreview.com dpreview.com. As computing power and algorithms advance, OM Digital might leverage AI for other uses – perhaps automatic scene stacking, intelligent auto-editing, who knows. They’ve hinted that they see themselves as not just a camera maker but an “imaging technology” company exploring new business opportunities dpreview.com. One can imagine future OM cameras doing even more on-sensor processing (maybe integrating computational HDR or noise reduction akin to smartphones, but with raw output).

How OM System Stacks Up Against the Competition

Any camera buyer in 2025 will inevitably compare OM System’s offerings with the APS-C and full-frame mirrorless cameras out there. Olympus and OM Digital have always been the champions of Micro Four Thirds, so how do their latest cameras fare in the broader market?

In terms of performance: The OM-1 Mark II and OM-3 are speed demons. Their 50 fps continuous AF shooting is far beyond most competitor mirrorless cameras which typically top out around 20 fps (for example, Canon’s EOS R6 II does 40 fps but with some limitations, Sony’s A1 does 30 fps with AF). Even 120 fps burst (albeit with focus locked) is a spec only matched by flagship sports cameras like the Sony A1 (which can hit 120 fps in a special mode) or Nikon Z9 (120 fps at 11MP). But those cameras cost $5-6K. The fact that for ~$2.4K, OM-1 II gives you such high speed is remarkable. As PetaPixel noted, “getting this kind of performance in another camera would cost you over twice as much” – and lenses for those systems “would be 2-3× the size and weight for equivalent focal lengths.” petapixel.com. In short, OM System offers bang-for-buck for action shooters who don’t mind the smaller sensor.

Where the competition pulls ahead is sensor resolution and high ISO. Full-frame cameras have surged to 33MP, 45MP, even 61MP (Canon R5, Nikon Z7 II, Sony A7R IV/V, etc.). Even APS-C rivals like Fujifilm’s X-T5 hit 40MP, and Canon’s R7 is 32MP. OM System has stuck with 20MP sensors (albeit very advanced stacked ones). This means if you’re doing large prints or heavy cropping, a higher-res APS-C or FF will capture more detail in one shot. OMDS’s counter is the High-Res Shot mode (50MP composite), which works great for static subjects but not for moving ones. And at high ISOs, a larger sensor will generally have cleaner output (though OM’s noise processing is quite good, and the stacked sensor helps mitigate noise by reading faster).

A commonly cited phrase is “Micro Four Thirds struggles in low light compared to full frame.” There’s truth there: an ISO 6400 shot on a full-frame (especially with modern BSI/stacked sensors) will typically outperform ISO 6400 on MFT in noise and dynamic range. However, OM System partly compensates with IBIS – you might shoot at ISO 1600 and a slower shutter to get equivalent brightness whereas a full-frame shooter without stabilization might have to use ISO 6400 and a faster shutter to avoid blur. It’s a trade-off of technique vs raw sensor capability.

Autofocus: Historically, Olympus lagged Sony/Canon for things like subject tracking (especially for birds-in-flight). The OM-1 series has narrowed that gap significantly. The OM-1 Mark II’s upgraded AF with more RAM and refined AI is reportedly much better at holding focus on erratic subjects dpreview.com dpreview.com. Petapixel’s field test of OM-1 II in safari noted it “tracks [birds] with stunning precision” and only occasionally loses subject to foreground branches, with the best Canons/Nikons still a step ahead in those edge cases petapixel.com petapixel.com. The takeaway: for birds, wildlife, and action, OM System cameras can absolutely compete, delivering a high keeper rate, but the ultimate best AF systems (like Canon R3, Sony A1) still have an edge (at a much higher cost). For casual sports shooters or moderate action, you’d be hard-pressed to tell the difference.

It’s worth noting that Panasonic’s entry into phase-detect AF on the new Lumix G9 II might push OMDS further – competition within MFT is friendly but motivating. The G9 II at $1900 has 25MP and 60 fps e-shutter (but 14 fps mechanical). It also does 100MP handheld high-res and has strong video features (Panasonic’s forte). However, PetaPixel’s and others’ initial thoughts indicate the OM-1 Mark II still leads in pure burst speed and possibly in the depth of computational features (Panasonic’s digital features are improving but Olympus had a head start). That said, for a buyer at $2k, the Lumix G9 II vs OM System OM-1 II is a legitimate cross-shop. The G9 II offers a bit more resolution (25 vs 20MP) and arguably better 4K60 video (since Panasonic pushes video codecs, etc.), whereas OM-1 II offers even faster bursts and unique modes like Live ND.

Versus APS-C from Canon/Nikon/Fuji: A camera like the Canon EOS R7 (32MP APS-C, 15 fps mech / 30 fps elec, $1500) targets a similar audience of wildlife/sports enthusiasts on a budget. The R7 has Canon’s excellent Dual Pixel AF and high resolution, but its burst is lower and the lens ecosystem for RF APS-C is limited (many people end up using heavy full-frame lenses on it). The OM-1 II with a 150-400mm Pro lens will significantly outperform an R7 with say a 100-500mm in terms of stabilization and support, albeit the OM kit might actually be pricier in that specific case (the 150-400 Pro is $7500 – a beast lens for a beast purpose). But consider a smaller kit: an OM-1 II with 40-150mm f/4 Pro (80-300mm equiv, lightweight) vs a Canon R7 with 70-200mm f/4 (112-320mm equiv on APS-C). The OM combo is more compact and arguably just as capable within that range.

Fujifilm’s X-T5 (40MP retro APS-C) appeals to a similar audience as OM-3 perhaps – those who love classic design and do general photography. The X-T5 has much higher pixel count and great colors, but its burst tops at 15 fps and it doesn’t have the array of computational modes or the extreme weather sealing of OM-3. Plus, the X-T5’s in-body IS is around 6-7 stops, a hair less effective than Olympus generally. The OM-3 has the edge if you value things like Live Composite or Pro Capture, whereas Fuji’s edge is pure image quality (and perhaps lens character – Fuji’s film simulations vs Olympus’s in-camera profiles is a matter of taste).

Versus full-frame: It’s somewhat apples vs oranges, but OM System often markets itself as complementary to full-frame. In interviews, OM execs noted “we’re seeing people use MFT and full-frame based on needs of the shooting scene, rather than one replacing the other” dpreview.com. Many pros carry an OM camera with a long lens for reach, alongside a full-frame for other work.

Nonetheless, some direct comparisons:

  • A Sony a7 IV (33MP full-frame, 10 fps, $2500) is a great all-purpose camera with better dynamic range and high ISO. But it’s capped at 10 fps bursts, and if you put a 100-400mm on it, the combo will be significantly larger/heavier than an OM-1 II with 100-400mm. For portrait or shallow depth-of-field work, full-frame wins (that blurred background look is easier with bigger sensors). For telephoto or macro, MFT can actually be more practical as discussed.
  • Sony a1 or Nikon Z9 – these are $5500+ flagships. They do 20-30 fps with AF at 50MP/45MP, far more raw power but also huge bodies (especially Z9) and cost a fortune. If you are a sports photojournalist, you likely use those. But interestingly, many bird photographers on forums mention switching to Olympus/OM for the portability – it’s less about absolute image quality and more about the experience of shooting. With OM, you can handhold a 800mm equivalent; with a Z9 + 800mm, you’re on a tripod or monopod and your back will ache. It’s a choice each photographer makes.

One cannot ignore computational photography as a competitive differentiator. Smartphones have conditioned people to expect certain magic (like Night Mode, etc.). OM System is arguably bringing some of that computational magic to dedicated cameras better than others. Canon and Sony, for instance, don’t have an answer to Live Composite or Pro Capture. Nikon has something called PreBurst on the Z9 (which is similar to Pro Capture, but only that high-end model has it). Fuji has a Night View and multiple exposure modes, but not as advanced stacking as Olympus. So in many ways, OM System is ahead of the curve in features, if not in sensor tech.

The downside in competition: marketing and perception. Some consumers assume “bigger sensor = better camera” – an uphill battle Olympus has fought for a decade. Tony Northrup infamously (and hyperbolically) declared “Micro Four Thirds is dead” a few years back, citing the full-frame trend. However, OM’s continued releases and Panasonic’s commitment have proven it’s very much alive. Still, sales numbers aren’t as high as Sony or Canon, in part due to that perception. OMDS seems to counter this by showcasing what only they can do. For example, Petapixel’s review of the OM-1 gushed: “It’s the best Micro Four Thirds camera ever made and one of the most capable cameras in any format” petapixel.com. They specifically praised Olympus color science, dynamic range and tonality as “gorgeously natural”, and noted that diehard anti-MFT folks may not be swayed, but any serious wildlife or sports shooter should absolutely consider this small, affordable powerhouse” petapixel.com. They concluded that to match the OM-1’s performance elsewhere, you’d spend twice as much and carry much heavier lenses petapixel.com.

That’s a strong argument OM System has in its favor: value and portability. A photographer on a budget can get an OM-5 II and a couple of sharp Zuiko primes and have a very capable kit for less than the price of one mid-range full-frame body alone. Or consider a traveler: hiking Machu Picchu with an OM-5 and 12-100mm lens (covering 24-200mm eq) vs carrying a Canon R5 with 24-105 and 100-500 – the weight difference is massive.

In summary, OM System cameras compete by not directly competing. They occupy a niche where their unique combination of features, compactness, and ruggedness matters more than having the largest sensor on the spec sheet. They shine in wildlife, adventure, macro, and creative photography. For video, they are competent (OM-1 II offers 4K 60p 10-bit, OM-5 II now has no recording limit, etc.), though admittedly Panasonic, Sony, and Canon have more dedicated options for serious videographers (OMDS doesn’t yet offer things like 6K/8K or internal ProRes – the focus has been more on stills).

As of 2025, the mirrorless market offers a lot of choices. But OM System stands out as the torch-bearer of MFT: providing tools to get shots that might be difficult or impossible with other cameras – either due to size, or missing features. For many, that trade-off is well worth it. And with OM Digital showing they can release new bodies and lenses regularly, they’ve injected fresh energy into this segment.

Recent News & Developments

The past year or so has been busy for OM Digital Solutions, as they’ve transitioned from simply rebranding Olympus models to developing new products fully under the OM System identity. Here are some of the latest developments and announcements to be aware of:

  • OM System OM-1 Mark II Launch (Feb 2024): As detailed earlier, this was a major release that proved OMDS can iterate quickly. Coming two years after the original OM-1, the Mark II offered improved AF and usability. It hit the market at $2,399 and garnered positive reviews. DPReview’s Richard Butler noted it brings “a series of improvements, rather than a radical change,” but those improvements (like more RAM for AF and a superior EVF) were welcomed dpreview.com dpreview.com. Interestingly, OMDS timed it such that anyone pre-ordering by a certain date got free extras like a spare battery and lens discounts dpreview.com, indicating they were keen to incentivize early adoption (and perhaps gauge demand). The OM-1 II’s arrival was significant also because it coincided with OM System’s 50th anniversary of the OM lineup (the original OM film SLR launched in 1972, making 2022/2023 the golden jubilee). It symbolically shows OMDS continuing that legacy.
  • OM System OM-3 Announcement (CP+ 2025): On February 6, 2025 (during Japan’s CP+ camera show), OM Digital made a splash with the OM-3 and new lenses lesdeuxpiedsdehors.com bhphotovideo.com. The OM-3 gained a lot of press for its vintage looks and modern guts. B&H Photo’s news piece highlighted that it “draws design inspiration from the iconic Olympus OM-1 SLR film camera” while delivering “advanced performance and creative versatility” bhphotovideo.com. It was accompanied by the updated 17mm f/1.8 II, 25mm f/1.8 II, and 100-400mm f/5-6.3 IS II lens announcements bhphotovideo.com bhphotovideo.com, showing OMDS’s commitment to refreshing the lineup. These lenses didn’t change optically but added weather sealing and minor improvements, aligning them with the weatherproof OM-3 body. Initial hands-on reviews (like DPReview’s) praised the OM-3’s handling and noted that “it has most of the features and capabilities of the more expensive [OM-1 II] model” at a lower price dpreview.com dpreview.com. The OM-3 also got a special edition kit with a 12-45mm PRO lens, and OMDS ran a pre-order bonus offering $200 off if bought with the new primes dpreview.com dpreview.com – an example of them trying bundle deals to jumpstart sales.
  • OM System OM-5 Mark II (June 2025): This came a bit under the radar compared to the fanfare of OM-3. Released in mid-2025, the OM-5 II was met with a “still warm, but less enthusiastic reception” according to Digital Camera World digitalcameraworld.com digitalcameraworld.com. The reason: it’s a modest upgrade to an existing model in a fiercely competitive mid-range market. Some critics (half-jokingly) asked if it could have just been a firmware update. Indeed, Petapixel’s review title was “Could This Have Been a Firmware Update?”, though they acknowledged the improvements in AF and computational modes were meaningful petapixel.com. In any case, OMDS is showing an effort to keep the mid-tier updated every few years, which is a good sign for users. It also underscores that they are listening (the move to USB-C was a direct response to feedback).
  • Tough TG-7 (Sept 2023): Announced and released in fall 2023, the TG-7 rugged camera gave OMDS a relatively easy win – there’s little competition in dedicated waterproof cameras nowadays (Panasonic’s TS series has paused, Nikon’s Coolpix W series is dated, Ricoh’s WG series continues but low-key). The DPReview news noted that “the TG-7 will be available from late September 2023 at $549.99” and it essentially reuses the TG-6 hardware with “very minor upgrades” dpreview.com. Underwater photography communities, like the Underwater Photography Guide, reviewed it and found it “a repackaged Olympus TG-6 with very minor upgrades… for an even higher price”, expressing a bit of disappointment in the lack of new features uwphotographyguide.com. Still, for someone buying fresh, the TG-7 is the obvious choice, and any new Tough release is appreciated by its niche user base.
  • OM Workspace & Firmware Updates: On the software side, OM Digital has continued releasing firmware improvements for cameras and lenses. For example, the OM-1 got firmware adding new AF detection subjects (e.g., aircraft) and improving video features in late 2022. The company also updated its OM Workspace software to support new cameras and added features like AI Noise Reduction for RAW files, which harnesses machine learning to reduce high ISO noise (similar to DxO DeepPRIME or Topaz). Silent Peak Photo tested OM Workspace’s AI NR and found it effective, though a bit slow silentpeakphoto.com. The key is OMDS is providing these tools for free to its users, adding value to the system. They also maintain OM Share (formerly OI.Share) mobile app, which allows remote control and image transfer; a new version was released alongside the OM-1 with improved connectivity and even the ability to update camera firmware via smartphone.
  • Community and Support: Recognizing their smaller scale, OM Digital has fostered a loyal community. They launched the OM System Ambassador program (many former Olympus “Visionaries” continued on) to showcase work done with OM cameras. They also offer Pro Service in some regions – a tiered support plan for professional users, including extended warranties, faster repairs, and loaner equipment. This shows that even though OMDS is leaner than Olympus Corp, they understand the importance of keeping professionals confident in the system.

On the rumors and future front: The DigitalCameraWorld 2025 rumor roundup, updated in Sept 2025, gives a good sense of what might be next digitalcameraworld.com digitalcameraworld.com. After OM-3 and OM-5 II releases, the question is what does the rest of 2025 and beyond hold? They mention no more E-M10 line (thus, likely no OM-10 coming) digitalcameraworld.com. Instead, eyes are on the PEN line – possibly an E-P8 or PEN-F II as discussed, to cater to entry-level and street shooters digitalcameraworld.com. The hint that “the company confirmed it’s still interested in doing something with PEN” and the fact that the OM-3 filled in for a Pen-F replacement shows OMDS is strategically thinking how to use that heritage digitalcameraworld.com photographyblog.com.

Additionally, James Artaius (DCW’s editor) speculates an “OM System Trip 35” could capitalize on the booming interest in retro compacts digitalcameraworld.com. If OMDS engineers could make a fixed-lens camera with a small MFT sensor and perhaps an attached prime lens, it might capture a new segment (think Fujifilm X100 but in Olympus style).

And then there’s the high-end: Olympus had a concept of an E-M1X Mark II or some sports flagship beyond E-M1. Will OMDS attempt an OM-1X with an integrated grip and maybe a new sensor? 43rumors had murmurs of “OM1-X could be coming” 43rumors.com, but nothing concrete has leaked. Given the trend in industry (Canon R3, Nikon Z8 with high-end sports features in a slightly lower body), OMDS might decide the OM-1 II plus a battery grip is sufficient for most, and instead focus on the small camera niche.

One more rumor from 43rumors: possible fast prime lenses (they mentioned OM Digital developing three new f/1.4 primes) 43rumors.com. If true, these could be modern designs at popular focal lengths (maybe 12mm f/1.4, 25mm f/1.4, etc.) to complement the f/1.2 series but more compact/cost-effective. In fact, Panasonic already has 12/1.4 and 25/1.4 – so perhaps OMDS might do something like a 50mm f/1.4 portrait lens since Olympus never had a native 100mm-equivalent fast prime aside from the older 45/1.2. Time will tell.

All said, the cadence of releases (roughly one major camera per year since 2021, plus some minor ones and lenses) signals that OM Digital Solutions is committed to the long game. After the initial doubt when Olympus spun off the division, OMDS has delivered a new flagship, a new mid-range, a new concept camera (OM-3), and kept the unique Tough series alive. They’ve publicly stated profitability goals and a road map of products. The imaging industry is tough (no pun intended), but as of 2025, it appears OM System has carved out a sustainable corner by serving photographers who value what they uniquely offer.

Accessories & Software Ecosystem

A camera system is more than just bodies and lenses. Olympus understood this well, and OM System continues to provide a healthy ecosystem of accessories and software to enhance the shooting experience:

  • OM Workspace Software: This is OM System’s free desktop application for editing and processing photos. It’s essentially the successor to Olympus Viewer and works with RAW files from all Olympus/OM cameras. While many photographers use third-party software (Lightroom, Capture One), OM Workspace has some unique advantages. It can apply the camera’s own processing (colors, picture modes) to RAW files exactly as the camera would. It also enables you to post-process High Res Shot files, and it’s the easiest way to stack Focus Bracketing shots taken with Olympus cameras. In recent versions, OM Workspace introduced AI Noise Reduction for RAW development, which uses a deep learning model trained to reduce high ISO noise silentpeakphoto.com. This is particularly useful for MFT sensors to bridge the gap at high ISOs. It also supports features like USB RAW data edit (where the camera’s processor can be utilized to speed up batch processing on your computer – pretty neat!). The software isn’t the fastest in the world, but it’s quite powerful once you learn it. For beginners, OMDS has a “OM Workspace Beginner’s Guide” available learnandsupport.getolympus.com.
  • Mobile Apps (OM Image Share): Formerly known as Olympus Image Share (OI.Share), the OM Image Share app (available on iOS/Android) pairs with cameras via Wi-Fi or Bluetooth. It allows remote control of the camera (with live view on your phone), easy transfer of photos to your phone for quick social media sharing, and even geotagging images with your phone’s GPS. They’ve improved the app over the years; the latest version can do firmware updates by downloading to your phone and transferring to the camera – no computer needed learnandsupport.getolympus.com. That’s a convenience factor for the smartphone generation. There’s also OI.Track (for geotagging workouts/adventures with Tough series) and OI.Share can integrate with that.
  • Flash System: Olympus’s flash system (now OM System) includes the FL series speedlights and specialist flashes. They have models like FL-700WR (weather-resistant flash), STF-8 Twin Macro Flash (an innovative weather-sealed dual flash for macro that can even be used in rain or underwater in a housing), and wireless commanders/receivers that use RF. While flash isn’t OM System’s primary selling point, they cover most needs. The cameras also have RC Mode optical wireless flash control that works with older Olympus flashes.
  • Microphone and Audio: For videographers, Olympus had released items like the SEMA-1 adapter and external mics historically, but nowadays one would use third-party mics since OM bodies have standard mic jacks. The OM-1 and OM-3 also support headphone output via adapters (the OM-1 II and OM-3 have a full-size HDMI which could output video + audio to recorders too).
  • Battery & Power: The pro models (OM-1 series, OM-3) use the BLX-1 lithium-ion battery. OMDS sells the BCX-1 dual charger as an accessory (since in-camera USB charging is also an option). For extended use, the OM-1 series had a battery grip (HLD-10 for OM-1) that adds two batteries and vertical controls. It’s likely an updated grip will come for OM-1 II if needed, though BLX-1 remained the same battery so the existing grip might work. The smaller OM-5 II uses the BLS-50 battery (common in E-M5 Mark III, etc.), and has an available ECG-5 external grip for better handling (though not a battery grip).
  • Remotes & Tethering: OM System cameras can be controlled via wired remotes (simple 2.5mm jack remotes like the old RM-CB2) or the newer RM-WR1 and RM-WR2 Wireless Remotes. The RM-WR1 was a Bluetooth remote introduced with the OM-1, and the RM-WR2 is a newer wireless remote that was announced alongside OM-3 bhphotovideo.com. The RM-WR2 can trigger the camera wirelessly (great for long exposures, group shots, etc.), and even supports starting/stopping video. For tethered shooting, OMDS has OM Capture software (formerly Olympus Capture) that lets you connect via USB and control the camera from a computer, instantly sending images to the computer – useful for studio shoots. Many OM cameras (OM-5 II, OM-1 II etc.) also support UVC (USB Video Class) which means you can plug them into a computer via USB and they act as a high-quality webcam with no extra software photographyblog.com.
  • Underwater Gear: Olympus was one of the few camera makers to consistently support underwater shooters. They offer dedicated underwater housings for many models (PT series housings), like the PT-EP14 for E-M1 II, and PT-059 for TG-6/TG-7 explore.omsystem.com. They also have underwater lens ports for using certain MFT lenses in the housings. Underwater modes in the camera (for white balance) make them popular with diving communities. With OM System continuing the Tough series and high-end cameras, they seem likely to keep catering to this niche. (There was an encouraging anecdote: the Olympus PT-EP13 housing for E-M5 Mark II also fits the new OM-5 with minor modifications, showing backward support.)
  • Miscellaneous: Other accessories include things like the EEE-1 Dot Sight, a quirky but useful folding “gunsight” that slides into the hotshoe to help track distant moving subjects (like birds) when using long lenses (because you can keep both eyes open and use the dot to know where your lens is pointing – something unique Olympus made). There are also grips like the ECG-1/2/3 for PEN cameras to improve handling. And not to forget, the Lens Accessories: teleconverters MC-14 (1.4×) and MC-20 (2.0×) extend telephoto lenses – e.g., the 100-400mm becomes 200-800mm, or 400-1600mm with 2× TC (though with light loss). These are supported on certain lenses (40-150 Pro, 300 Pro, 150-400 Pro, 100-400, etc.). The EE-1 Dot Sight and teleconverters show OMDS’s commitment to those niche use cases (birding, wildlife, astro).

In essence, OM System provides a complete ecosystem where a photographer can find everything needed for their field. If you shoot macro, they have the flashes, rails, and focus stacking tools. If you shoot wildlife, they have the long lenses, the dot sight, the weather protection. If you do studio work, they have tethering and speedlights. And all of this is backed by learning resources: OM System maintains a Learn Center (formerly Olympus Learn) with articles, webinars, and courses on using these features.

One more software mention: OM Capture (Tethered Shooting) – it’s free and works seamlessly, a perk that not all brands provide without expensive plugins. Also, the cameras can act as webcams either via HDMI or the UVC support; at one point during the pandemic, Olympus released the OM Webcam utility so you could use cameras for Zoom calls easily.

Overall, while OM Digital Solutions may be a smaller company now, the legacy of Olympus means that users aren’t left in the cold when it comes to support and accessories. The system feels mature and well-supported, from the moment you take a photo (with in-camera tools) to editing it (Workspace with specialized features) to sharing it (app connectivity).

Conclusion

Olympus — now OM System — has undergone a rebirth and come out the other side with a clear identity: the ultimate adventure camera system. In 2025, they offer a compelling lineup of Micro Four Thirds cameras that balance performance, portability, and innovative features in ways that many larger-sensor systems cannot. From the powerhouse OM-1 Mark II that can capture 50 RAW frames per second dpreview.com, to the beautifully retro OM-3 that invites you to slow down and create with its film-style controls photographyblog.com, to the hardy little TG-7 that laughs off drops and dives, OM System has a niche covered.

The transition from Olympus to OM Digital Solutions initially worried fans, but the evidence now is reassuring: OM System is carrying the legacy forward. They’ve recommitted to the Micro Four Thirds format at a time when others chased full-frame, and it’s paying off with a unique market position. As one expert review put it, “It’s the best MFT camera ever made and one of the most capable cameras in any format” petapixel.com – praise earned by focusing on strengths like speed, stabilization, and computational smarts.

OM Digital is also looking ahead. The OM-5 Mark II refresh shows they intend to keep even mid-level users up to date with modern conveniences dpreview.com. Rumors of new PEN offerings and maybe even resurrecting classics like the Trip 35 indicate a company that respects its heritage but isn’t bound by it digitalcameraworld.com. And with competitors now validating the micro-four-thirds space again (e.g. Panasonic’s renewed push with phase-detect AF), the format appears to be entering a renaissance of sorts – one where OM System’s decade of know-how gives it an edge in delivering what photographers in this segment want.

In a world of ever-larger sensors and heavier gear, OM System champions a different philosophy: “smaller can be better” – when it comes with clever engineering and a deep understanding of photographers’ needs. As you consider your next camera or system, OM System’s digital cameras deserve a close look. They offer something genuinely different in the market: cameras that are born from Olympus’s daring (weather-sealed SLRs, in-body IS, etc.) and bred for the OM era’s innovation (AI autofocus, Live ND, hi-res handheld shots). Whether you’re an outdoor adventurer, a wildlife shooter, a travel blogger, or just someone who appreciates finely crafted tools, OM System has built a camera for you – one that won’t break your back, or your bank, but will absolutely help you break creative boundaries.

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