Audioengine A2+ (2025 Edition) Review - Tiny Speakers, Big Upgrades & Bold New Looks

by Marcin Frąckiewicz
in Uncategorized
on 27 August 2025

Key Facts

Limited Edition & Price: Audioengine’s A2+ now comes in a special 2025 “Color of the Year” Matte Green edition, produced in very limited quantities. It’s priced at $279, the same as the standard A2+ finishes (black, white, or red) gearpatrol.com. Once the Matte Green batch sells out, Audioengine says it “will not return,” underscoring its collectibility gearpatrol.com. (Earlier in mid-2025, an ultra-limited Matte Orange 20th Anniversary edition of 250 units also sold for $279 on Audioengine’s site.)
Next-Gen Upgrades: In early 2025 the A2+ received a “Next Gen” refresh – adding Bluetooth 5.3 wireless with aptX-HD support, an upgraded 24-bit DAC, and a modern USB-C audio input gearpatrol.com. These enhancements allow hi-res audio playback (up from the previous 16-bit limit) and easier hookup to today’s devices, all while keeping the price under $300 gearpatrol.com. Over USB-C, the new A2+ supports up to 24-bit/96 kHz audio, and over aptX HD Bluetooth it can stream 24-bit/48 kHz, delivering more detail and dynamic range than the older model gearpatrol.com.
Specifications: Each A2+ speaker houses a 2.75″ aramid fiber woofer and a 0.75″ silk-dome tweeter, driven by dual Class A/B amplifiers (15 W RMS per channel, 60 W peak total) bhphotovideo.com. The compact cabinets (about 6″ H × 4″ W × 5.3″ D) are solid MDF and feature a front-slot bass port to reinforce low-end output. Inputs include Bluetooth, USB-C, a 3.5 mm aux jack, and stereo RCA, and there’s an RCA variable line-out for an optional subwoofer audioengine.com. The built-in DAC supports 24-bit/48 kHz via USB, bypassing your device’s sound card. Frequency response is rated ~65 Hz – 22 kHz (±2 dB) audioengine.com, so while they produce some bass on their own, a subwoofer can fill in the deepest notes.
Sound Quality: Despite their small size (~6″ tall), the A2+ are acclaimed for delivering clear, full-bodied sound with excellent stereo imaging and detail. The sound signature is often described as warm yet crisp – music comes through as rich and non-fatiguing ts2.tech. TechRadar’s reviewer noted the A2+ are “easy to listen to” with “plenty of fine detail and premium build quality,” making them ideal for near-field listening on a desk or in a small room techradar.com. Of course, physics imposes limits: truly deep bass is absent (“no deep bass to speak of,” TechRadar observed) techradar.com and the maximum volume is modest – enough for personal listening or a small office, but not for shaking walls. Bass lovers can always add a subwoofer for more low-end punch techradar.com techradar.com.
Expert Praise: The Audioengine A2+ has been a top pick in the desktop speaker category for years. Sound & Vision lauded its combination of “audiophile-friendly sound” and Bluetooth convenience in a compact package soundandvision.com. Reviewers often remark that the A2+ sounds bigger and more refined than its size or price suggests. Twittering Machines, for example, called the A2+ “little treasures of sound that offer more than you’d expect given their price and size.” twitteringmachines.com Its high-quality wood cabinets and analog amplifiers give it an edge in sound quality over many plastic PC speakers, and the tuning avoids the bloated or harsh character that plagues some cheap multimedia speakers.
Within Audioengine’s Lineup: The A2+ sits above the base-model A1 and just below the pricier HD3 in Audioengine’s family of powered speakers. Notably, the HD3 uses the same drivers and 60 W amp as the A2+ and sounds nearly identical, but it adds premium touches like real wood veneer cabinets, removable magnetic grilles, and a built-in headphone amplifier (hence its higher ~$349 price) ts2.tech ts2.tech. The larger Audioengine HD4 looks similar but packs a 4″ woofer and roughly double the power (120 W peak), yielding stronger bass and room-filling volume at about $429 ts2.tech. Meanwhile, Audioengine’s classic A5+ and flagship HD6 are bigger bookshelf models intended for living-room use – they offer much deeper bass and higher output, but are overkill for near-field desktop setups and cost substantially more.
Vs. Competitors: In the $200–$300 tier, the A2+ competes with popular powered speakers like Kanto’s YU series and various Edifier models. The Kanto YU2 ($239) is another tiny 2.0 speaker with a 3″ woofer; however, it lacks Bluetooth and its Class D amp pushes the little drivers to their limits. The YU2 can play slightly lower bass notes on paper, but it does so with audible distortion and doesn’t sound as “rich and harmonized” as the A2+ according to one head-to-head review aphnetworks.com. Edifier’s budget speakers (e.g. the R1280DB at $150) offer bigger cabinets and often include tone controls and a remote, but they lack the A2+’s premium finish and clarity in the mids and highs ts2.tech – you get more boom for your buck, but not the same refinement (nor a built-in USB DAC for high-res audio). For those willing to spend more, the Vanatoo Transparent Zero ($399) is frequently cited as a step up from the A2+ – it’s a slightly larger mini-monitor with DSP and passive radiators that dig deeper in bass – but it comes at a higher price and a more utilitarian appearance, so it’s not as universally appealing. All told, the A2+ hits a sweet spot of sound, features, and size that’s kept it ranked at or near the top of many “best desktop speakers” lists in recent years.

Next-Gen Refresh: What’s New in 2025

The Audioengine A2+ has been around in one form or another since 2013 (and traces its lineage to the original Audioengine 2 from 2007). The 2025 edition brings the most significant updates in years, modernizing this beloved desktop speaker while retaining its classic look. In January 2025, Audioengine announced the A2+ “Next Gen” Home Music System, adding several key upgrades:

High-Resolution Audio: The built-in digital-to-analog converter (DAC) was improved from 16-bit to 24-bit capability, allowing the A2+ to play high-res audio files with greater detail gearpatrol.com. Over a USB connection, the new A2+ supports audio up to 24-bit/96 kHz, whereas the previous model maxed out at CD-quality 16-bit. Audioengine likens the jump to 24-bit to moving from standard- to high-definition video – subtle details in your music become clearer gearpatrol.com gearpatrol.com. In practical terms, this means if you have lossless or hi-res music files (or use HD streaming services), the A2+ can now take full advantage of that higher fidelity.
USB-C Connectivity: To complement the upgraded DAC, Audioengine replaced the old micro-USB port with a modern USB-C input on the back of the left speaker gearpatrol.com. This makes it plug-and-play friendly with today’s laptops, which increasingly use USB-C. You can connect your computer (or even a phone/tablet) directly via USB and bypass its internal sound card, using the A2+’s high-quality DAC instead. The USB connection also provides power for the DAC, so no separate USB power is needed – just one cable from your device to the speaker handles audio streaming in pristine digital form. For those who don’t want to fuss with analog cables, this is a welcome convenience.
Bluetooth 5.3 with aptX HD: The wireless capabilities got a boost as well. The new A2+ features Bluetooth 5.3, up from Bluetooth 5.0 in the prior version. More importantly, it supports the aptX-HD codec for higher-quality streaming gearpatrol.com. If your source (phone, tablet, computer) also supports aptX-HD, you can stream audio at up to 24-bit/48 kHz, approaching CD quality over the air gearpatrol.com. Even with a standard SBC/AAC Bluetooth connection (used by iPhones and many devices), you’ll still benefit from the improved range and stability of Bluetooth 5.3. Audioengine advertises an extended wireless range up to 100 ft with the A2+ ts2.tech, meaning you can roam around a bit without dropouts. In short, the A2+ (2025) lets you play music wirelessly from virtually any device with better sound than ever before.

What didn’t change? Crucially, the core acoustic design remains the same – the A2+ still uses two 2.75″ aramid fiber woofers with 0.75″ silk dome tweeters, powered by analog Class A/B amplifiers (15 W RMS × 2) inside sturdy MDF cabinets bhphotovideo.com bhphotovideo.com. Audioengine intentionally kept the speakers’ form factor and sound signature consistent, simply enhancing the tech around it. This means the new A2+ maintains the sound characteristics that made its predecessors popular, rather than attempting a radical redesign. It also means existing accessories (like Audioengine’s desktop stands or wall mounts) are fully compatible with the 2025 model. The price was nudged only slightly – the A2+ now retails for $279 (the previous A2+ Wireless was around $269). Audioengine has effectively kept the A2+ at the same sub-$300 price point despite the upgraded internals gearpatrol.com, which keeps it very competitive in value.

Design & Build Quality

One glance at the A2+ and you might not realize anything has changed – and that’s by design. The appearance of the 2025 A2+ is virtually identical to prior versions: a clean, minimalist boxy cabinet with no front buttons or LEDs, just the two drivers (woofer and tweeter) on each speaker. Audioengine has always focused on a blend of classic and modern in their design. The A2+ is small and unassuming, yet elegant in its simplicity. Each speaker cabinet is made from 18 mm thick MDF wood, which gives it a solid, heftier feel than plastic speakers and helps minimize unwanted resonance ts2.tech. The cabinets are then hand-finished with a high-quality paint or veneer. In fact, Audioengine uses a 13-step painting and sanding process – the same kind of multi-coat lacquer approach you’d find on a piano – to achieve a rich, smooth finish on the A2+ ts2.tech. Little touches like this elevate the product’s look and durability; owners often comment that the build feels very premium for the price. TechRadar’s review praised the “premium design and finish” and lack of any cheap aesthetic elements techradar.com techradar.com.

For 2025, Audioengine also played up the style factor by expanding the color options. Traditionally, the A2+ came in three finishes – Satin Black, Hi-Gloss White, or Hi-Gloss Red. Starting in 2024, however, the company launched a “Color of the Year” initiative with limited-edition runs in unique hues gearpatrol.com gearpatrol.com. In 2024 they offered a Matte Blue version, and in 2025 the star is Matte Green. The Matte Green A2+ (shown in this review’s title) has a muted, satin texture that’s both eye-catching and tasteful. Audioengine stated in a press release that this program “reflects our commitment to creating Home Music Systems that not only sound incredible but also enhance the visual appeal of any space” gearpatrol.com. Only a limited number of Matte Green units were produced (the exact quantity wasn’t publicly stated), and once they’re gone, they’re gone gearpatrol.com. This has added a bit of urgency for fans and collectors – the Matte Green edition quickly became a hot item among Audioengine enthusiasts. Likewise, in July 2025, to celebrate the company’s 20th anniversary, a Matte Orange edition was released in an extremely small batch (250 pairs, each individually numbered) ecoustics.com ecoustics.com. These sold out fast at $279 apiece. While these special colors don’t change the sound, they do offer a way for users to have a more personalized or decor-matching speaker set, which is a growing trend in the audio world (as one audio journalist wryly noted, “if your speakers don’t match your throw pillows, are you even listening?” ecoustics.com). In any case, standard A2+ models remain readily available in matte black, matte blue, glossy white, or glossy red if green or orange aren’t to your taste audioengine.com.

Physically, the A2+ are truly desk-friendly. Each speaker measures about 6″ high, 4″ wide, and 5.25″ deep, roughly the size of a thick novel ts2.tech. They can easily flank a laptop, monitor, or small TV without hogging space. Many users place them on either side of a computer monitor for near-field listening – at about 2–3 feet from your ears, which is where these speakers really shine. You can position them directly on the desk; the front-ported design means the bass port is on the front bottom of each cabinet, allowing you to put them near a wall or on a shelf without choking off the airflow. Audioengine also sells small angled stands (the DS1M metal desktop stands, ~$39) that tilt the speakers up slightly – this can aim the sound toward your ears if your desk is low, and also reduce vibrations traveling through the desk. (In our experience, the stands do improve clarity a touch, especially in the bass, but they’re optional.) Even just sitting flat on a desk, the A2+’s rubber pad on the bottom helps isolate them and prevent scratching surfaces.

One thing to note: the volume knob and power switch are located on the back of the left speaker (which houses the amplifier). This keeps the front face clean-looking, but it can be a minor inconvenience if you frequently need to adjust volume manually. The typical workaround is to set the back volume knob to a moderate level (say ~50–70% up) and then use your source (computer or phone) to control day-to-day volume. The A2+ have an analog volume potentiometer, so you can also just leave them at a fixed level for optimal gain and control everything via your device. There’s no remote control or app – these are not “smart speakers”, and they deliberately lack Wi-Fi or voice assistant features, which many audiophiles consider a plus (no firmware updates or network glitches to worry about). The design philosophy is old-school in a good way: just high-quality speakers that you connect to your audio source, with nothing extra to detract from the sound or simplicity.

The overall build quality is excellent for this category. The cabinets feel dense, the binding posts and connectors are solid, and even the finish (whether matte or gloss) is smooth and consistent. Audioengine’s attention to detail in manufacturing shows – there are no obvious gaps or flimsy parts. Each speaker (especially the left, which contains the amp) has some weight to it (about 3.5 lbs each). This heft, combined with the MDF build, helps the speakers stay put and resist vibrating themselves when music is playing. Twittering Machines noted that the A2+ cabinets don’t suffer from the rattles or resonance you might get in cheaper plastic speakers, calling the build “substantial for their size” ts2.tech ts2.tech. In short, these look and feel like premium mini-speakers, and they blend well with modern decor – particularly the limited color editions, which transform them into little conversation pieces on your desk.

Connectivity & Features

One of the A2+’s strengths is its versatile connectivity – it can accommodate a wide range of audio sources without extra gear. Around back of the left speaker (which is the “powered” unit containing the amplifiers and inputs), you’ll find the following connectors:

Bluetooth antenna/button: The new A2+ supports Bluetooth 5.3 wireless audio, and pairing a device is simple – press the button on the rear (it doubles as an indicator light), find “Audioengine A2+” in your phone or laptop’s Bluetooth settings, and connect. The speakers remember devices and will auto-connect to the last paired source when powered on. With aptX-HD capability, you get enhanced sound quality if your device supports that codec, but the system is backward-compatible with standard Bluetooth SBC and AAC as well ts2.tech. You can stream from services like Spotify, Apple Music, YouTube, etc., and the wireless range is up to ~100 feet in open air (real-world range may be a bit less through walls – but in a typical home or office, you can move to an adjacent room with your phone and still maintain a solid connection). This makes the A2+ not only PC speakers, but also a general-purpose wireless speaker system for any audio from your phone or tablet. They can even serve as improvised TV speakers via Bluetooth if your TV/laptop supports it (and aptX’s low latency helps keep video lipsync tight).
USB-C input: This is a plug-and-play USB audio interface. Using the included USB cable, you can connect the A2+ directly to a computer (PC or Mac) or even a smartphone/tablet (with adapter) and have the audio stream digitally to the speakers’ internal DAC. Your device will recognize the A2+ as an external sound output. The fact that it’s USB-C means no dongles needed for modern laptops – and it also provides a bit of future-proofing. When using USB, you’re effectively leveraging the A2+’s built-in 24-bit DAC, which can improve sound quality over many laptops’ headphone jacks. As Gear Patrol noted, the added USB-C input makes it “easier to connect the speakers to today’s laptops and desktops.” gearpatrol.com gearpatrol.com It’s truly plug-and-play – no drivers required on most systems (it uses standard USB audio class drivers). For many users, the USB connection is the primary method for computer sound, as it delivers the cleanest audio path.
Analog inputs (3.5 mm AUX and RCA): The A2+ gives you two analog input options. There’s a 3.5 mm stereo mini-jack (AUX) input, the same kind of port found on headphones or phone outputs. This is convenient for quickly plugging in a phone, iPod, Echo Dot, TV headphone output, or any older device with a headphone jack. There’s also a pair of RCA inputs (left/right), which can connect to a multitude of sources – for instance, a turntable (via a phono preamp), a CD player, an older DAC, or even your PC’s line-out. Having dual analog inputs is great for flexibility; you might keep one plugged into a stationary source (like RCA from a turntable) and still have the front 3.5 mm free for occasional use (like a friend’s MP3 player). Notably, all three inputs (USB, Bluetooth, and analog) are active simultaneously – you don’t have to flip any toggle switch to select the source ts2.tech. The A2+ will simply play whichever source is sending audio. If two devices play at once, their signals get mixed (which is usually not what you’d do, but it’s possible). In practice, this auto-sensing means you can leave multiple devices connected and just start playing from whichever one you want to listen to, without needing to reach behind the speaker to switch inputs.
RCA Output (variable): Uncommon in this size class, the A2+ includes an RCA line-out on the left speaker audioengine.com. This output is variable, meaning it’s controlled by the A2+’s volume knob. The primary use for this is to connect a powered subwoofer. Audioengine wisely acknowledges that a pair of 2.75″ mini-speakers, while impressive for what they are, will not satisfy if you crave deep bass (below ~60 Hz). By hooking up a sub (such as Audioengine’s own S8 subwoofer or any brand of powered sub), you can create a 2.1 system that truly covers the full frequency range. The A2+’s sub-out sends a full-range signal, so you’d use the sub’s crossover to blend it properly (typically set around 60–80 Hz). When a sub is connected, the A2+ speakers will still play their full range; you’d just gain the low bass from the sub. Users who add a small subwoofer often report that the combination is outstanding for both music and gaming – you get the clarity and imaging of the A2+ plus the visceral bass that the tiny woofers can’t provide on their own. Even without a sub, the A2+ do pretty well down to ~65 Hz (impressive given the driver size), thanks in part to that front bass port which augments the low-end output ts2.tech. Audioengine deliberately did not employ aggressive DSP bass-boosting, so as not to force the woofers into distortion; the bass you get is tight and controlled within the speaker’s natural limits ts2.tech. But if you want to feel deep basslines or movie rumbles, the sub-out is your friend.

Other things to mention on the features front:

Amplification: The A2+ uses Class A/B analog amplifiers (built into the left speaker). This is a bit old-school compared to the Class D amps found in many modern speakers, but Audioengine has long championed A/B for its sonic character. The amp is rated at 15 W RMS per channel (continuous), with 30 W per channel peak bhphotovideo.com. That yields up to 60 W of total system power on peaks, which is plenty for near-field listening and small rooms. Class A/B amps tend to have very low distortion at normal listening levels – and indeed the A2+ boasts <0.05% THD+N and a >95 dB signal-to-noise ratio audioengine.com, meaning it runs quite clean. One trade-off is that Class A/B can run warmer and use a bit more power at idle than Class D. The A2+ does not have an auto-standby function (it stays on until you flip the power switch off), but its idle power draw is minimal (and many users just leave them on). The external power adapter (brick) feeds 15 V DC to the speaker – having the power supply external helps reduce heat and interference inside the cabinet ts2.tech. In practice, owners report that the A2+ is reliable and can be used daily for years – the design has been refined over a long time. And Audioengine includes a 3-year warranty on parts and labor, which is above average in this category audioengine.com. That’s a nice reassurance of the company’s confidence in build quality.
Ease of Setup: Getting started with the A2+ is hassle-free. In the box you get all the cables you need: speaker wire to connect the left and right speaker, an AC power adapter, a USB cable, and a 3.5 mm AUX cable. Setup is literally: position the two speakers (they are labeled Left/Right on the back), connect them with the provided speaker wire (the wire is even pre-stripped), plug the left speaker into power, and choose your input. If using Bluetooth, you’ll press the pair button and connect your device in seconds. There’s no app, no accounts, no Wi-Fi setup – a conscious choice by Audioengine to keep things simple and avoid any software bloat or privacy concerns. Many users appreciate that the A2+ are not part of some walled ecosystem – they’re just universally compatible speakers ts2.tech ts2.tech. Volume can be adjusted via the knob on the back or (as most do) by controlling the volume on the source device when using USB/Bluetooth. The speakers have magnetically shielded drivers bhphotovideo.com, so they won’t interfere with nearby screens or hard drives (an old-fashioned concern, but worth noting). Overall, the feature set hits a Goldilocks point: you have multiple connection options and high-quality audio support, but the product remains essentially an analog pair of speakers at heart.
No Frills (by design): You won’t find things like a microphone for voice assistants, network streaming, multi-room integration, or fancy digital displays on the A2+. For some shoppers, that might be a downside if they want a smart speaker or an all-in-one with Alexa/Google Assistant. But the A2+ is aimed at audio purists and discerning listeners who typically prefer to keep their audio chain simple. By avoiding Wi-Fi and smart features, the A2+ also avoids potential obsolescence – there’s no fear that software updates will cease and make your speaker less useful. In 5 or 10 years, these should still work just as they do now, as long as analog and Bluetooth inputs exist (and USB, which likely will). For many, that’s a big plus in terms of longevity.

In summary, the A2+ (2025) provides an excellent balance of old and new. You get tried-and-true analog speaker engineering (quality drivers, robust amps) alongside modern connectivity (BT 5.3, USB-C DAC) in one compact unit. Whether you want to connect a turntable, stream high-bitrate FLAC files from a PC, or just play a podcast from your phone, the A2+ has you covered without needing any extra gear.

Sound Performance

Ultimately, fancy features and attractive design wouldn’t mean much if the A2+ didn’t sound great – which, by all accounts, it does. The hallmark of these speakers is how big and well-balanced they sound relative to their diminutive size. Reviewers and users consistently remark that if you close your eyes, you’d have trouble believing you’re listening to little 2.75″ desktop speakers.

Overall Sound Signature: The Audioengine A2+ has a warm, pleasing tonal balance. This means the mids (voices, guitars, pianos) are full and natural, the highs are detailed but smooth, and the bass is tight and present up to a point. Sound & Vision magazine described the sound as “warm and inviting, yet clear,” making it especially enjoyable for acoustic music and vocals soundandvision.com. High frequencies avoid the harsh, sizzly quality that some cheap tweeters produce – thanks to the silk dome tweeter, the treble has a gentle, slightly “soft” character. There’s still plenty of detail (cymbals have a realistic metallic sheen, and you can hear subtle nuances in recordings), but the A2+ doesn’t hype the treble to artificial levels. This ensures long listening sessions without fatigue; you’re unlikely to get that ear-burning sensation even with brighter recordings. The midrange is a real strong suit: voices, whether male or female, come through with clarity and body. Podcasts and dialogue sound natural and easy to follow on these speakers. Instruments like saxophone, piano, and acoustic guitar have a richness that belies the A2+’s small size – likely a benefit of the A2+’s robust cabinet and quality drivers. TechRadar’s reviewer noted the A2+ are “neither thin nor harsh” in their presentation, commenting that they’re “very easy to listen to” across different genres techradar.com. In practice, that means these speakers don’t dramatize or overly color the sound; they just provide a smooth, enjoyable rendition of whatever you play.

Stereo Imaging & Soundstage: One area where the A2+ truly shines (and often surprises people) is in imaging. Properly placed about 3–4 feet apart, at ear-level or angled toward the listener, the A2+ can produce a stereo image that is broad and three-dimensional. Instruments and effects pan clearly between left and right, and there’s even a sense of depth on well-produced tracks. Twittering Machines highlighted that these little speakers “do a fine job of disappearing, throwing out a much larger-than-their-size sound image.” ts2.tech In other words, the sound doesn’t seem like it’s “stuck” to the tiny boxes; it floats in front of you as if coming from a soundstage that extends beyond the speakers’ physical positions. This quality is especially delightful for near-field listening: when you sit in the sweet spot, you can pinpoint where each element of a mix is coming from (left-to-right and even front-to-back layering). TechRadar’s Steve May was impressed that the stereo image “spreads wide across the desk” with these A2+ speakers ts2.tech. For gaming, this imaging means you get good directional cues (helpful for locating sounds in the game world). For music, it makes listening more immersive – close your eyes and you might picture the band spaced out in front of you. Of course, the sweet spot is relatively small (as with any stereo speakers placed close together), but for one person sitting at a desk, it’s perfect.

Bass Response: Now, the question everyone has: How much bass can a pair of 2.75″ speakers really produce? The answer is: a surprisingly respectable amount, but with the expected limitations. The A2+ are rated down to ~65 Hz at -2 dB audioengine.com, which means they cover most of the bass guitar and kick drum range, but they don’t reach sub-bass (the deep rumbles under 50 Hz). In listening tests, the A2+ deliver a satisfying punch on kick drums and a tight thump on basslines within their range. Sound & Vision noted that despite the tiny woofers, they heard “more than a suggestion of low end; the sound could best be described as well-balanced” without obvious thinness soundandvision.com. The front slot port adds some boost in the mid-bass, giving the speakers a bit of warmth and “weight” so that music doesn’t sound tinny. Many users find that on a desktop, the bass is reinforced nicely by the surface (called boundary gain). If you place the A2+ near a wall or on a solid desk, it can reinforce the lower frequencies a bit, making the speakers sound fuller. One reviewer actually preferred the sound with the speakers directly on the desk (instead of on stands) because the slight bass lift from the surface gave a more pleasing heft to the music ts2.tech. That said, the A2+ is commendably free of the boomy or one-note bass that some small speakers artificially create through DSP. Audioengine took a conservative approach – they didn’t try to force the woofer to do the impossible. Some competing minis, like the Kanto YU2, attempt to extend bass electronically and end up with audible distortion or port chuffing aphnetworks.com aphnetworks.com. The A2+ in contrast keeps the bass tight and within what the driver can handle. The bass is clean and fast, ideal for light pop, jazz, classical, and rock. However, when you play bass-heavy genres (EDM, hip-hop) or movie explosions, you’ll certainly notice the lack of deep thump. TechRadar bluntly listed “No deep bass to speak of” as a con techradar.com – which is fair, because physics is physics. If you frequently listen to bass-centric music or want to feel the low rumble in games/movies, you will want to pair these with a subwoofer (the good news is the option is there). For most everyday listening at moderate volume, though, users are often pleasantly surprised that they don’t miss a sub as much as they thought they would. The A2+’s bass is very well-balanced with the rest of the frequency range – it’s present enough to give music body and rhythm, but it never sounds bloated or overpowering. Importantly, because the A2+ doesn’t employ bass boost DSP, it doesn’t distort or bottom-out on bass notes at normal volumes. An APH Networks comparison found the A2+’s tuning prudent: “Audioengine has done a better job in tuning the A2+, because they did not try to overdrive the speakers in an area where it is not capable… It is generally wiser to design a device to do the best at what it is capable of doing, rather than expecting it to achieve a goal it cannot physically attain.” aphnetworks.com aphnetworks.com In short, the A2+ gives you honest bass – you hear what the speaker can reproduce cleanly, and nothing more. For many listeners (especially in near-field), this is preferable to a boomy little speaker that fakes big bass poorly.

Volume & Dynamics: Given the modest 15 W×2 power rating, the A2+ can’t perform miracles in terms of loudness. However, in a desktop or small-room scenario, they can play plenty loud. At my desk, I rarely push them beyond 50–60% volume for casual listening; they have headroom to spare for personal listening distances. If you crank them up in a larger room, you’ll fill a bedroom or dorm with sound, but you might not host a dance party with them alone. One area to consider is dynamic headroom – with very dynamic music (like classical orchestral swells or big movie sound effects), the A2+ will compress a bit if driven to its limit. Sound & Vision’s reviewer noted that when playing a complex orchestral track at high volume, the sound “could get a bit congested at high volumes”, meaning the loudest passages started to blur together instead of staying crystal clear soundandvision.com soundandvision.com. This is expected for small speakers – there’s only so much air a 2.75″ woofer can move, and only so much current a small amp can push, before things give way. Within normal listening levels, though, the A2+ stays remarkably composed. The distortion remains very low (well under 0.1% THD) and the speakers maintain clarity on vocals and instruments ts2.tech ts2.tech. There’s no audible hiss or hum when idle, either – a testament to the amp and power design, which is important for near-field use (nothing is worse than hearing hiss from a speaker an arm’s length away). If you do push the A2+ to max in a larger space, it will get loud but you might hear it straining on heavy bass or complex mixes. For desktop use, though, it gets more than loud enough – often the limitation isn’t the speaker, but how much volume your ears (or neighbors) can tolerate at close range!

Clarity & Detail: One of the reasons the A2+ continues to stand out is its clarity. These speakers retrieve a lot of detail from recordings, especially when fed a good quality source. High-hats, strings, reverbs, the texture in vocals – all are presented with a finesse that many PC speakers in this size simply don’t have. Part of this is due to the silk tweeter, which has a smoother response than metallic tweeters, and part is due to the well-implemented DAC/amp that keeps the signal clean. In comparisons, listeners often find the A2+ more articulate and refined in the treble than competitors like Edifier or Klipsch’s smaller speakers. There’s a sense of hearing into the mix, which appeals to those who might also be considering studio monitors. While true studio monitors (like a JBL or KRK) might reveal even more micro-detail, they typically aren’t as fun or forgiving for casual listening. The A2+ strikes a nice balance – it’s detailed enough to satisfy discerning ears, but not so analytical that it exposes every flaw in a recording or makes poor MP3s unlistenable. It’s a musical sound: “rich, inviting, and engaging” as multiple reviewers summarize ts2.tech ts2.tech. Imaging, as mentioned, is excellent, and separation of instruments is quite good given the size – you can pick apart layers in a song without things smearing together (again, as long as you stay within reasonable volume).

Use Cases (Music, Gaming, etc.): For music, the A2+ handles all genres decently, but really excels with acoustic, jazz, folk, indie rock, and classical – material where nuance and soundstage matter more than sheer bass output. Listening to singer-songwriters or small ensemble jazz on these is a joy; the speakers render vocals and instruments with an almost hi-fi quality that belies their price. Rock and pop are lively and balanced – electric guitars have crunch, drums have snap. In electronica or hip-hop, the upper bass beats come through punchy, but you won’t feel the sub-bass drops (unless you add that sub). Still, many electronica fans use the A2+ near-field and are satisfied with the quality of bass that is there (tight and quick), preferring it to an over-boosted muddy bass some competitors produce. For gaming, the A2+ are a big upgrade over TV or laptop speakers. The clear stereo imaging can help in games where directional sound matters, and the clarity means game soundtracks and effects aren’t muddy. Explosions won’t shake the room, but voices and details are crisp. If using them for a small home theater or TV in a bedroom, they will definitely outperform built-in TV speakers for clarity and stereo separation, though they lack a surround sound effect or wall-shaking bass – again, adding a small sub can turn them into a competent mini home theater setup for a bedroom. The low latency of aptX (if your TV supports it via Bluetooth) even allows decent lipsync for casual viewing. Finally, for those dabbling in music creation or editing, the A2+ can serve as mini monitors. They aren’t flat/neutral enough to replace true studio monitors for mixing, but they are quite accurate in mid and high frequencies, so they’re not a bad secondary reference. Interestingly, some musicians on forums note they like checking mixes on the A2+ because they represent what a high-quality consumer playback would sound like.

To sum up the performance: The Audioengine A2+ delivers a big, refined sound in a small package. It’s not a bass monster and it won’t fill a large room without help, but used as intended – up close or in small spaces – it creates a rich listening experience that’s a cut above typical desktop speakers. As one customer succinctly put it, “Very easy to like… they sound amazing given the size!” ts2.tech. That sentiment is echoed by many who try the A2+: once you hear them, it’s hard to go back to tinny monitor or laptop speakers.

Expert Reviews & User Feedback

The A2+ (across its various iterations) has amassed a strong reputation in the audio community. Professional reviewers from outlets like TechRadar, Sound & Vision, CNET, What Hi-Fi, and countless blogs have given the A2+ high marks over the years. It has consistently landed on “Best Computer Speakers” lists and “Editors’ Choice” roundups for its blend of performance and price. For instance, even 17 years after the original launch, the A2 series topped several publications’ rankings of the best desktop speakers in 2024 audioengine.com. That kind of staying power is rare in consumer tech.

Let’s highlight a few notable expert opinions:

Steve May, TechRadar (March 2025): Gave the A2+ a very positive review and a Recommended verdict. In his summary he wrote: “Offering pronounced stereo imaging, plenty of fine detail, and premium build quality, these versatile speakers are well worth a look when space is limited.” techradar.com He listed the compact size, design, and easy-going sound as pros, while noting the lack of deep bass and limited volume as the only real cons techradar.com techradar.com. TechRadar also pointed out that the A2+ is not a “smart” speaker – implying that if you need voice assistants, you should look elsewhere, but if you just want great sound for your desktop, the A2+ is an excellent choice.
Sound & Vision (2019 review of A2+ Wireless): They praised the sound quality relative to price, stating: “The A2+ combines audiophile-friendly sound with the convenience of Bluetooth to create a broadly appealing compact speaker package.” soundandvision.com The review noted exceptional build quality and a lush, spacious sound. One excerpt mentioned the A2+’s “sound is warm and inviting, yet clear, making it a good match for acoustic music… [its] lush, spacious sound makes it an obvious choice for audiophiles, yet features like Bluetooth and USB input also make it a fine option for a less fussy listener.” soundandvision.com This encapsulates how the A2+ straddles the line between audiophile and casual appeal.
Twittering Machines (Michael Lavorgna, 2018): Reviewed the A2+ Wireless and was struck by how these small speakers engaged him. He called them “little treasures of sound that offer more than you’d expect given their price and size” twitteringmachines.com, highlighting that they manage to deliver a musically satisfying performance without taking up space. He also commented on their ability to project a large soundstage (as we noted in the sound section).
Customer and Community Feedback: The A2+ has an avid fan base in forums like Reddit’s r/BudgetAudiophile and various audio communities. Many owners recommend it as the go-to upgrade from generic computer speakers or soundbars. As of 2025, the A2+ (all versions) has accumulated thousands of user reviews on sites like Amazon, Audioengine’s own site, and retailer sites – with the vast majority being 5-star praise. Users frequently mention the huge improvement in sound quality when they switch to the A2+, often using words like “night and day difference” compared to their old speakers. The clarity, build, and support from Audioengine (should anything go wrong) get high marks. Audioengine’s CEO noted the A2+ series has over 10,000 positive reviews from customers over its lifetime audioengine.com. There are a few common points of feedback: (1) Some users do add a subwoofer and say it completes the experience, whereas others in small rooms find no sub needed; (2) A few wish for a front volume knob or remote (solved by the HD3 model or by using software volume); (3) Some long-term owners note that these speakers “just work” for years without issue, which is reassuring.

One thing that stands out is how often the A2+ is used as a reference point in its class. Many people who audition multiple options (like Kanto, Edifier, Bose, Creative, etc.) end up sticking with the A2+ because it sounds more natural and refined. On forums, you’ll find comments like “I tried XYZ speakers, but returned them and kept the Audioengine A2+”. It’s not that the A2+ is the absolute best in every metric, but as a total package it tends to satisfy a wide range of listeners. As an example, a Redditor comparing options said: “It seems clear that the [Vanatoo] T0 are the best speakers overall, but the A2+ are the best package for the price.” ts2.tech – meaning you can find speakers that beat the A2+ in one aspect or another (bass extension, raw power, etc.), but they often cost more or have other compromises. The A2+ hits a sweet spot that’s hard to beat without spending significantly more.

It’s also worth noting Audioengine’s customer service gets praise. Being a relatively small, audio-focused company (based in Texas, USA), they offer personal support and a 3-year warranty, which users appreciate when they need help or have questions. This isn’t a disposable gadget from a big box store; it’s a piece of audio gear that the company stands behind.

All in all, market reception for the 2025 A2+ Next Gen has been very positive. The additions of Bluetooth 5.3, USB-C, and hi-res audio were exactly what was needed to keep the A2+ current. Expert reviewers have basically said “it was already one of the best, and now it’s even better.” There’s a consensus that Audioengine managed to improve the product without messing up anything that made it popular. The limited-edition colors (Matte Green, Matte Orange) garnered a lot of buzz in tech blogs and among enthusiasts, showing that there’s appetite for audio gear that’s as visually appealing as it is technically sound. And ultimately, both critics and consumers seem to agree that the A2+ sounds superb for its size – which is the bottom line for any speaker.

Comparisons: Audioengine A2+ vs Other Speakers

To put the A2+ in context, let’s compare it both to other models in Audioengine’s own lineup and to some recent competitors in the compact speaker market. The desktop audio arena in 2025 is quite lively, with new models coming from established hi-fi brands and newer startups alike, but the A2+ still holds its ground strongly.

Position in Audioengine’s Lineup

Audioengine currently offers multiple powered speakers, and the A2+ (often called the Audioengine 2+ or just “2+”) sits in the mid/lower range price-wise, but punches above its weight in performance. Here’s how it compares internally:

Audioengine A1 – Priced around $199, the A1 is like the little brother to the A2+. It’s actually very close in size (it also has 2.75″ woofers) and also includes Bluetooth, but the A1 has no USB input/DAC and uses a smaller 30 W (peak) amp. It’s a bit less powerful and has no RCA outputs ts2.tech. The A1 is great for tight budgets or very small desks, but for the ~$80 difference, the A2+ gives you higher-quality sound (reports say the A1 doesn’t sound quite as full) and more connectivity. Many see the A1 as a “starter” and the A2+ as the step-up for those who want noticeably better audio fidelity on their desktop.
Audioengine A2+ (Next Gen) – [Our main subject] – The A2+ has been refined over the years and, as discussed, now includes features once reserved for higher models (aptX HD, a 24-bit DAC, etc.). It’s the go-to choice for most desktop users who want a mix of value and performance. It’s also worth noting Audioengine sells a passive version of the A2 (called the Audioengine P2 or “A2+ Passive”) for those who have their own amp – but that’s a niche case. For most, the A2+ active speakers are the convenient all-in-one solution.
Audioengine HD3 – Sitting at ~$349, the HD3 can be seen as the A2+’s upscale sibling. Interestingly, the HD3 has the same drivers and same 60 W peak amp as the A2+ ts2.tech. In terms of raw sound, Audioengine themselves say the HD3 and A2+ perform almost identically ts2.tech. The HD3’s extra cost goes into luxury features: real wood veneer cabinets (in Walnut or Cherry, for example), magnetic front grilles (if you prefer the look of a covered speaker), and importantly, a built-in headphone amplifier with a front 3.5 mm headphone jack ts2.tech ts2.tech. The headphone amp is a nice perk for audiophiles – it means you can plug your high-quality headphones into the speaker and enjoy a amplified output (the HD3 essentially acts as a DAC + headphone amp + speaker combo). If you use headphones often at your desk, that could tilt you toward the HD3. If not, the A2+ gives you the same sound for less money. Cosmetically, some prefer the HD3’s retro styling (the wood veneers and grille give it a more traditional hi-fi look), whereas the A2+’s exposed drivers and paint finish are more modern/minimalist. Either way, both models now have the Next Gen internals (Bluetooth 5.3, USB-C, 24-bit DAC as of the 2025 refreshes), so you’re primarily deciding based on features and aesthetics. Gear Patrol summed it up: “In terms of size and sound quality, the HD3 and the A2+ are basically the same,” the differences being in finish and the headphone jack ts2.tech.
Audioengine HD4 – Priced around $429, the HD4 is a bigger step up in size. Each HD4 speaker is roughly 25% taller/larger than an A2+, and it sports a 4″ woofer (vs 2.75″) in each plus a more powerful amplifier (about 50 W RMS per channel, 120 W peak) ts2.tech ts2.tech. The HD4 was designed to bridge the gap between desktop speakers and room speakers – you can still use it on a larger desk or shelf, but it’s capable of filling a medium room more easily than the A2+. With the 2025 Next Gen update, the HD4 also got Bluetooth 5.3 (with aptX Adaptive, which is a newer codec) and USB-C input, matching the A2+’s modern features ts2.tech ts2.tech. The benefit of the HD4 is deeper bass and higher output – it can play into the mid-50 Hz range before rolling off, thanks to the larger woofers and cabinets ts2.tech. In side-by-side comparisons, the HD4 will sound more full-bodied, with bass you can feel more. It also can handle a larger room or a small party scenario better. The downside is size and price: on a small desk, the HD4 might be physically imposing (and maybe overkill in power), and it costs ~$150 more than the A2+. If you have the space and budget and want more bass without adding a sub, the HD4 is a great option. But if this is purely for desktop, near-field use, many stick with the A2+ and perhaps add a sub if needed. One reviewer noted the HD4 is “identical in terms of look and features [to the HD3], but… larger, twice as powerful, and delivers noticeably deeper bass.” ts2.tech ts2.tech That succinctly contrasts it with the A2+/HD3 class.
Audioengine A5+ / HD6 – These are more like traditional bookshelf speakers in size. The A5+ has a 5″ woofer, and the HD6 a 5.5″ Kevlar woofer, in much larger enclosures (up to ~1 foot tall). They’re meant for rooms and living areas, not so much desktop use (unless you have a huge desk!). The A5+ has been around a long time (now also offered in a wireless version with Bluetooth) and is valued for its powerful sound and bass. The HD6 is the flagship at $699, with gorgeous build quality (hand-built wood cabinets, magnetic grills, built-in 24-bit DAC and aptX-HD Bluetooth) – it’s often compared with traditional hi-fi speakers for small living rooms. The key point: these bigger models are in a different category for use-case. They simply produce more bass and volume, but at the cost of size and price. If someone is considering the A2+ for a computer or desk, chances are they aren’t looking to jump to an HD6 or similar – those are for when you need your speakers to do double-duty for a home audio setup. Audioengine smartly offers a continuum: start at A1/A2+ for desktop, move to HD3 if you want the deluxe desktop, go to HD4 if you need more oomph in a den/office, then A5+/HD6 if you’re outfitting a living room or large space. Across the board, the company maintains a consistent “house sound” – users who like the A2+ describe the bigger models as having a similar warm, smooth, yet detailed character, just with greater scale.

Competing Desktop Speakers (2024–2025)

Now, looking outside Audioengine, there are several noteworthy competitors and newcomers in the premium compact speaker segment. We’ll compare a few to see how the A2+ stacks up:

Kanto YU2 / YU4 (and new ORA series): Kanto is a Canadian audio brand that has grown popular among desktop audio enthusiasts. The YU2 (around $219–$249) is probably the closest analog to the A2+: it’s a tiny 2.0 speaker system with 3″ composite woofers and 3/4″ silk tweeters, available in fun colors. The YU2 is well-built and stylish, but it’s more basic in features – it lacks Bluetooth and any built-in DAC, offering only a 3.5mm analog input and a USB audio pass-through (which is not a DAC, just an interface to use your computer’s output) ts2.tech ts2.tech. It also uses a Class D amp rated at 50 W peak per channel (much less in RMS). Sonically, the YU2 has been noted to have a bit more bass extension than the A2+ – one review found it could even reproduce tones near 50 Hz, which the A2+ cannot aphnetworks.com. However, to do this the YU2 is tuned with a low-end boost that, as tests showed, causes significant distortion at those frequencies aphnetworks.com aphnetworks.com. In real music listening, people have noticed the YU2’s woofer can “flutter” or distort on deep bass at higher volumes. The A2+ in contrast doesn’t attempt those lowest notes and stays cleaner. APH Networks did a direct comparison and concluded “the Kanto YU2 is not as rich and harmonized as the Audioengine, which is the A2+’s strong point.” aphnetworks.com They attributed this to the A2+’s superior cabinet design and tuning. The YU2 is still a solid option if you specifically need a tiny speaker and want to save some money – but you should plan to use it with a sub if you want full sound, and accept that its treble and midrange aren’t quite as refined. Kanto’s YU4 ($329) and YU6 ($499) are larger powered speakers (with 4″ and 5.25″ woofers, respectively) that include features like aptX Bluetooth, a remote control, and even a phono preamp built in (on YU4/YU6). Those compete more with the Audioengine HD4 and A5+ rather than the A2+. In 2025, Kanto introduced the ORA series, which is their new higher-end desktop lineup. The Kanto ORA (~$349) is a direct play for the audiophile desktop crown – it’s a bit larger than the A2+ with a 3″ aluminum woofer and uses a more powerful Class D amp (100 W total) plus DSP to extend bass. It also has a subwoofer output and comes with optional matching stands ts2.tech ts2.tech. Early impressions of the ORA (shown at Munich High End 2025) say it achieves impressively deep bass for its size and very clear sound, possibly rivaling the Vanatoo Transparent Zero in accuracy ts2.tech ts2.tech. However, it’s also $70+ more expensive than the A2+, and time will tell if it overtakes the A2+ in popularity. For now, the A2+ benefits from a longer track record and a beloved sound signature, whereas Kanto is trying to push the envelope with raw specs and power in the ORA. If you’re a gamer or someone who wants the absolute most bass from a small speaker (and don’t mind a more analytical sound), the ORA might be tempting. But if you prefer a bit of analog warmth and a proven design, the A2+ remains a top pick.
Edifier Powered Speakers: Edifier (a Chinese audio brand) offers numerous models at various price points, many of which are very popular on Amazon. They tend to focus on value – offering decent performance for lower cost – and often include features like remotes, tone knobs, etc. A common comparison is the Edifier R1280DB/R1700BT series (usually ~$130–$180). These have 4″ woofers in bigger cabinets, and they do produce more bass simply by physics. They also often include Bluetooth (though usually older version), multiple inputs, and even a sub-out on some models. The advantage of Edifier is bang for buck – for half the price of the A2+, you can get a larger speaker that might play louder and lower. The disadvantage noted by many audio reviewers is that Edifier’s lower-cost models don’t have the clarity or flat response of the A2+. The mids can sound a bit muddy or veiled, and the treble, while present, isn’t as refined (some models use cheaper cone tweeters instead of domes). They’re great for general purpose listening or TV use, but if you do A/B tests, the A2+ often comes out as sounding more “hi-fi” – clearer separation and a more balanced tonality. Edifier does have some higher-end models: e.g., the S1000MKII ($400) or S2000Pro ($450), which use better drivers (planar tweeters, etc.) and sound quite good – but those are much larger bookshelf speakers, not really desktop-friendly. In the compact category, Edifier’s offerings like the MR4 (a $150 4″ “monitor”) and G2000 ($100 gaming speakers) are often mentioned. The MR4 is actually well-regarded for neutrality at its price, but again, size-wise and looks-wise (plain black studio style) it’s different from the A2+. The bottom line is if budget is the primary concern, Edifier gives you lots of options, and something like the R1280DB is perfectly fine for non-critical listening – just don’t expect the build finesse or the nuanced sound of the A2+. Amazon user feedback often notes that when directly compared, the Edifiers “lack [the A2+]’s premium finish and clarity” ts2.tech and can sound muffled in the midrange at times. For many, the A2+ is worth the extra cost if music quality is a priority, whereas Edifiers are a good choice for secondary systems or tighter budgets.
Vanatoo Transparent Zero (T0): Vanatoo is a small audiophile company that flies a bit under the radar, but their Transparent Zero (around $359 for the original, $399 for the updated Zero “Plus”) often enters the discussion for best small speaker. The Transparent Zero is a highly engineered 2.0 system. The speakers are slightly larger than the A2+ but still compact, and they feature a passive radiator on each speaker to extend bass, along with a built-in DSP that actively corrects and tunes the output. The result is a speaker that can reportedly play down to ~50 Hz in-room – extremely deep for its size – and measures very flat in frequency response (Vanatoo provides measurement graphs). It also packs in features: multiple inputs including optical (TOSLINK), USB, analog, Bluetooth, and even a remote and tone controls. In terms of pure performance, many audiophiles consider the Vanatoo T0 the benchmark in the micro-speaker class; a user on Head-Fi who had both said the Transparent Zero is “much better than the Audioengine A2+” in terms of raw sound quality and bass output ts2.tech ts2.tech. However, there are a few caveats: The Vanatoo’s design is utilitarian – just plain black boxes with a metal grill (no color options or slick finish). They also have a more complex interface (dip switches for EQ, remote for volume, etc.), reflecting their DSP-heavy approach. Some listeners find them a bit too analytical or “monitor-like” for casual listening; they reveal a lot, but can be less forgiving with poor recordings. And availability is sometimes limited (small company production runs). Essentially, the Vanatoo T0 is a stellar choice for those who prize accuracy and bass extension above all else, and don’t mind paying ~$120 more than an A2+ for it. But for those who value a combination of sound and aesthetic, and a certain musical warmth, the A2+ often ends up being the more enjoyable daily driver. Many have said the A2+ has a more “fun” sound, whereas the Vanatoo is technically impressive but maybe an overkill for simple music enjoyment. It’s great that the T0 exists for the hardcore audiophile on a desk – but for a broad audience, the A2+ hits a sweeter spot of performance vs. simplicity vs. style.
Onkyo GX-10DB / GX-30ARC: A newcomer in 2025, Onkyo (the veteran Japanese hi-fi brand) decided to jump into the desktop speaker arena. They announced the “GX” Creator Series in early 2025, with two models: the smaller GX-10DB (3″ woofer, ~$199) and the larger GX-30ARC (4″ woofer, ~$299) ts2.tech ts2.tech. These speakers are notable because Onkyo is known for home theater and stereo gear, not computer speakers – so it’s a bit of a cross-over attempt. The GX-30ARC, in particular, tries to differentiate itself by including an HDMI ARC input (hence the name) ts2.tech. That means you can connect it directly to a TV via HDMI and control volume with your TV remote – a nod to people who might use their PC speakers as TV speakers too. Both models also have Bluetooth 5.3 (likely with aptX, given the modern spec) and come with a wireless remote. In essence, Onkyo is combining some features of soundbars (HDMI ARC, remote) with the form factor of desktop speakers. We don’t have full reviews yet as these are very new (shipping started around March 2025), but spec-wise the GX-30ARC could challenge the A2+ in this price bracket by offering a larger woofer for more bass and those convenience features. Onkyo’s pedigree means they probably sound decent, but being their first attempt, they lack a track record. Audioengine’s A2+ is a mature product on its third generation of refinement – Onkyo will have to nail the tuning to unseat it. It’s an interesting option for someone who maybe wants a dual-use PC/TV speaker. However, if near-field music fidelity is the main goal, the A2+ likely still has the edge until proven otherwise. It’s certainly a space to watch – the entry of Onkyo (and the fact that Klipsch is indirectly involved via partnership ts2.tech) shows that big audio brands see growth in the desktop audio segment.
Others (Klipsch, Bose, iLoud Micro, Studio Monitors): Rounding out the landscape, there are of course other options. The Klipsch ProMedia 2.1 (a $130 classic with subwoofer) is often brought up – it will blow the A2+ away in bass and volume due to the sub, but its small satellite speakers can’t match the Audioengine in midrange smoothness or build quality. Bose’s Companion series or newer multimedia speakers emphasize ease of use and often heavy bass/EQ, but tend not to be as accurate or detailed (Bose often uses psychoacoustic tricks to sound bigger, at the expense of fidelity). If someone wants a very neutral studio sound, they might consider small studio monitors like the Presonus Eris 3.5 (cheap, decent) or the IK Multimedia iLoud Micro Monitors (~$350). The iLoud Micro are actually frequently praised – they are tiny and pump out very flat, clean sound, aimed at music producers in tight spaces. They even have built-in DSP EQ switches to tune to your desk and go almost as low as the A2+ (down to ~55 Hz). However, they have no Bluetooth (they do have built-in DSP and bi-amping), and their design is more utilitarian (black plastic enclosures with a waveguide, very much a “pro gear” vibe). Many agree the iLoud Micro are among the best for pure audio accuracy in a compact speaker, perhaps even outclassing the A2+ in that specific respect. But they also cost more, and for everyday listening, some might prefer the slightly warmer, fuller sound of the A2+. If you’re a budding music producer who also wants a speaker for fun listening, the iLoud is worth a look; for a general listener, the A2+ might be more satisfying day to day.

As we can see, the premium desktop speaker market is heating up in 2025. Yet, through all these comparisons, the Audioengine A2+ continues to stand as a reference point. It may not have the deepest bass (Vanatoo wins there), the most power (Kanto ORA is trying to claim that), or the cheapest price (Edifier undercuts it), but as a total package of sound quality, build, features, and reliability, it hits a balance that few others do. It’s an “all-rounder” that manages to satisfy both casual users and enthusiasts – a rare feat.

Pricing, Availability & Warranty

The Audioengine A2+ (2025 edition) carries an MSRP of $279 in the U.S. for the standard finishes gearpatrol.com. This price is for the pair of speakers and all accessories (cables, power supply) included. Notably, Audioengine did not charge a premium for the limited Color of the Year versions – the Matte Green and Matte Orange editions were also $279 gearpatrol.com, even with their special status. In a market where limited editions often cost more, it’s nice to see Audioengine keep pricing consistent and just offer the colors as a fun option rather than a luxury upcharge.

In terms of availability: Audioengine sells direct through their website and also via authorized retailers. Major retailers like Amazon, B&H Photo, Crutchfield, Best Buy (Magnolia), and others carry the A2+ in various colors. As of late August 2025, the Matte Green edition is in stock at some places (e.g., B&H) at the $279 price ts2.tech, but stock is not expected to last given it’s a one-time production. The Matte Orange anniversary edition sold out quickly (only 250 made). The standard black, white, red (and recently matte blue) A2+ models are regularly available and should continue to be stocked. We’ve observed that the price of $279 is mostly stable – Audioengine doesn’t frequently do big discounts. Occasionally you might find a small sale (for instance, TechRadar noted one retailer had them for $265 at one point techradar.com), or you might find open-box/refurb units for a bit less. But generally, the A2+ holds its value in that high-$200s range.

For international readers, Audioengine products are sold in many countries through distributors. Pricing may vary due to taxes and import fees. In Europe, the A2+ typically goes for around €299. In Canada, around C$369, etc. It’s always best to purchase through authorized dealers to ensure you get the genuine product (and warranty support).

Speaking of warranty: Audioengine provides a 3-year warranty on powered speakers audioengine.com, which is quite generous (many competitors offer 1 or 2 years). This warranty covers defects in materials or workmanship. Audioengine is known to have good customer service – being a smaller company, they often will work with you directly if any issue arises. They also offer a 30-day audition period when bought from their site or authorized sellers, so you can return them if you’re not satisfied (but given how well they’re reviewed, that’s a rare occurrence!). Replacement parts like power supplies or cables are also available from the company if you ever need them down the line.

One nice thing is that accessories for the A2+ are readily available and often recommended. For example, Audioengine’s own DS1M desktop stands ($39) are a popular add-on – these are angled aluminum stands that lift the speakers a few inches and tilt them toward your ears. They not only improve the listening angle but also help tighten the bass a bit by decoupling the speaker from the desk. Some retailers bundle these stands with the speakers (Amazon has sold a Matte Green + DS1M bundle around $318 total) ts2.tech. If you’re investing in the A2+, an extra $30–$40 for stands (either Audioengine’s or other brands) is worth considering to get the optimal performance.

There’s also the option of adding a subwoofer, as we discussed. Audioengine makes the S8 subwoofer ($299) which pairs well (comes in similar finishes). Though honestly, you can use any powered sub – many people use something like a Klipsch 8” sub or a JBL sub if they find a good deal. The RCA output makes it easy – no special integration needed.

In summary, at $279 the A2+ is competitively priced for what it offers. You can certainly spend less and get okay sound, or spend more and get marginal improvements, but the A2+ hits a nice middle ground. It’s readily available from reputable outlets, and Audioengine backs it with a strong warranty and support. Given its build quality, it’s the kind of purchase that should last many years – there are folks still using the original A2 from the late 2000s, and those didn’t even have the benefit of the upgrades the A2+ has accumulated.

If you’re eyeing the limited Matte Green version, the advice is don’t wait too long – it’s a one-time run and stocks were said to be limited (Audioengine hasn’t disclosed numbers, but it’s likely not huge). Once sold out, you’d be left to the second-hand market which could mean markups. The good news is that aside from the paint, any A2+ you buy now (2025) will have the exact same Next Gen tech inside. So you won’t miss out on sound by not getting a limited color – it’s purely an aesthetic choice.

Recent Developments & Market Reception

The year 2025 has been quite eventful for Audioengine and the desktop audio market at large. A few points to note:

Audioengine’s 20th Anniversary: Founded in 2005, Audioengine hit 20 years in 2025. The company celebrated by releasing the aforementioned Anniversary Edition A2+ in Matte Orange ecoustics.com ecoustics.com. Only 250 pairs were made, each with serial numbers and hand-signed by the founders ecoustics.com. While functionally the same as the standard A2+ Next Gen, this collector’s version shows Audioengine’s appreciation for its history and its fans. (It’s also a bit of a statement: who else but a confident audio company would say the pinnacle of innovation this year is… a new color? The Matte Orange launch was delivered with a tongue-in-cheek tone by some reviewers, poking fun at the industry’s penchant for style updates ecoustics.com ecoustics.com, but it actually highlights how well-honed the A2+ design already is – there wasn’t a need to change the sound, just to offer it in new flavors.)
“Next Gen” across the lineup: Audioengine didn’t stop at the A2+. In mid 2025, they methodically updated other models. The HD4 Next Gen came in May 2025, adding Bluetooth 5.3 with aptX Adaptive and USB-C to that model ts2.tech ts2.tech. And in August 2025, a refreshed HD3 was released, likewise getting USB-C, a 24-bit DAC, and Bluetooth 5.3 (the HD3 kept its price around $349) ts2.tech. This means the trio of Audioengine’s core powered speakers – A2+, HD3, HD4 – all have current wireless tech and hi-res support. This kind of uniform update is great for consumers because you can choose your size/price without sacrificing on features. It’s clear Audioengine is keeping up with technology trends while maintaining consistency in their product line’s sound and design. They even updated accessories like their B1 Bluetooth receiver to a Next Gen version with aptX Adaptive ts2.tech. All this points to a company that is investing in keeping their products relevant.
Competitors launching new models: We touched on Kanto’s ORA series and Onkyo’s GX series in the comparison section. To recap briefly, these are notable because they indicate a trend of premium desktop speakers coming from various angles. Kanto (traditionally a competitor to Audioengine) is upping their game with higher-end designs and even branching into different price tiers (they also showed a $599 model “REN” with HDMI-ARC, and a budget $199 model “Uki” for wireless desktop audio) ts2.tech ts2.tech ts2.tech. Onkyo’s entry is another interesting development, bringing a big hi-fi name into the PC space. Traditional audio brands like KEF (with the high-end LSX II wireless, though that’s much pricier) and Klipsch (tying into Onkyo’s venture) are also paying attention to people wanting great sound in smaller living spaces or work-from-home offices ts2.tech ts2.tech. Even Bose updated their lineup recently (though Bose’s focus is often more mass-market than audiophile). All this underscores that in 2025, consumers are investing more in personal audio setups – and companies are responding with better products.

Despite all the new entries, the Audioengine A2+ remains a top recommendation in its class. It has the advantage of longevity and trust – it’s a known quantity that has only improved over time. It’s telling that the core design (a small wooden 2-way speaker with analog amplification) dating back to 2007 is still considered a benchmark. As one article pointed out, it’s now been nearly 18 years since the original A2 debuted, and yet the A2+ (its modern progeny) is still collecting accolades and topping lists ts2.tech ts2.tech. That speaks volumes (pun intended) about Audioengine’s success in defining this category. They essentially proved that you can get true high-quality stereo sound from a tiny, self-contained speaker system – something that wasn’t taken for granted before the A2 came along.

From a market reception standpoint, the A2+ Next Gen seems to have been exactly what people were waiting for. The features like USB-C and aptX HD address previous minor knocks against the A2+ Wireless (which lacked USB-C and maxed at 16-bit). Now reviews have very little to criticize aside from the inherent limitations of size. Audioengine likely broadened the A2+’s appeal even further: tech-savvy users who might have looked for 24-bit support or the latest Bluetooth can check those boxes off. Meanwhile, those who care about aesthetics have the new color options to enjoy. It’s a smart move that likely helped Audioengine boost sales and stay competitive in a field that’s increasingly crowded.

One interesting bit: in a world of smart speakers and voice assistants, Audioengine’s products stand apart by NOT being “smart.” They’re deliberately “dumb” in the smart sense, but smart in the sound sense. For many audio enthusiasts, that’s a feature, not a bug. The A2+ isn’t trying to be an Amazon Echo or a Sonos multi-room node; it’s a high-fidelity stereo speaker system for people who value sound quality. The fact that it continues to thrive despite not having those IoT features shows that there is a strong market of people who just want a reliable, great-sounding speaker without the extra bells and whistles. Audioengine has carved out that niche well and has a loyal following as a result.

Looking ahead, one can guess that Audioengine will keep this momentum. Perhaps we’ll see a 2026 Color of the Year (what will it be? Matte Purple? Digital Lavender, as one satire in ecoustics joked ecoustics.com?). And maybe eventually, the larger A5+ or HD6 might get a Next Gen update (adding aptX Adaptive or even Wi-Fi capability?) if the market demands it. But for now, the A2+ is in a golden spot: it’s a mature product at the peak of its capabilities, hitting the market at a time when so many people are upgrading their home offices or desktop setups.

Conclusion

The Audioengine A2+ (2025 Edition) represents the culmination of years of refinement in compact speaker design. It manages to pack rich, high-fidelity sound, versatile connectivity, and a dash of personal style into a pair of boxes not much bigger than a paperback book. For anyone who spends a lot of time at a computer or in a small room and cares about music, the A2+ offers an extremely compelling proposition.

After the latest “Next Gen” upgrades, the A2+ checks virtually all the boxes for modern use: you can stream wirelessly from any device via Bluetooth (and with aptX-HD quality), you can connect digitally via USB and get genuine 24-bit high-res audio, or you can plug in analog gear from turntables to game consoles. It serves equally well as a desktop near-field monitor, a dorm or bedroom music system, or even as better TV speakers in a pinch. Few products are so flexible without compromising their core function.

Crucially, the A2+ delivers on sound. The positive reviews are not exaggerations – for its size, the A2+ sounds astonishingly full and detailed. It has a way of presenting music that draws you in, encouraging long listening sessions. Whether you’re working, studying, or relaxing, these speakers bring a level of enjoyment that lesser setups simply can’t match. Is it as good as a big hi-fi system with separate components? No, of course there are limits. If you need chest-thumping bass or the ability to fill a large living room, you’ll either add a subwoofer or look at larger speakers. But the A2+ nails the “sweet spot” for everyday listening: it gives you a taste of audiophile-quality sound without the bulk, expense, or complexity that typically comes with it.

The Matte Green edition we discussed highlights something else important – Audioengine understands that speakers are also part of our environment and style. By offering these limited colors, they tap into the idea that your gear can reflect your personality. The Matte Green A2+ isn’t just a conversation piece; it also happens to output fantastic sound when you hit play. If green (or orange, or blue) isn’t your thing, the standard finishes ensure you can get a pair that either stands out or blends in as you prefer. It’s clear Audioengine has found success by focusing on quality with a touch of flair.

Considering the competition, while there are many decent options out there, the A2+ still stands as a benchmark in the category of premium compact speakers. It’s telling that other companies are aiming at what the A2+ has achieved. After listening to many of these alternatives, one often comes back to the A2+ for that balanced, “just right” sound. It’s a product born of a company that specializes in speakers and audio, not one division in a giant electronics conglomerate. That focus shows in the end result.

Finally, one cannot ignore the historical context: the original Audioengine 2 in 2007 basically created this product segment – small, self-powered hi-fi speakers for the desktop. With the A2+ 2025 edition, Audioengine reaffirms why they’re still on top here. As ecoustics noted, it’s quite remarkable that nearly two decades on, the core design is still winning awards and customer praise ts2.tech. It speaks to doing something right and sticking to it. Audioengine’s mission was to get people to truly enjoy music every day on gear that isn’t a pain to use. The A2+ embodies that mission perfectly.

In conclusion, if you’re in the market for desktop or near-field speakers in late 2025, the Audioengine A2+ (Next Gen) should be high on your shortlist. It offers a combination of sound quality, build polish, connectivity, and aesthetics that is hard to beat at this size. The ongoing positive reception from experts and users alike suggests that Audioengine’s A2+ remains a class leader. And if you manage to snag one of the limited editions, you’ll have something a bit unique to enjoy – but regardless of color, what you’re getting is a top-tier audio experience for your personal space. These tiny titans demonstrate that great things do indeed come in small packages, and they continue to set the standard for what desktop speakers can be.

Sources: Information for this report was gathered from expert reviews, product announcements, and official specs from Audioengine and other reputable outlets, including Gear Patrol gearpatrol.com gearpatrol.com, TechRadar techradar.com techradar.com, Sound & Vision soundandvision.com soundandvision.com, Twittering Machines ts2.tech, APH Networks aphnetworks.com, and Audioengine’s own press releases audioengine.com audioengine.com, among others. These sources have been cited throughout the text for verification and reference.