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Video Production News 15 August 2025 - 16 August 2025

Battle of the Hybrid Cinema Cameras: Sony FX3 vs Canon EOS R5 C vs Panasonic Lumix GH7 – Which Cinematic Powerhouse Reigns Supreme in 2025?

Sony FX3 vs FX6 vs A7S III – The 2025 Comprehensive Comparison

The Sony A7S III, FX3, and FX6 all use a 12 MP-class full-frame sensor family; the A7S III and FX3 use a 12.1 MP Exmor R sensor, while the FX6’s spec is listed as 10.2 MP effective for 4K video. They all employ dual-base ISO: the A7S III and FX3 offer 640 (low) and 12,800 (high) in S-Log3, while the FX6 in Cine EI mode uses 800 and 12,800. Low-light performance is highlighted by 8.4 µm pixels and low read noise, with ISO ranges claimed up to 409,600 and realistically usable up to 51,200–102,400. All three support S-Cinetone and, by
Battle of the Hybrid Cinema Cameras: Sony FX3 vs Canon EOS R5 C vs Panasonic Lumix GH7 – Which Cinematic Powerhouse Reigns Supreme in 2025?

Battle of the Hybrid Cinema Cameras: Sony FX3 vs Canon EOS R5 C vs Panasonic Lumix GH7 – Which Cinematic Powerhouse Reigns Supreme in 2025?

FX3 captures 4K Ultra HD up to 120 fps from a 12.1 MP full-frame sensor, can reach 1080p up to 240 fps, and pairs 5-axis in-body stabilization with an active cooling fan to enable unlimited 4K recording. Canon EOS R5 C offers 8K internal RAW up to 30 fps (60 fps with external power) from a 45 MP full-frame sensor, plus 4K oversampling and 12-bit Cinema RAW Light with no built-in IBIS. Panasonic Lumix GH7 records 5.8K open-gate, 4K up to 60p, internal ProRes RAW at 5.7K30p, and 4K/120p oversampled, with V-Log L plus ARRI LogC3 support via firmware and
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