Canon EOS R6 Mark III launches with 32.5MP sensor, 7K RAW video, and a $469 RF 45mm f/1.2: price, specs, release date (Nov. 6, 2025)

Canon today unveiled the EOS R6 Mark III — a hybrid, full‑frame mirrorless built for creators who bounce between stills and video — alongside a headline‑grabbing RF 45mm f/1.2 STM prime that undercuts typical f/1.2 lens pricing by a wide margin. The R6 III adds a higher‑resolution 32.5‑megapixel sensor, open‑gate 7K capture, and faster media, while the compact 45mm ships next month for just $469.99. ^[1]

EOS R6 Mark III: 32.5MP full‑frame sensor; 7K/59.94p Canon RAW Light plus 7K/30p open‑gate; 4K/119.8p slow‑motion; 40 fps electronic (with 20‑frame pre‑capture) and 12 fps mechanical; CFexpress Type B + SD dual‑card setup; Canon Log 2 with up to 15 stops DR; new AF refinements including Register People Priority. ^[2]
Stabilization: IBIS rated up to 8.5 stops at center (7.5 at periphery). ^[3]
Connectivity & usability: now features a full‑size HDMI Type‑A port and a front tally lamp for video. ^[4]
Price & availability: body $2,799; kits with RF 24‑105mm STM $3,149 or RF 24‑105mm f/4L $4,049; Stop Motion Animation kit $2,899; U.S. orders indicate Nov 25 arrival. ^[5]
RF 45mm f/1.2 STM: remarkably affordable $469.99 fast prime; 346 g, 67mm filters, nine‑blade diaphragm; not weather‑sealed and hood sold separately; ships December 2025. ^[6]

What’s new on the EOS R6 Mark III

Higher resolution without killing speed. Canon bumps the R6 line from 24MP to 32.5MP and still delivers 40 fps bursts with the electronic shutter, 12 fps mechanical, plus pre‑continuous shooting that records 20 frames before you fully press the shutter — clutch for sports and wildlife. ^[7]

Serious video upgrades. The R6 III records 7K/59.94p RAW Light internally, offers 7K open‑gate (3:2) at 30p, and adds oversampled 4K modes (including 4K/119.8p S&F). Canon also brings Canon Log 2 (with up to ~15 stops claimed dynamic range), waveform monitoring, and cinema‑style AF behavior pulled from its C‑series cameras. ^[8]

Better stabilization. The in‑body system is rated at up to 8.5 stops (center) and 7.5 stops (periphery), with Coordinated IS when paired with stabilized RF lenses. ^[9]

Ports and media suited for creators. Canon moves to an asymmetric dual‑card layout — CFexpress Type B + SD UHS‑II — and upgrades to a full‑size HDMI Type‑A port. There’s also a front tally lamp so on‑camera talent knows you’re rolling. ^[10]

Autofocus intelligence. Beyond the familiar subject detection, the camera adds Register People Priority (face registration) so it can preferentially track specific people in busy scenes; Canon also cites new focus accel/decel tuning for more natural pulls in video. ^[11]

Price, release date, and regional notes

In the U.S., Canon lists the EOS R6 Mark III body at $2,799. Kits include RF 24‑105mm f/4‑7.1 STM ($3,149) and RF 24‑105mm f/4L ($4,049); there’s also a Stop Motion Animation firmware edition at $2,899. Canon’s store and major retailers show estimated arrival around Nov. 25. ^[12]

Australia’s RRP lands at AU$4,299 for the body and AU$699 for the 45mm, with availability late November locally. ^[13]

The $469 RF 45mm f/1.2 STM: fast aperture without the flagship tax

Canon’s new RF 45mm f/1.2 STM is the surprise of the day: a compact (78×75mm), 346‑gram standard prime with nine‑blade bokeh and a 67mm filter thread — all for $469.99. It’s positioned for everyday portraits, low‑light shots, and shallow‑depth‑of‑field looks without the usual four‑figure spend. Shipments are slated for December 2025. ^[14]

There are trade‑offs: it’s not an L‑series lens, so no weather sealing, and Canon sells the hood separately — and early briefings note it leans on in‑camera corrections to achieve its small size and price. Even so, the value is undeniable compared to typical f/1.2 full‑frame primes that often cost well over $1,500. ^[15]

Early impressions and who it’s for

Upgraders from R6/R6 II: You gain resolution, pre‑capture bursts, open‑gate 7K, and a sturdier workflow (CFexpress Type B + full‑size HDMI). For hybrid shooters, that’s a tangible step forward. ^[16]
Event and action shooters: 40‑fps e‑shutter with 20‑frame pre‑capture and face registration should boost keeper rates at weddings, sports, and wildlife. ^[17]
Content creators and editors: Open‑gate gives extra headroom for vertical crops, while Log 2 + LUT import streamline grading. ^[18]
Budget portrait fans: The RF 45mm f/1.2 STM brings cinematic blur to a mass‑market price — an unusually accessible path to f/1.2. ^[19]

EOS R6 Mark III — specs at a glance

Feature	R6 Mark III
Sensor	32.5MP full‑frame CMOS
Stills speed	40 fps (electronic) with 20‑frame pre‑capture; 12 fps (mechanical)
Video (internal)	7K/59.94p RAW Light, 7K/30p open‑gate; up to 4K/119.8p slow‑motion
Log & monitoring	Canon Log 2, waveform; LUT import
Stabilization	IBIS up to 8.5 stops (center), 7.5 stops (periphery)
AF highlights	Dual Pixel CMOS AF II with Register People Priority
Media	1× CFexpress Type B + 1× SD UHS‑II
Ports	Full‑size HDMI Type‑A, tally lamp
Availability	Late November 2025 (U.S.); preorders live
U.S. pricing	$2,799 body; $3,149 (RF 24‑105mm STM kit); $4,049 (RF 24‑105mm f/4L kit); $2,899 Stop Motion kit

Sources for the table: Canon press materials and product listings. ^[20]

RF 45mm f/1.2 STM — highlights

Focal length / aperture: 45mm f/1.2
Diaphragm: 9 blades
Filter thread: 67mm
Weight / size: 346 g, 78×75mm
Focus drive: gear‑type STM
Availability / price: December 2025, $469.99

Specs and availability: Canon regional pages and hands‑on coverage. Note: no weather sealing; hood sold separately. ^[21]

Frequently asked

What does “open‑gate” mean on the R6 III?
Open‑gate records using the full sensor area (3:2), giving more pixels for reframing to vertical, square, or other aspect ratios in post — useful for social and multi‑platform delivery. ^[22]

Which memory cards does it take?
One CFexpress Type B and one SD UHS‑II. The CFexpress slot enables sustained high‑bitrate video and long high‑res bursts; plan for pricier media. ^[23]

Is the 45mm f/1.2 weather‑sealed?
No. It’s part of Canon’s non‑L lineup; the hood is an optional accessory. ^[24]

Reporting sources & further reading

The Verge first look with pricing, HDMI/tally‑lamp details, and 45mm f/1.2 notes. ^[25]
Canon U.S.A. (press release): full announcement with 7K modes, pre‑capture, and kit pricing. ^[26]
Canon U.S.A. store: U.S. preorder pages and IBIS rating (8.5/7.5 stops). ^[27]
Canon Asia / product pages and Digital Camera World: 45mm f/1.2 physical specs (67mm filters, 346 g). ^[28]
B&H: Stop Motion kit details, LUT import, and expanded video spec sheet. ^[29]
PetaPixel (Nov. 5): affordability and context for the RF 45mm f/1.2 STM. ^[30]