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Filmmaking News 15 August 2025 - 18 September 2025

Fujifilm’s 102MP Cinema Camera vs ARRI, Sony, RED & Canon – Is the GFX Eterna 55 a Game-Changer?

Fujifilm’s 102MP Cinema Camera vs ARRI, Sony, RED & Canon – Is the GFX Eterna 55 a Game-Changer?

Fujifilm GFX Eterna 55 – Medium Format Enters the Cinema Fujifilm’s GFX Eterna 55 aims to “bring balance to the large-format market” nofilmschool.com by leveraging Fuji’s photographic heritage in a video-first body. It boasts the tallest digital cinema sensor ever sold openly nofilmschool.com – a native 4:3 sensor about 3× larger in image area than Super35 nofilmschool.com. “The native 4:3 large format sensor is a massive and flexible canvas – fantastic for anything from landscapes to portraiture-style imagery and beyond,” says cinematographer Oren Soffer, who tested the camera fujifilm.com. With 102 MP resolution (11648 × 8736) inherited from the GFX 100 II still camera
18 September 2025
Robotic Camera Cranes Take Over IBC 2025: Shotoku Swoop 140 vs Swoop 220 in Studio Showdown

Robotic Camera Cranes Take Over IBC 2025: Shotoku Swoop 140 vs Swoop 220 in Studio Showdown

Meet the Shotoku Swoop 140 & 220: Robotic Studio Cranes Redefining Camera Moves Shotoku’s Swoop 140 and 220 are a new breed of robotic camera cranes designed to elevate the creativity and efficiency of studio productions. Announced at the International Broadcasting Convention 2025, these cranes generated buzz as a “major step forward in studio robotics,” in the words of Shotoku’s managing director James Eddershaw provideocoalition.com. They are purpose-built to replace traditional manually-operated jibs and crane arms on set, which have long provided dramatic sweeping shots but require skilled operators and cannot tie into automated studio systems provideocoalition.com. By contrast, the
18 September 2025
Battle of the Hybrid Cinema Cameras: Sony FX3 vs Canon EOS R5 C vs Panasonic Lumix GH7 – Which Cinematic Powerhouse Reigns Supreme in 2025?

Battle of the Hybrid Cinema Cameras: Sony FX3 vs Canon EOS R5 C vs Panasonic Lumix GH7 – Which Cinematic Powerhouse Reigns Supreme in 2025?

FX3 captures 4K Ultra HD up to 120 fps from a 12.1 MP full-frame sensor, can reach 1080p up to 240 fps, and pairs 5-axis in-body stabilization with an active cooling fan to enable unlimited 4K recording. Canon EOS R5 C offers 8K internal RAW up to 30 fps (60 fps with external power) from a 45 MP full-frame sensor, plus 4K oversampling and 12-bit Cinema RAW Light with no built-in IBIS. Panasonic Lumix GH7 records 5.8K open-gate, 4K up to 60p, internal ProRes RAW at 5.7K30p, and 4K/120p oversampled, with V-Log L plus ARRI LogC3 support via firmware and
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