Key Facts

• Lumix spans _full-frame to pocket-size_: Panasonic’s LUMIX brand offers everything from compact point-and-shoots to professional mirrorless bodies rtings.com. The lineup includes full-frame Lumix S series and Micro Four Thirds Lumix G series, serving both photography enthusiasts and video creators.
• Renowned for _video and hybrid_: Lumix cameras are celebrated for advanced video features (like 6K recording, anamorphic modes, and class-leading stabilization) and versatile hybrid performance. Flagship models such as the GH series and S1H deliver cinema-quality footage and are even Netflix-certified shop.panasonic.com.
• New _phase-detect autofocus_ era: Historically relying on contrast-based AF, Panasonic introduced on-sensor Phase Detection AF in 2023 with the Lumix S5 II series. This dramatically improved continuous focus tracking (especially in video) rtings.com, addressing a longstanding Lumix weakness. Recent cameras like the Lumix G9 II and GH7 are the first Micro Four Thirds Lumix models with PDAF, boosting their action and vlogging capabilities dpreview.com.
• Latest lineup _refreshes_: Panasonic has aggressively updated its lineup. The Lumix S5 II/S5 IIX (2023) brought phase-detect AF and pro video codecs, the Lumix S9 (2024) catered to social-media creators with in-camera LUTs and smartphone integration shop.panasonic.com dpreview.com, and the Lumix G9 II (late 2023) and GH7 (2024) introduced new sensors and processing for MFT. Even compact cameras saw love with the travel-zoom Lumix ZS99 (TZ99) launched in late 2024 digitalcameraworld.com.
• Continuous support & pricing: Panasonic provides frequent firmware updates adding features (e.g. improved wireless, new video modes) across models panasonic.com. Older models remain value picks – for instance, the original Lumix S5 (2020) is now a bargain full-frame hybrid option, and the GH5 II offers pro-grade video at a midrange price. Recent price cuts on models like the S5 and S9 make the Lumix ecosystem more accessible.
• Looking ahead: Panasonic publicly reaffirms its commitment to both full-frame and Micro Four Thirds systems en.wikipedia.org. Industry chatter points to an eventual Lumix S1H Mark II for high-end filmmakers, a revamped Lumix G100 II for vloggers with phase-detect AF digitalcameraworld.com, and even a possible Lumix LX100 III compact with an updated sensor (rumors suggest 2025) thenewcamera.com. These anticipated releases aim to keep Lumix competitive as camera tech evolves.

Overview of the Lumix Brand and Market Position

Panasonic’s Lumix brand has been a mirrorless pioneer since the late 2000s. In partnership with Olympus, Panasonic co-created the Micro Four Thirds (MFT) system, introducing one of the first mirrorless interchangeable-lens cameras in 2008 rtings.com. Lumix gained a reputation for innovation in video: the GH series in particular offered filmmakers advanced codec options, high-resolution framerates, and in-body stabilization long before competitors. With the 2018 formation of the L-Mount Alliance (joining Leica and Sigma) shop.panasonic.com, Panasonic expanded into full-frame cameras, bringing its video-centric approach to larger sensors.

Today, Lumix occupies a unique place in the market. It is highly regarded by hybrid shooters (those who need both great stills and video) and by indie filmmakers. The Lumix GH5 and GH6 became go-to tools for videographers with their 4K/60p and even 5.7K capabilities, while the full-frame Lumix S1H impressed with 6K recording and broadcast features in a relatively compact body shop.panasonic.com. Panasonic’s collaboration with Leica also means many Lumix lenses carry premium Leica optics branding, and the cameras benefit from Leica’s color science input.

However, Lumix was historically held back in sports and wildlife photography due to its reliance on contrast-based autofocus (“Depth-from-Defocus”). Recognizing this, Panasonic made a turning point in 2023 by introducing phase detection AF on new models rtings.com. This significantly improved focus tracking for moving subjects, making Lumix cameras much more competitive against Canon’s Dual Pixel or Sony’s phase-detect systems.

In the current digital camera market, Panasonic is seen as a brand that punches above its weight: Lumix bodies often offer class-leading video specs for the price, excellent build quality (most mid-range and up models are weather-sealed), and generous features like dual card slots and full-size HDMI on many models. As TechRadar notes in a recent review, Panasonic cameras have been known as “the affordable option” delivering pro features at lower cost techradar.com – though its newest flagship gear (like S1 II) is edging upward in price into true pro territory.

Lumix continues to support multiple product lines to serve different users. Whether you’re a travel vlogger looking for a compact with a big zoom, a YouTuber needing a 4K streaming workhorse, a photography hobbyist on a budget, or a professional cinematographer, there’s likely a Lumix camera tailored for you. Below, we break down all the current Lumix models on the market, their key specifications, standout features, and ideal use cases.

Lumix S Series (Full-Frame Mirrorless Cameras)

The Lumix S Series comprises Panasonic’s full-frame mirrorless lineup, launched in 2019 and now in its second generation. These cameras feature a large 35mm sensor, providing superior low-light performance and shallow depth-of-field compared to smaller-sensor cameras. They are favored by professionals for maximum image quality and by hybrid shooter–videographers for their extensive video capabilities. All S series bodies use the L-Mount lens system, giving access to Panasonic’s lenses as well as Leica and Sigma lenses via the alliance shop.panasonic.com.

• Lumix S1 II (DC-S1M2) – 24.2MP, “supercharged” hybrid powerhouse. Released in early 2025, the S1 II is Panasonic’s new all-rounder flagship. It debuts a partially stacked 24MP sensor for faster readout, enabling up to 70 fps bursts and 6K Open-Gate video (using the full sensor area) techradar.com techradar.com. It inherits the robust, weather-sealed build of the original S1, complete with high-res 5.76M-dot EVF and a dual-axis tilting touchscreen. Crucially, the S1 II features Panasonic’s best Phase Hybrid AF system (779 phase-detect points) and enhanced subject detection powered by AI thenewcamera.com. This finally brings Lumix’s autofocus on par for fast action and tracking in both stills and video. Video specs are top-tier: internal 6K and 5.9K up to 30p, 4K up to 120p, 10-bit 4:2:2 recording, plus options for ProRes and 15+ stops Dynamic Range Boost mode for HDR video techradar.com techradar.com. With its industry-leading 8-stop Dual I.S. stabilization and included features like waveforms and anamorphic modes, the S1 II is arguably one of the best hybrid video cameras on the market. TechRadar calls it “the most capable, supercharged Lumix ever” with “possibly the broadest range of video codecs for the money” techradar.com. The only downside noted is a higher launch price (~$3,199) than Lumix fans might be used to techradar.com, though it squarely targets high-end users (challenging the likes of the Sony A7S III and Canon R5).

• Lumix S1R II (DC-S1RM2) – 44MP high-resolution model. Launched alongside the S1 II, the S1R II is the high-megapixel variant designed for detail-demanding photography like landscape, studio, and commercial work. It uses a new 44MP full-frame sensor (down slightly from the original’s 47MP, but with newer tech) that is non-stacked to maximize dynamic range petapixel.com. Despite being resolution-focused, the S1R II is a capable hybrid: it can shoot bursts up to 40 fps (electronic) and records video up to 6K and 4K/120p with 10-bit quality photographylife.com petapixel.com. It also benefits from the phase-detect AF system. PetaPixel’s first look praised the S1R II as “the most well-rounded Panasonic full frame body so far,” noting its improved portability (20% lighter than S1R) and vastly better video skills than its predecessor petapixel.com petapixel.com. With 8 stops of Dual I.S. stabilization and even a Handheld High-Res mode (combining shots for 177MP images) petapixel.com petapixel.com, the S1R II is a versatile tool. It’s priced around $3,299, still undercutting some rival high-res flagships. If you need huge detail but also want robust video and fast performance, the S1R II fits the bill.

• Lumix S5 II and S5 IIX – 24MP mid-range hybrids with pro features. Released in 2023, the S5 II was a landmark as Panasonic’s first phase-detect autofocus camera rtings.com. At ~$1,999 (body), it delivers tremendous value: a 24MP BSI sensor (shared with S1 II sans stacking), 6K Open-Gate and 4K/60 10-bit video with unlimited recording (thanks to a built-in cooling fan), dual card slots, and a fully articulating screen in a compact, ~715g body. Rtings.com calls the S5 II “a knockout hybrid camera with outstanding video specs…a videography powerhouse,” praising its open-gate 6K, vectorscope, and heat management rtings.com. It also offers 5-axis IBIS rated up to 6.5 stops. The autofocus upgrade alone makes the S5 II a game-changer for Lumix users – DPReview found the new PDAF “especially effective in video mode” rtings.com, finally enabling reliable continuous eye-tracking and subject detection in challenging conditions. The Lumix S5 IIX is a stealthy blacked-out variant that launched shortly after. For ~$200 extra, the S5 IIX adds advanced video features: internal All-Intra and ProRes recording, RAW video output over HDMI/USB, and direct-to-SSD recording – targeting serious videographers panasonic.com. Together, the S5 II/X models hit a sweet spot for enthusiasts and semi-pro creators, offering much of the S1 II’s core performance in a smaller, more affordable package. Use case: an ideal travel or gimbal camera for documentary filmmakers, wedding shooters, and content creators who need high quality without a bulky rig.

• Lumix S9 – 24MP compact full-frame for content creators. Announced in mid-2024, the S9 is a new breed of Lumix aimed at the TikTok/YouTube generation. Panasonic took the internals of the S5II (same 24MP sensor with PDAF) but shrank the body and removed the EVF, resulting in a very compact full-frame camera (resembling a slightly larger rangefinder-style body) that comes in six trendy colors shop.panasonic.com shop.panasonic.com. It’s designed for shooting, editing, and sharing on the fly: it has in-camera Real-Time LUT filters and color presets (borrowed from S5II) to apply cinematic looks straight out-of-camera dpreview.com dpreview.com, and a new Lumix Lab smartphone app for quick wireless transfer and editing dpreview.com dpreview.com. The S9 uniquely prioritizes a social media workflow – for instance, it offers a default 4K vertical video (9:16) “open gate” mode that captures the full sensor and easily crops for both horizontal and vertical formats dpreview.com dpreview.com. Panasonic even omitted the mechanical shutter and flash hotshoe to streamline the S9 for video (electronic shutter only) and one-handed use dpreview.com dpreview.com. With a vari-angle LCD and tools like Face Detection AF (with human/animal recognition) and 5-axis IBIS, it’s excellent for vlogging. The S9’s standout feature is being fun and immediate – you can shoot a stylized video with a LUT and upload within minutes. It still offers serious chops: 6K full-width video up to 30p (or downsampled 4K for quick sharing), 10-bit recording, and the same 5 EV IBIS (6.5 with lens) as the S5II dpreview.com dpreview.com. Initially $1,499 (body), Panasonic has since discounted it (often ~$1,199) to attract creators. Ideal use: lifestyle vloggers, travel influencers, or anyone wanting a no-fuss full-frame camera for high-quality content creation on the go shop.panasonic.com. (It’s basically Panasonic’s take on a “blogger camera,” packing a big sensor into a simple, approachable design.)

• Lumix S1H – 24MP cinema-oriented veteran. The S1H, released 2019, remains a notable part of the lineup (until a successor arrives). It was the first full-frame mirrorless with 6K video and got Netflix approval for its broadcast-quality output. With a robust body (built-in fan cooling, unlimited recording), it’s tailored to cinematographers. Key features include 6K/24p and 5.9K/30p internal recording, 4K up to 60p 10-bit, anamorphic 4:3 modes, and 14+ stops of V-Log dynamic range matching Panasonic’s pro Varicam line shop.panasonic.com shop.panasonic.com. It uses the older contrast-detect AF and weighs more (over 1kg), but in return offers extensive I/O (full-size HDMI, XLR via adapter, timecode in/out) and very high video bitrates. Essentially a mini cinema camera, the S1H is best for filmmakers who need reliability for long takes, high resolution for post-production cropping, and external monitor/rig integration. As newer models (S5IIX, S1 II) encroach with similar video specs, the S1H’s niche is narrowing; however, its current price has dropped and it’s still a workhorse on many sets. Use case: indie film productions, documentary shooters, and studios requiring a B-cam to a cinema camera (its footage can intercut with Varicam). An eventual S1H Mark II is expected, but for now the S1H remains a capable tool.

• Box-Style Cinema Cameras (BS1H) – Lastly, Panasonic offers the Lumix BS1H, essentially the S1H electronics in a modular box body. This full-frame box camera ($3,499) is meant for multi-camera setups, drone or gimbal use, and live broadcasts. It forgoes a screen and IBIS but provides multiple mounting points and pro connectors: SDI and HDMI out, Genlock, Timecode, Ethernet with PoE power – ideal for synchronized multi-cam streaming shop.panasonic.com shop.panasonic.com. The BS1H can output 4K 60p over IP streaming (H.265) for live productions shop.panasonic.com shop.panasonic.com. Its 24MP sensor with Dual Native ISO is identical to the S1H, capturing 6K video and 14+ stops V-Log shop.panasonic.com shop.panasonic.com. By separating the camera brain from any attached viewfinder or grip, the BS1H appeals to professional broadcasting and cine rigs where the camera needs to be small and remotely controlled. (For example, a concert venue could mount multiple BS1H units and control them via software for a live multi-cam stream.) While not a “consumer” Lumix, it shows Panasonic’s dedication to niche use cases within the Lumix family.

In summary, the Lumix S series offers full-frame cameras for nearly every type of shooter: from the affordable hybrid S5 (and new S5 II) that DPReview says “you’ll find much to love” rtings.com, to the ultra-high-res S1R II, to specialized video tools like the S1H and BS1H. They share a commitment to excellent image quality, stabilization, and video-first features. The addition of Phase Detect AF in the latest generation addresses the last big hurdle, making Lumix S cameras very competitive against Sony Alpha and Canon R series peers. If you need the benefits of full-frame – low-light performance, wide dynamic range, and the option for creamy bokeh with fast lenses – the Lumix S lineup has you covered.

Lumix G Series (Micro Four Thirds Mirrorless Cameras)

The Lumix G Series encompasses Panasonic’s Micro Four Thirds lineup – cameras with a smaller Four Thirds sensor (crop factor 2× relative to full-frame). Co-created with Olympus, the MFT system allows much more compact bodies and lenses, making it great for travel and for achieving long focal length reach (e.g., a 300mm lens behaves like a 600mm on full-frame, prized by wildlife shooters). While MFT sensors can’t match the high ISO or ultra-shallow depth of field of full-frame, they provide ample quality for most uses and enable unique multi-aspect sensor tricks (like open-gate video and handheld high-res modes) that Panasonic often leverages en.wikipedia.org en.wikipedia.org. Panasonic’s G series ranges from beginner-friendly cameras to professional video powerhouses – all unified by the LUMIX G lens mount (hundreds of lenses available from Panasonic, Olympus/OM System, and third parties).

• Lumix GH7 – 25MP flagship video/stills hybrid. The GH7 (launched late 2024) is the long-awaited successor to the acclaimed GH6. Externally it resembles a mini DSLR, with generous controls, a big EVF, and a fully articulating LCD. Inside, it’s a video-maker’s dream now paired with cutting-edge tech. The GH7 uses a new 25.2MP Micro Four Thirds sensor (likely the same resolution as GH6 but with updated design) and, at last, Phase Detection AF on-sensor shop.panasonic.com. This PDAF upgrade, combined with Panasonic’s improved subject recognition (humans, animals, vehicles) shop.panasonic.com, gives the GH7 vastly better continuous focus for moving subjects – essential for run-and-gun filming and action photography. Video capabilities are class-leading: internal Apple ProRes 5.7K video, 4:2:2 10-bit capture, and even world’s first 32-bit float audio recording internally (offering extreme post-production sound range) shop.panasonic.com shop.panasonic.com. The dynamic range is rated over 13 stops (with Dual Native ISO), and high-speed options include 4K/120p and 1080p up to 300fps (per early reports). The GH7 basically takes everything the GH6 excelled at – 5.7K/60 and 4K/120 video, unlimited recording with active cooling, 5-axis IBIS (~7.5 stops with Dual I.S.) – and makes it even smarter and more reliable. For instance, phase-detect AF means the camera can refocus smoothly during 4K120 slow-motion, something GH6 struggled with. It also supports advanced features like raw video output, waveform monitors, anamorphic lens support, and more, befitting its status as a mini cinema camera. With a launch price around $2,199 (body) shop.panasonic.com, the GH7 targets pro users who might otherwise consider APS-C or full-frame models for video. But the GH7 offers a unique combo of compact system size and rich video features – perfect for travel filmmakers or documentary shooters where gear size matters. In short: the GH7 is the new king of Micro Four Thirds, equally adept at high-quality video and fast stills (it can shoot bursts 60 fps with AFC). Panasonic clearly positions it as a no-compromise tool for creators who prefer the agility of MFT.

• Lumix GH6 – 25MP video monster (contrast-AF). Preceding the GH7, the GH6 (2022) pushed MFT to its limits in video performance. It introduced the 25MP sensor (highest resolution yet on MFT) and could record 5.7K 60p and 4K 120p internally dpreview.com, a huge leap at the time. Reviewers hailed it as “one of the best video cameras you can buy” for the price techradar.com, noting only the familiar autofocus limitation (it uses Panasonic’s older DFD contrast AF). The GH6 has 10-bit 4:2:2 internal recording across most modes, offers ProRes 422 HQ internally up to DCI 4K, and features improved thermal management for unlimited recording. It was also Panasonic’s first camera with 100MP handheld High-Resolution photo mode dpreview.com. In practice, the GH6 produces extremely detailed footage and remains a workhorse for filmmakers, especially those who focus manually or shoot controlled scenes where AF is less critical. With recent firmware, the GH6 gained features like external SSD recording and enhanced raw output, showing Panasonic’s commitment to updates panasonic.com. Now that the GH7 is out, the GH6’s price has likely dropped, making it an excellent value for a dedicated video cam (half the cost of some full-frame rivals). If you can live with its so-so continuous AF, the GH6 still outperforms many larger-sensor cameras in codec flexibility and doesn’t overheat during extended 4K takes. Ideal use: professional video where reliability and image quality per dollar matter more than having the latest AF – e.g. documentaries, interviews, studio productions, and as a B-camera to cinema rigs (the GH line is famed for multi-cam).

• Lumix G9 II – 25MP photography-optimized flagship with PDAF. The original Lumix G9 (2017) was a high-speed stills camera (20MP) aimed at photographers, complementing the video-centric GH series. In September 2023, Panasonic finally launched the Lumix G9 II, and it represents a huge generational leap. It’s built around the same 25.2MP sensor as GH6/GH7 but crucially is the first Lumix Micro Four Thirds camera with phase detection autofocus dpreview.com – a milestone that signaled Panasonic’s commitment to keeping MFT alive and competitive en.wikipedia.org. The G9 II’s PDAF system (779 points) makes it a sports and wildlife shooter’s friend, combined with 60 fps burst shooting (AF-C) or up to 75 fps with the electronic shutter lesdeuxpiedsdehors.com. It also has pre-burst capture to avoid missing moments. For still photographers, the G9 II offers features like a 100MP Handheld High-Res mode (utilizing the IBIS to shift sensor and composite a high-res image) petapixel.com and improved in-camera JPEG color profiles. But the G9 II is no slouch in video either: it can do 5.7K/60 and 4K/120 (just like GH6) and includes advanced video tools such as V-Log and LUT support. In essence, the G9 II merges the strengths of the G9 (fast stills, great ergonomics) with the sensor and many video capabilities of the GH series. At launch it was priced around $1,899 (body) and positioned as the flagship MFT camera for photographers – DC.Wikipedia even noted it as the flagship as of 2023 en.wikipedia.org. Reviews have been positive: DPReview says it “is the company’s high-end model aimed at stills shooters…and the first-ever Lumix MFT with PDAF” dpreview.com. Photographers who love the reach and lighter kit of MFT (for wildlife, birding, action) finally have a camera that can track subjects effectively. Meanwhile, hybrid shooters also benefit from the G9 II’s crossover skills. Ideal use: wildlife and sports photography (where a 100-400mm lens becomes an 800mm equivalent), event photography (the smaller system is less intimidating), plus general travel/nature shooting where its rugged weather-sealed body and high speed shine.

• Lumix G95 / G90 (G99/G97) – 20MP mid-range all-rounder. The Lumix G95 (known as G90 in some regions, and G99 in Japan) is a mid-tier Micro Four Thirds model first released in 2019. It features a 20.3MP sensor (no AA filter) and is positioned as a step-up for enthusiasts from entry-level models. The G95 offers a bit of everything: a sturdy weather-sealed body, built-in 5-axis Dual I.S. stabilization, a decent OLED EVF, and fully articulating touchscreen. It shoots 4K video at 30p (with a minor crop) and 1080p up to 120fps for slow-mo. Standout features include Panasonic’s V-LogL profile pre-installed (rare at this price point, giving 12 stops dynamic range for video) and an internal 4K timelapse mode. With an updated Venus Engine, its image quality and autofocus (contrast-based with DFD) are solid if not cutting-edge. The G95 was praised for its comfortable handling and as a “do-everything” hobbyist camera that’s light enough for hiking yet capable enough for some pro work. As of 2025, Panasonic still sells it (often in a kit with 12-60mm lens) as the Lumix G97 bundle shop.panasonic.com shop.panasonic.com. Often priced around $799–$899 with lens, it’s one of the best bang-for-buck deals in MFT. Use case: an enthusiast who wants a lightweight alternative to a DSLR – for travel, family, and semi-serious video. It’s also popular among YouTubers needing a budget camera with mic input, flip screen, and unlimited recording (the G95 has no 30 min video limit). While its tech is older (no PDAF, limited to 9 fps bursts), it remains a versatile mid-range option.

• Lumix G100 (and G100D) – 20MP ultra-compact vlogging camera. Introduced in 2020, the Lumix G100 was Panasonic’s attempt at a dedicated vlog camera for beginners. It’s very small and lightweight (similar to a point-and-shoot size, but with interchangeable lenses), and has a simplified control scheme. The G100 has a 20MP MFT sensor (likely from the GX9) and notably includes a built-in OZO Audio system by Nokia – a clever 3-mic array that can track face direction for improved audio pickup of the vlogger speaking shop.panasonic.com. It offers a vari-angle flip-out screen, making it easy to film oneself. Video-wise, it captures 4K up to 30p and 1080p up to 60p. One limitation is the lack of in-body stabilization (it relies on lens OIS and electronic IS); nonetheless, its small size is great for handheld shooting or using on a mini tripod. The G100D is a slightly updated kit variant launched later, often bundled with the 12-32mm kit lens and sometimes a tripod grip. According to DigitalCameraWorld, the G100D “launched late last year” with minor tweaks like a better EVF and USB-C, but rumors suggest a more significant G100 Mark II is on the way digitalcameraworld.com digitalcameraworld.com. Still, as it stands, the G100 is positioned for entry-level users who want higher quality than a smartphone without the complexity of bigger cameras. It even has handy modes like a Video Selfie Mode that automatically keeps both the subject and background in focus for vlogs. Panasonic touts its portability: “lightweight even with a lens attached to support one-handed recording” shop.panasonic.com. Currently around $649 with lens shop.panasonic.com, it competes with cameras like the Sony ZV series. Ideal use: casual vloggers, students, travelers who want a simple, small camera to document everyday life and share on social media. It’s also a nice family camera for both snapshots and occasional videos, with an easy auto mode and good audio built-in.

• Lumix GX9 and Others – Compact rangefinder-style MFT. While not a current focus for Panasonic, some older models still linger in the market. The Lumix GX9 (2018) is a 20MP rangefinder-style camera (flat body, corner EVF) beloved by street photographers. It’s very compact but has an EVF that tilts upward 90°, a unique feature for shooting from the waist. The GX9 and its predecessors (GX8, GX7) offered great image quality in a smaller form, essentially Panasonic’s answer to Fuji’s rangefinders. However, Panasonic hasn’t released a GX10 yet – the GX9 might be the last of its line and is increasingly hard to find new. Similarly, ultra-compact models like the Lumix GF10/GX850 (entry-level, no EVF, selfie-oriented) were popular around 2017-2018 but have since been discontinued. Panasonic seems to be streamlining its MFT offerings around the G100 for entry-level and G95/G9/GH for higher end.

• Lumix BGH1 – 10MP Micro Four Thirds box camera. Parallel to the full-frame BS1H, Panasonic offers the Lumix BGH1, a modular box-style camera with a Micro 4/3 sensor. It was released in 2020 (Panasonic’s first box camera) and is essentially a GH5S internals in a cube body. The BGH1 has a 10.2MP sensor (with Dual Native ISO for low light) aimed at providing low-noise 4K video in a tiny form factor shop.panasonic.com. It records DCI 4K 60p 4:2:2 10-bit (or up to 4K 30p in 10-bit 4:2:0 internally) and can output RAW via HDMI. Designed for multi-camera broadcast, drones, and remote studios, it includes Ethernet (PoE power and IP control), Genlock, Timecode, and USB-C control. At ~$1,999 shop.panasonic.com, it’s the companion for anyone who wants a networked array of cameras. Panasonic even marketed it for esports and live event streaming, where multiple BGH1s could be synchronized and controlled from a single PC. While niche, it underscores Panasonic’s strength in video – the BGH1 was actually approved for Netflix as well (one of few MFT to achieve that), proving its pro credentials. Regular consumers are unlikely to buy a BGH1, but some adventurous filmmakers have used them to build high quality multi-cam rigs on a budget. Notably, Panasonic’s firmware updates have kept it relevant (adding formats and compatibility).

In summary, the Lumix G series (Micro Four Thirds) cameras excel in scenarios where portability, zoom reach, and video features are priority. They are often significantly smaller and more affordable than their full-frame counterparts. For example, a GH7 can match much of a high-end full-frame video camera’s output, but the MFT lenses and bodies weigh a fraction – crucial for travel videography or handheld shooting all day. Likewise, a wildlife shooter can pack a 100-400mm (200-800mm eq.) in a carry-on with a G9 II, something impossible with full-frame gear at that focal length.

The trade-offs are mostly in extreme low-light and maximum resolution, where full-frame wins. But many users find that for web content, prints up to A3, or 4K delivery, Micro Four Thirds is plenty. As one Lumix G9 II reviewer put it, Panasonic has “confirmed its commitment” to the smaller sensor format by delivering these latest models digitalcameraworld.com – giving photographers and filmmakers a viable alternative to larger systems, without sacrificing modern autofocus and imaging advancements.

Lumix Compact Cameras (Point-and-Shoot and Bridge)

While interchangeable-lens cameras are the core of the Lumix brand, Panasonic also produces several compact cameras under the Lumix name. These range from pocket-sized point-and-shoots to larger “bridge” cameras with superzoom lenses. In recent years, the compact camera market shrank (due to smartphones), but Panasonic continues to offer models for niche demands like long zoom or advanced compacts. Here are the current ones:

• Lumix ZS99 (TZ99) – 30× zoom travel compact. Released in late 2024, the ZS99 (known as TZ99 in some regions) is Panasonic’s newest travel zoom camera digitalcameraworld.com. It succeeds models like the ZS70/80 with improvements. The ZS99 packs a 30× optical zoom Leica DC Vario-Elmar lens (covering roughly 24–720mm equivalent). Despite its powerful zoom, it remains pocketable – great for travelers or safari-goers who can’t carry an interchangeable lens kit. It has a small 1/2.3″ sensor (around 20MP) common for compacts, so image quality is good in daylight, a bit noisy in low light – but the versatility of that zoom is the selling point. The camera features 4K video recording, a built-in 0.2″ EVF (helpful in bright sun), and Panasonic’s 4K Photo modes (to grab 8MP stills from video bursts). With modes like Post Focus (choosing focus after shooting) and a variety of scene presets, it’s user-friendly. The ZS99 essentially updates the previous TZ90/ZS70 with perhaps improved processing and minor tweaks (exact specs are under wraps, but price is around $699 shop.panasonic.com). Panasonic clearly believes there’s still a market for a “do-it-all” vacation camera, where one small device replaces the need for multiple lenses.

• Lumix FZ80 (FZ82) and FZ80D – 60× superzoom bridge camera. The Lumix FZ80 is a budget-friendly bridge camera notable for its huge 20–1200mm equivalent zoom (60×). It has a DSLR-style body (with a deep grip and EVF) but a fixed lens. The sensor is 1/2.3″ 18MP, similar to point-and-shoots. The FZ80 stands out by offering 1200mm reach – great for moon shots or distant wildlife – at a cost of only about $399 shop.panasonic.com. It can shoot 4K video (with 5-axis optical+electronic stabilization to steady that long zoom) and has Panasonic’s 4K Photo burst modes as well. The “FZ80D” appears to be a kit variant that may include extra accessories or simply a different color; Panasonic lists it at $549 with possibly some add-ons shop.panasonic.com. For hobbyists who want an all-in-one camera to experiment with extreme telephoto, the FZ80 is a fun and capable choice (it’s one of the most affordable ways to get a 1200mm focal length). It’s also often recommended for wildlife watchers on a tight budget – though image quality is limited by the small sensor, in good light it can produce decent results, and it’s far more convenient than carrying a heavy lens.

• Lumix FZ2500 (FZ2000) – 1-inch sensor professional bridge. On the higher end, Panasonic offers the Lumix FZ2500, which hasn’t been updated recently but is still listed (with a relatively high price ~$999) shop.panasonic.com. The FZ2500 is for enthusiasts who want a “bridge” camera (DSLR-like) with better image quality. It uses a 1-inch 20MP sensor (much larger than typical compact sensors, for better dynamic range and low-light performance). Its fixed zoom lens is 24–480mm equivalent with a bright f/2.8–4.5 aperture – not as long as the FZ80’s reach, but optically superior (and 480mm is still significant). The FZ2500 is essentially a cousin of the well-regarded Sony RX10 series. It shines for video as well: it can do 4K/30 and features built-in ND filters, CineLike D/V profiles, and even unlimited recording. With a robust body, fully articulating screen, and lots of manual controls, the FZ2500 is aimed at advanced users who want versatility without swapping lenses. For example, a documentary shooter or journalist could use the FZ2500 to get wide landscapes and 20× zoom close-ups on the same outing, with quality good enough for publication. Though a 2016 model, it remains one of the more capable bridge cameras on the market (and few companies are releasing new ones nowadays).

• Lumix LX100 II – Large-sensor enthusiast compact (rumored successor pending). The LX100 II (2018) is worth mentioning even though Panasonic’s site doesn’t list it as current stock. It’s a beloved camera among enthusiasts: a compact with a Micro Four Thirds sensor (utilizing a 17MP multi-aspect portion) paired with a fast Leica 24–75mm f/1.7–2.8 lens. Essentially, it’s a pocket camera that produces DSLR-like image quality and lovely bokeh, thanks to its big sensor and bright zoom. The LX100 II has extensive controls (aperture ring, shutter speed dial) and can shoot 4K video as well. It’s an excellent street photography and travel camera for those who don’t want the bulk of an ILC. There have been persistent rumors of a Lumix LX100 III coming thenewcamera.com, possibly with an updated 20MP sensor and improved EVF, which many fans are hoping for. If Panasonic releases that, it would continue the legacy of the LX series as one of the top premium compacts on the market (competing with the likes of the Sony RX100 VII and Canon G5X series). For now, the LX100 II (if you can find one) is still a great little camera; otherwise, an LX100 III might be on the horizon as hinted by rumor sites thenewcamera.com.

• TS (FT) Series (Waterproof Tough Cameras) – Panasonic also had offerings like the Lumix TS7/FT7 (2018), a rugged waterproof/shockproof camera for outdoor adventure. It featured a 20MP sensor, 4.6× zoom, and could go 31m underwater. However, it appears Panasonic has not updated the tough-cam line recently and the TS7 may be discontinued (and overshadowed by Olympus’s Tough series). As of now, it’s not prominently in their catalog. If one needs an underwater or rugged Lumix, the TS7 can still be found secondhand.

In summary, Lumix compact and bridge cameras fill specific niches that smartphones or larger cameras can’t: ultra-long zoom, all-in-one convenience, or large sensors in tiny bodies. They carry Panasonic’s hallmark features like 4K video and Leica lens collaborations. While fewer new models are coming in this segment, the ones available are quite refined. A camera like the ZS99 can capture angles and subjects (distant wildlife, candid street shots from afar) that a phone camera simply cannot, due to its optical zoom. And a 1-inch sensor model like the FZ2500 or a future LX100 III can deliver noticeably better image quality than a phone, especially in tricky lighting.

For casual shooters or travelers not ready to jump to an interchangeable lens system, Lumix point-and-shoots offer a user-friendly package with some of the Lumix DNA (stabilization, good color, 4K photo tricks) built in. Panasonic clearly sees enough demand to “feed the current compact camera craze” by even launching new models like the ZS99 digitalcameraworld.com, proving that dedicated cameras still have their place.

What the Experts Say: Lumix Camera Performance and Value

Panasonic Lumix cameras have earned respect from reviewers for their performance, value, and video excellence. Here are some insights and quotes from photography experts and publications:

• Autofocus breakthrough: The addition of phase-detect AF in recent Lumix models has been widely praised. DPReview’s review of the Lumix G9 II highlighted it as “the first-ever Lumix Micro Four Thirds camera to include phase detection autofocus,” noting that this finally addresses the focus tracking issue for fast action dpreview.com. Rtings’ testing of the Lumix S5 II similarly noted the dramatic improvement: “a new phase-detection autofocus system that’s especially effective in video mode” compared to the older S5 rtings.com. This puts Lumix “back in the game” for sports, wildlife, and one-take video work where focus accuracy is mission-critical.
• Video powerhouse reputation: TechRadar, in a 2025 hands-on, stated: “It’s the most capable, supercharged Lumix ever…with possibly the broadest range of video codecs for the money” when describing the Lumix S1 II techradar.com. They emphasized Lumix’s video-centric approach, mentioning features like 6K open-gate, 70fps bursts, and industry-leading stabilization. Likewise, PetaPixel’s first look at the S1R II noted Panasonic’s color science and dynamic range, calling the camera “a crack at [challengers] like the Nikon Z8 and Canon R5 Mark II” in hybrid performance petapixel.com.
• Value for money: Many reviewers laud Lumix for packing features found in higher-end rivals into more affordable bodies. Rtings.com ranked the Lumix S5 II as the “Best Full-Frame Panasonic Camera”, praising it as “a knockout hybrid camera with outstanding video specs” and highlighting extras like waveforms and heat management that make it a videography bargain rtings.com. They do note that L-mount lens selection can be pricier or more limited than competitors’ ecosystems rtings.com, but if that’s not a dealbreaker, “you’ll find much to love about the S5 II.”
• Image quality and stabilization: Reviewers often applaud Lumix bodies for punching above their weight in image stabilization and handling. PetaPixel’s review of the S1R II commended the “very stable in-body image stabilization… up to eight stops” and the overall ergonomics, noting it felt familiar and comfortable in hand petapixel.com petapixel.com. The smaller MFT bodies also get love – for instance, Imaging Resource (for GH6) and others pointed out how Panasonic continually delivered “superb handling” and customization even on complex video cameras techradar.com. In other words, a Lumix might have a slight learning curve (due to rich features), but once mastered, photographers appreciate the direct control and balanced feel.
• Color and output: Many professionals stick with Lumix because of Panasonic’s color rendition and post-production flexibility. “Color and tone is really nice out of the Panasonic cameras, as usual,” notes PetaPixel petapixel.com, referencing the pleasing color science in JPEGs and video. Furthermore, the inclusion of flat V-Log profiles across even mid-range models gives creators room to grade footage professionally – something that’s often an extra-cost upgrade on competitors.
• Critiques: It’s not all praise – reviewers have pointed out Lumix weaknesses too. For instance, prior to PDAF, autofocus was a common con: TechRadar said of the GH6, “one of the best video cameras you can buy, even if it has a familiar autofocus limitation” techradar.com. Battery life on some models (like S1 II) and the weight of early S1-series bodies have been minor negatives techradar.com. There’s also the observation that full-frame Lumix lenses (being L-mount, often co-designed with Leica) can be expensive and Panasonic’s own lens lineup, while growing, isn’t as fleshed out at every price point as Canon’s RF or Sony’s E-mount.

Overall, expert opinion positions Panasonic Lumix as a trailblazer in video and hybrid shooting. The consensus is that if your work has any serious video component, Lumix cameras should be high on your list. As DPReview TV famously concluded about the GH6: “The Panasonic GH6 is clearly the best Micro Four Thirds camera for video shooters” dpreview.com. And with the latest AF improvements, even skeptics are acknowledging that Lumix now offers a more well-rounded package for stills and motion. The value proposition is often mentioned – you might get features in a $1,700 Lumix that you’d only see in a $2,500+ competitor. For the average consumer or independent creator, that’s a huge plus.

Current News and Updates in the Lumix Line

Panasonic has been busy in the past year, not only with new camera releases but also with firmware updates and strategic announcements:

• Firmware enhancements: Panasonic’s free firmware updates have added significant features to existing cameras, underlining their support for customers post-purchase. For example, in late 2024 a firmware update for the Lumix S5 II and S5 IIX added RAW video output and improved AF tracking panasonic.com. Another update around October 2024 brought the new LUMIX Lab app support (for easy LUT and image transfers) to models like the S5II and S9, as well as improved wireless connectivity (5GHz Wi-Fi) cined.com. The Lumix GH6 received at least eight firmware updates since launch, adding SSD direct recording and refining performance photojoseph.com cined.com – showing that Panasonic treats its flagship users to continuous improvements. In May 2025, Panasonic rolled out a set of firmware updates across the lineup, aligning color profiles and adding minor features to ensure consistency between new models like GH7/G9II and earlier ones panasonic.com.
• Product releases and price moves: The start of 2023–2024 saw major product launches: the S5II/S5IIX in January 2023 shop.panasonic.com, the G9 II in Sept 2023, S5IIX shipping mid-2023, the Lumix S9 and GH7 in 2024 digitalcameraworld.com, and the S1RII/S1II in early 2025 shop.panasonic.com. Each release often came with a slight repositioning of older models. For instance, once S5II arrived, the original S5 had price cuts and remains on sale as an entry full-frame option (often under $1,300 new). Panasonic officially discontinued the first-gen S1 and S1R after launching the Mark IIs digitalcameraworld.com – a sign of moving fully into the new phase-detect era. The Lumix S1H, however, continues to be sold, and Panasonic has hinted that “at some point there’ll be a replacement for the S1H,” but that the S1R II had to come first in sequence digitalcameraworld.com. Meanwhile, compact camera releases like the ZS99 indicate Panasonic still sees life in that segment (the ZS99 was quietly launched with little fanfare, but it got attention in holiday 2024 camera guides).
• Lumix Lab and Ecosystem: In mid-2024 Panasonic introduced the Lumix Lab app, a smartphone application aimed to complement cameras like the S9 and GH7 dpreview.com. It allows quick LUT uploads, image edits, and social sharing. This is part of a broader move to make Lumix more appealing to content creators who demand smartphone-like convenience. Additionally, Panasonic’s partnership efforts – like the L-Mount Alliance – have grown. Leica, Sigma, and Panasonic have been joined by new members (DJI, Astrodesign, etc.) in using L-mount lenses shop.panasonic.com. This means more third-party lenses (from Sigma and even Chinese manufacturers) are coming to L-mount, expanding choices for S series users.
• Pricing and market context: Notably, in a photography industry where many brands raised prices due to supply chain issues, Panasonic has kept some prices competitive. For instance, the Lumix S5II launched at $1,999, undercutting similarly specced rivals by a fair margin. Digital Camera World pointed out that Panasonic (and OM System) were among the few that “haven’t hiked prices” as of mid-2025 digitalcameraworld.com, a relief to consumers. Instead, Panasonic often offers deals like free accessories or instant rebates (e.g., a $300 instant savings on S9 bodies during a promo shop.panasonic.com shop.panasonic.com). These moves are likely aimed at expanding Lumix’s user base by providing value.
• Public statements: Panasonic executives have been vocal that they are committed to dual formats. Despite their heavy focus on full-frame, they reassure that Micro Four Thirds remains important. A Panasonic director was quoted in late 2022 saying “we continue to release and support MFT cameras”, which indeed manifested with the G9II and GH7 launches en.wikipedia.org. This was significant because some skeptics predicted MFT might be abandoned – but Panasonic proved otherwise. On full-frame, Panasonic’s Matt Frazer (Product Planning) gave an “official response” in an interview, acknowledging the S1H will get a successor in due time, but hinted the focus was first on the S1R II and S1 II because the sensors were ready for those digitalcameraworld.com. This transparency helps Lumix users understand the road map (e.g., S1H II’s absence so far is not neglect but scheduling).

In essence, the current news around Lumix paints a picture of a brand reinvigorated. Panasonic had a few quieter years around 2020–2021, but is now rapidly catching up with technology (phase detect AF, new sensors) and carving a stronger identity (content creator-friendly features like Real-Time LUT and apps). The company appears to be balancing its heritage in video with the demands of modern photographers. And by actively updating firmware and engaging with the community (Lumix ambassadors and YouTube shows like Lumix Live Q&As), Panasonic is fostering goodwill.

For prospective buyers, the news is good: Lumix cameras released in the last couple of years are not only excellent at launch but tend to get better over time with updates, and Panasonic’s range of offerings is expanding (not contracting). It’s a sign that Panasonic is here to stay in the camera game, competing not just on specs but on user experience and support.

Rumors and Upcoming Lumix Models

Looking ahead, there are several reliable rumors and expectations for Panasonic Lumix in late 2025 and beyond:

• Lumix S1H Mark II: A successor to the video-focused S1H is one of the most anticipated releases. Panasonic has not officially announced it yet, but they’ve acknowledged it’s logical. In an interview, Panasonic’s Matt Frazer hinted that “at some point there’ll be a replacement for the S1H” and noted they must “do things in sequence” – implying the S1R II/ S1 II came first, and an S1H II will follow digitalcameraworld.com. Rumors about the S1H II have included speculative features like a higher megapixel sensor (some say 50MP) with 8K video, possibly built-in ND filters, and of course phase-detect AF digitalcameraworld.com. However, these are not confirmed and might be wishful thinking. A credible expectation is that an S1H II would incorporate the new tech from S1 II (phase detect, new processor) and push video further – maybe open-gate 8K or 6K at higher frame rates. Digital Camera World suggests a bit of skepticism on the wilder rumors, but certainly expects an S1H II in either late 2025 or 2026 as part of Panasonic’s pro lineup refresh digitalcameraworld.com. For now, those interested in Lumix’s top video tool will be watching for development announcements, perhaps at trade shows like NAB or Photokina (if resumed).
• Lumix G100 II: On the Micro Four Thirds side, a Lumix G100 Mark II is reportedly in development. While Panasonic released the minor G100D kit, rumor reports (and even DCW) say a true G100 II will arrive, likely incorporating phase detect AF (which would address the original G100’s biggest drawback for vlogging) digitalcameraworld.com. It’s expected to use the same 25.1MP sensor as the G9 II, which means a huge upgrade in image quality and video for an entry-level camera. Specs rumored include 4K 60p 10-bit video (a big leap from the current model’s 4K30 8-bit) and hopefully in-body stabilization this time digitalcameraworld.com. Essentially, a G100 II could become a fantastic option for beginner creators – a truly modern small MFT camera with no major deal-breakers. If Panasonic times it well, they could capture the vlogging camera market’s lower end (where currently options like Sony ZV-1 or Canon’s small EOS M50 II play). There’s no exact date, but since the G100 came out in 2020, a Mark II around 2025 fits a normal cycle.
• Lumix S5R and S1X (New models?): Rumors have circulated about Panasonic possibly expanding the S5 line. One such rumor is a “Lumix S5R”, which would theoretically be a high-resolution variant of the S5 (perhaps using the 47MP sensor from original S1R) in the smaller S5 body digitalcameraworld.com. The idea here is Panasonic might offer a cheaper high-megapixel camera for those who don’t need the tank-like build of S1R II. This is unconfirmed, but the mention of an S5R popped up enough to suggest Panasonic is testing market interest. Another is an “Lumix S1X”, rumored as a sort of ultra-high-end hybrid (with whispers of a 49MP sensor, 8.5K video, crazy 60fps burst specs) digitalcameraworld.com. However, even rumor sites find the S1X claim “super sketchy” digitalcameraworld.com – it sounds almost too good to be true, and might just be conjecture. If anything, Panasonic might stick to known naming: an S1H II for video, an S1R II (done), an S1 II (done). An S5R or some letter variant could happen to fill a gap (like an S5 body with a high-res sensor to compete with cameras like Nikon Z7 or Canon R5 at a mid-tier price). We should take these with a grain of salt until more solid leaks appear.
• Lumix LX100 III: Enthusiasts are eagerly awaiting a Mark III of the LX100 series. Rumors from sites like The New Camera claim the LX100 III is coming, possibly announced alongside other 2025 releases thenewcamera.com. An LX100 III would likely keep the big Micro Four Thirds sensor and fast lens concept, but maybe bump resolution to 20MP (like the sensor from GX9/G90) and add an updated EVF and improved video (the LX100 II was limited to 4K30). With Sony’s RX100 line stagnating, a new LX100 could seize the premium compact crown. Panasonic hasn’t confirmed this, but their move to not list the LX100 II on their official store suggests it might be clearing the way for a new model. If it appears, expect features like 4K60 video, maybe even phase-detect AF (if they use a newer MFT sensor – though cramming PDAF on a compact might be tricky), and perhaps a touchscreen (previous LX100s lacked a touch interface).
• Other lenses and minor models: While the question is about cameras, it’s worth noting Panasonic continues to release lenses (like a recent 14-28mm ultra-wide zoom for full-frame, and refreshed f/1.7 primes for MFT). Camera-wise, the BGH1 and BS1H could see updates eventually (e.g., maybe a “BGH2” with the GH7’s 25MP/PDAF, or a future box cam with 8K). No strong rumors on those yet, but Panasonic’s pattern might be to update them a year or two after their corresponding main bodies. For instance, if S1H II comes, perhaps a BS1H II box might follow.

According to a late-2025 camera rumors roundup, Panasonic’s next moves were expected to be in both full-frame and MFT digitalcameraworld.com. They’ve “been super busy of late” launching S9, GH7, etc., so the pipeline is active. The rumor mill suggests something could come in the professional full-frame space in 2025 – whether that’s the S1H II or some surprise. Panasonic also registered a new camera code in late 2024 in China (which often precedes a product launch by a few months), fueling speculation that one of these rumored models was nearing announcement reddit.com.

In summary, the Lumix family’s future looks promising. Panasonic appears to be listening to feedback (phase-detect everywhere!) and targeting niches (content creators, hybrid pros). If the rumors pan out, 2025 might bring an even stronger Lumix lineup: a new flagship video camera (S1H II) to cement Panasonic’s throne among filmmakers, a refreshed compact to delight enthusiasts (LX100 III), and a revamped entry vlogger camera (G100 II) to capture the YouTube crowd. As always with rumors, we should wait for official confirmation – but it’s an exciting time to be a Lumix fan, as the company seems more energized than it’s been in years, bridging their video expertise with new tech to meet the demands of modern creators.

Sources: Panasonic Official Announcements shop.panasonic.com digitalcameraworld.com, DPReview and Rtings reviews rtings.com dpreview.com, TechRadar hands-on techradar.com, PetaPixel first looks petapixel.com, Digital Camera World rumors report digitalcameraworld.com digitalcameraworld.com.