DJI Osmo Action 5 Pro vs GoPro & Insta360: Is This the New King of Action Cameras?

Key Facts:

Next-Gen Imaging: Features a 1/1.3-inch CMOS sensor (40 MP) with industry-first 13.5-stop dynamic range for exceptional low-light video and HDR capture ^[1]. Supports 10-bit D-Log M and HLG color profiles for pro-level post-processing.
High-Speed 4K & Slo-Mo: Records up to 4K/120fps (including 4:3 aspect ratio) for ultra-detailed slow motion, plus a novel 1080p/960fps mode using AI frame interpolation ^[2]. (GoPro’s Hero12/13 maxes out at 5.3K/60 and 4K/120, while Insta360’s Ace Pro 2 can even hit 8K/30 at the cost of huge file sizes ^[3] ^[4].)
Unmatched Battery Life: Achieves up to 4 hours continuous recording on a single charge – roughly double the runtime of GoPro’s latest Hero Black models ^[5]. This is enabled by a power-efficient 4nm chipset and larger 1,950 mAh battery, though 4-hour endurance only applies under 1080p/24fps lab conditions ^[6]. Real-world 4K usage still comfortably beats most rivals’ battery life.
Rugged & Feature-Packed: Waterproof to 20 m without a case (vs 10 m for GoPro) and includes a built-in pressure gauge to log dive depth and altitude ^[7]. Dual color OLED touchscreens (front 1.46″ and rear 2.5″) are brighter for sunlight visibility ^[8]. RockSteady 3.0 stabilization with 360° horizon lock keeps footage level ^[9]. A new subject tracking mode uses AI to auto-frame humans in the shot (by cropping in post) – a first for action cams ^[10] ^[11].
Storage & Audio Advantages: Comes with 47 GB built-in storage, so you can start shooting out-of-the-box before adding a microSD card ^[12]. Also offers Bluetooth mic support – it pairs directly with DJI’s Mic 2 wireless transmitters for high-quality audio without a bulky receiver ^[13]. (GoPro Hero12 introduced Bluetooth audio for earbuds, but DJI’s integration with its own wireless mic system is seamless ^[14].)
Competitive Price: Launched at $349 (Standard bundle) ^[15], undercutting the GoPro Hero12/13 Black (typically $399) and Insta360’s flagship ($399) – all while delivering unique “Pro” features and comparable image quality.

DJI Osmo Action 5 Pro – Overview of Specs & Features

DJI’s Osmo Action 5 Pro (released September 2024) is the first of the series to earn the “Pro” label, and it backs that up with significant upgrades aimed at enthusiast and professional users. At its core is a 1/1.3-inch CMOS sensor with almost four times the resolution of its predecessor. This 40 MP sensor isn’t just about still photos – it’s leveraged for video as well, enabling full 4K recording in a 4:3 aspect ratio at up to 120 fps (previous Osmo Action models were limited to 4K/120 in 16:9) ^[16]. The larger sensor and new imaging pipeline give the Action 5 Pro an expanded 13.5-stop dynamic range, which “rivals professional cameras” in the ability to preserve detail in shadows and highlights ^[17]. In practical terms, users can expect noticeably cleaner low-light footage and more latitude when color grading, especially with the camera’s 10-bit flat color profiles (D-Log M and HLG). Early reviews have highlighted its class-leading night and indoor performance, calling it “impressive in low light conditions – at least by action cam standards” ^[18].

Beyond resolution, DJI has focused on quality over sheer frame size. The Action 5 Pro tops out at 4K resolution for video, a deliberate choice to prioritize noise performance and bitrates over chasing 5K or 8K numbers. (By contrast, GoPro’s Hero13 Black can do 5.3K, and the Insta360 Ace Pro 2 boasts an 8K mode, but those higher resolutions come with diminishing returns for most users ^[19].) What DJI does offer is robust high-speed capture at usable settings – 4K at 120 fps for crisp slow-motion and even an extreme 1080p at 240 fps (native) which can be digitally slowed to 8×, or interpolated to 960 fps for a 32× ultra slow-mo effect ^[20]. Notably, that 960fps mode is achieved via AI frame generation (the camera records 240fps and intelligently fills in extra frames) ^[21]. While not true native slow-mo, it’s a fun option for ultra-slow shots and shows off DJI’s advancements in on-board processing.

Battery life is another headline feature. DJI claims up to 4 hours of continuous recording on a single charge – an unprecedented figure for an action cam ^[22]. This was achieved under specific test conditions (1080p/24fps, with screens and Wi-Fi off in a 25 °C lab) ^[23], so real-world endurance will be lower when shooting 4K or using the displays. Still, even when cut by half or more in typical use, the Action 5 Pro comfortably outlasts the roughly ~2 hour max that GoPro’s Hero Black series can manage in its best-case scenarios ^[24]. Credit goes to a combination of a higher-capacity 1,950 mAh battery (7.5 Wh) and DJI’s new 4 nm chipset, which significantly improves power efficiency ^[25]. Reviewers have confirmed it “should easily beat GoPro battery life” in the field ^[26]. Additionally, the camera supports fast charging – up to about 2 hours of 1080p shooting from a 15-minute charge, which is great for quick top-ups between activities ^[27].

The Osmo Action 5 Pro inherits and enhances DJI’s trademark rugged design. It’s built to handle extreme environments, from high altitudes to underwater adventures. The camera body is waterproof down to 20 m (65.6 ft) without a housing, the deepest of any mainstream action cam (double the 10 m rating of a GoPro) ^[28]. For deeper dives, an optional case allows use down to 60 m. Uniquely, DJI has added a built-in pressure sensor (barometer) that not only helps gauge depth underwater but also logs altitude data for activities like hiking or skydiving ^[29]. In fact, the Action 5 Pro meets the EN13319 diving standard, meaning it’s certified as a dive accessory ^[30]. There’s also a new color temperature sensor to auto-adjust white balance underwater, addressing the color cast issues that often plague dive footage ^[31]. For convenience, the camera can even be set to auto-start recording when submerged and stop when out of water ^[32] – ensuring you never forget to capture that jump off the cliff or coral reef swim.

Creators will appreciate the camera’s dual OLED touchscreens for monitoring and control. The front screen is a 1.46-inch OLED (up from 1.4″ on the Action 4) and the rear is 2.5-inch (up from 2.25″), both significantly brighter (800 nits typical, with the rear up to 1000 nits peak) for better visibility in sunlight ^[33] ^[34]. These edge-to-edge OLED panels have richer color and improved touch response, making menu navigation and framing shots easier from any angle ^[35]. The user interface is refined, and like previous models, the menus can be navigated via taps or swipes on either the front or back screen – handy for vloggers who might be facing the camera.

In terms of stabilization, DJI’s electronic system (RockSteady 3.0/3.0+) keeps improving. You get the full suite of modes: standard stabilization for most shakes, HorizonBalancing (which corrects tilt up to a large angle), and HorizonSteady, which locks the horizon completely level even if the camera rotates 360° ^[36] ^[37]. (HorizonSteady is limited to 1080p or 2.7K at 60fps or below, due to processing constraints ^[38], but it’s a neat feature for mountain biking or skiing where the camera might roll extensively.) The result is footage that approaches gimbal-like steadiness even in rough conditions.

One truly standout new feature is Subject Tracking (Auto-Framing) built into the camera. DJI essentially brought its expertise from drone ActiveTrack and the Pocket series into the Action 5 Pro. When enabled, the camera will detect a person in the scene and dynamically crop the footage to keep the subject centered as they move ^[39]. This happens in-camera, creating an automatically reframed video that follows your target. It’s great for solo vloggers or anyone who wants to ensure they stay in frame during action shots. Because it works by cropping, subject tracking is limited to lower resolutions (up to 2.7K, since it needs the extra pixels as leeway) ^[40]. Still, this is an action-cam first – no competitor currently offers onboard auto-tracking. Tech reviewers noted it as “the latest trick” in DJI’s arsenal, paralleling features seen in DJI’s vlogging cameras and even Sony’s recent vlogging cams ^[41].

To support long shooting sessions and high bitrates, the Osmo Action 5 Pro offers generous onboard storage – 47 GB available for media ^[42]. This means you can literally unbox the camera and start recording in 4K without immediately needing an SD card. It’s a very welcome feature (one borrowed from DJI’s professional products like the Ronin 4D, and a rarity in this class of device). For comparison, neither GoPro nor Insta360 include internal user storage in their action cams (Insta360’s Ace Pro 2, for instance, requires a microSD and doesn’t ship with one ^[43]). Of course, you can expand the Action 5 Pro with a microSD card (up to 1 TB supported) ^[44], but that 47 GB buffer is perfect for emergencies or casual use and ensures you won’t miss a shot just because you forgot your memory card.

DJI has also clearly thought about audio and accessories. The Action 5 Pro has three built-in microphones (for stereo and improved wind noise reduction) ^[45]. More notably, it integrates with DJI’s wireless Mic 2 system via Bluetooth ^[46]. You can use up to two clip-on transmitters (DJI Mic 2 units) connected directly to the camera – no external receiver module needed. This is akin to how smartphones pair with wireless earbuds; TechRadar likened it to “the perfect marriage you get with an iPhone and AirPods” for effortless audio ^[47]. It enables capturing high-quality audio (with an option for a backup audio track via the internal mic for safety) ^[48], which is ideal for vlogging, interviews, or motovlogging where clear voice audio is essential. GoPro’s latest models also allow wireless audio input (Hero12 can use Bluetooth mics like AirPods), but DJI’s solution with its own dedicated mic kit is more plug-and-play. The Action 5 Pro also features a standard USB-C port which supports analog audio input via an adapter, if users prefer a wired lapel mic or third-party options.

Rounding out its features, the camera offers all the expected bells and whistles of a flagship action cam in 2025: Wi-Fi 6 and Bluetooth 5.1 connectivity for fast transfers and reliable wireless preview/control ^[49], USB 3.0 for quicker offloading of footage ^[50], 120 Mbps max video bitrate, and a full suite of shooting modes (timelapse, hyperlapse, HDR video, voice control, etc.). A few pro-oriented touches are present too: Timecode support for synchronizing footage from multiple cameras (a big plus for multi-cam shoots) ^[51], Pre-Rec buffering (so you can capture the seconds before you hit the record button) ^[52], and highlight tagging during recording to mark key moments ^[53] for easier editing later. These are features rarely seen outside professional gear, indicating DJI’s intent to court serious content creators.

In summary, the Osmo Action 5 Pro is a comprehensive upgrade that significantly blurs the line between an “action” camera and a more professional compact shooter. It brings enhanced image quality, smarter features, and user conveniences that collectively set a new benchmark in the category. But how does it measure up against its fiercest rivals? Below, we compare it to GoPro’s Hero Black series and Insta360’s latest to see where each stands.

Comparison: DJI Osmo Action 5 Pro vs GoPro Hero12/13 Black

GoPro has long been the dominant name in action cameras – and DJI’s new flagship was directly aimed at dethroning GoPro’s Hero series. In fact, DJI explicitly positions the Osmo Action 5 Pro as a response to GoPro’s Hero13 Black ^[54] (which launched around the same time). Let’s break down the differences and see if DJI has overtaken GoPro:

Image Sensor & Quality: The Action 5 Pro’s 1/1.3″ sensor is physically larger than the GoPro Hero12/13’s 1/1.9″ sensor (Hero12/13 retained a similar sensor size introduced in Hero11) ^[55]. This gives DJI an edge in light-gathering. Moreover, DJI’s sensor outputs 40 MP stills (with 2.4 μm effective pixels when binning for video) ^[56], whereas GoPro’s 27 MP sensor yields ~24 MP photos. In practice, DJI’s advantage is seen in low-light scenarios and dynamic range – reviewers found the Action 5 Pro produces cleaner nighttime footage with more detail in shadows compared to the GoPro, which struggles more in dark scenes. GoPro, however, can claim higher peak resolution for video: 5.3K at 60 fps on the Hero12/13 (an 8:7 aspect mode or 16:9 crop), versus DJI’s max of 4K/120fps. If you value outright resolution or need to crop heavily in post, the GoPro’s 5K might be beneficial. But for most users, 4K is plenty, and DJI’s footage is arguably higher quality per pixel (less noise and more dynamic range) rather than just higher pixel count. As one analysis put it, GoPro offers the bigger numbers on paper, but the Osmo’s 4K with 13.5-stop HDR may deliver more “absolute best-quality” imagery for those who prioritize image fidelity ^[57].
Video Modes: Both cameras can do 4K at high frame rates (the Hero12 and 13 also achieve 4K/120 and even 2.7K/240 slow-mo). GoPro has a unique 8×7 full-frame 5K mode (great for pulling tall vertical clips or extra-wide photos from video), whereas DJI has the aforementioned 4:3 4K/120 mode, which similarly uses more of the frame for a taller field of view ^[58]. GoPro introduced a new HyperView digital lens and continues to offer the Max Lens Mod 2.0 (an attachment) to get an ultrawide 177° FOV and full 360° horizon lock at up to 4K/60 on the Hero12/13. DJI’s lens is very wide at 155° out-of-box, and it achieves 360° horizon leveling internally (but limited to 2.7K/60 or 1080p) ^[59]. For most users, both systems provide excellent stabilization and ultra-wide perspectives; GoPro’s optional lens mods add flexibility (e.g. a Macro lens mod and even an Anamorphic lens mod for Hero13 ^[60]), which DJI doesn’t natively have. However, those mods are extra purchases and not everyone needs them.
Battery Life: This is a big win for DJI. The Osmo Action 5 Pro can run much longer. DJI advertises up to 4 hours (1080p/24), and around 2+ hours even at 4K/60 in moderate conditions according to user reports – whereas the GoPro Hero12 Black, thanks to some efficiency improvements, might manage ~70 minutes at 5.3K/60 or ~90 minutes at 4K/60 in ideal conditions before the battery dies (and older GoPros were even worse). In typical use (mixed resolution, screen on, etc.), GoPro users often carry spare batteries for anything beyond an hour or so of shooting. The Action 5 Pro’s endurance is roughly double what the Hero12/13 can do on a single charge ^[61]. This is a huge practical advantage for DJI – less battery swapping and less worry about your camera dying mid-adventure. It’s worth noting GoPro’s battery is smaller (1720 mAh) and the Hero12 did introduce a more efficient video engine with its GP2 chip, but DJI’s combo of a larger battery and cutting-edge 4nm processor clearly leapfrogs GoPro in this department ^[62]. For long activities like hiking, motorsports, or time-lapses, the Osmo Action 5 Pro is simply more reliable without external power.
Displays: The Hero12/13 Black has a front color LCD and a rear touchscreen, but GoPro’s front display is a smaller 1.4″ panel primarily for framing and status (it’s not touch-enabled). DJI’s front screen is similarly sized (1.46″) but also touch-responsive, meaning you can fully control the camera from the front – great for vloggers adjusting settings while facing the lens. Both rear displays are around 2.3″-2.5″; DJI’s is slightly larger and much brighter (up to 1000 nits vs ~450-500 nits on GoPro’s, though GoPro’s latest did improve brightness a bit). This means the Osmo’s screens are easier to see under sunlight, and the interface feels roomier. GoPro’s UI is mature and fairly intuitive, but it’s known to lag or freeze occasionally. DJI’s menu system, while inspired by GoPro’s, is generally snappy and stable, thanks in part to that newer chip.
Build and Waterproofing: Both cameras are rugged and bare-unit waterproof without housing. GoPro is rated to 10 m (33 ft) depth, DJI to 20 m (66 ft) ^[63]. In practice, 10 m covers snorkeling and shallow dives, but serious divers will appreciate the extra buffer of DJI (less risk if going a bit deeper). Each has locking battery compartments and lens covers. DJI’s lens cover is removable and replaceable (as is GoPro’s), allowing ND filters or replacements if scratched. GoPro has a slightly smaller form factor and is a bit lighter (Hero13 ~154 g vs Osmo 5 Pro 146 g – so actually DJI is a tad lighter despite larger battery). Both will survive drops and have similar mounting systems (DJI uses a magnetic clip-in adapter mount; GoPro has the folding fingers — you can adapt one to the other easily).
Special Features: GoPro’s strength has been refinement and a robust ecosystem. The Hero12/13 offers features like GPS and telemetry overlays (speed, elevation graphs on your video), a suite of night modes (Star Trails, Light Painting, Vehicle Light Trails) for creative long exposures, and HDR video in Hero12 for scenes with high contrast. DJI covers some of these: it doesn’t have built-in GPS, but you can get GPS data via an add-on Bluetooth remote or sync with your phone ^[64]. DJI’s SuperNight mode is its low-light algorithm for video up to 4K/30, effectively similar to GoPro’s Night Effects but oriented to general low-light shooting ^[65] ^[66]. The Osmo doesn’t have a direct Star Trails mode, etc., so GoPro still offers a few more software tricks for creative effects out-of-the-box. On the flip side, DJI’s subject tracking and built-in auto-framing is something GoPro cannot do at all – that’s a unique selling point for DJI if you need it. Also, DJI’s inclusion of onboard storage is a quality-of-life feature GoPro lacks; many users have lauded the ability to record internally in a pinch ^[67].
Audio and Connectivity: Both cameras have front-facing mics and decent audio for an action cam. GoPro improved wind noise reduction with Hero12’s software, and you can attach GoPro’s MediaMod (an accessory case) for a built-in directional mic and ports. DJI skips the MediaMod concept by simply making the camera compatible with external mics via USB-C and, as mentioned, native wireless mic support ^[68]. For wireless audio, GoPro now lets you use Bluetooth headphones as mics (feature added in Hero12), but using dedicated transmitters like DJI Mic or Rode Wireless Go with GoPro still requires an adapter. So in practice, DJI’s audio setup is cleaner for creators. Both cameras have companion smartphone apps (GoPro Quik and DJI Mimo) for remote control, preview, and quick editing on your phone. DJI’s Wi-Fi 6 support means faster footage transfers to your phone or computer than GoPro’s Wi-Fi 5, which is a nice perk if you shoot a lot of high-bitrate video ^[69].
Price & Value: The Osmo Action 5 Pro launched at $349 for the standard kit ^[70]. GoPro’s Hero13 Black was priced around $399 (often $349 with a GoPro subscription deal), and the earlier Hero12 was $399 at launch as well. So DJI is effectively undercutting GoPro by about $50 while including more in the box (e.g. the built-in storage). Both brands offer bundles: GoPro usually has a Creator Edition or accessory bundles, while DJI’s “Adventure Combo” at $449 includes extras like a battery case, extension rod, and mounts ^[71]. Considering the feature set, DJI offers tremendous value – you’re getting comparable (if not better) image quality, far better battery life, and more included features for less money. GoPro, however, has intangible advantages: a proven track record, a vast community and accessory ecosystem, and reliable support. Some pros also prefer GoPro’s color science and image tuning out-of-camera (though DJI’s color profiles are quite good and can be tuned to preference, especially with D-Log M flat footage).

In summary, DJI’s Osmo Action 5 Pro either matches or beats the GoPro Hero12/13 Black in most areas that matter. It has raised the bar with its battery endurance, low-light performance, and innovative features like subject tracking and internal storage ^[72] ^[73]. GoPro still excels in offering higher resolutions and a few niche features (like lens mods and built-in GPS), and some users might prefer the GoPro workflow or brand familiarity. But if you put the specs and real-world performance side by side, many reviewers conclude that DJI has overtaken GoPro in 2024. TechRadar, after testing, noted, “There’s no doubt who’s improving faster, and that’s DJI… DJI has been chipping away with meaningful upgrades each generation”, while GoPro’s hardware has remained relatively static ^[74]. For the first time, GoPro finds itself in a true head-to-head battle where it’s not the default choice – DJI’s Action 5 Pro is arguably the “new king of the action cam arena,” as one enthusiast reviewer put it.

Below is a quick spec comparison of the Action 5 Pro against GoPro’s Hero12 Black and another rising competitor, the Insta360 Ace Pro 2:

Feature	DJI Osmo Action 5 Pro	GoPro Hero12 Black	Insta360 Ace Pro 2
Sensor & Photo	1/1.3″ 40 MP CMOS (2.4 µm binned pixels) – 40 MP stills ^[75]; 13.5-stop dynamic range ^[76].	1/1.9″ ~27 MP CMOS – 27 MP photos; ~12-stop dynamic range (10-bit color).	1/1.3″ ~50 MP CMOS – 50 MP stills (Quad-Bayer); 13.5-stop claimed DR ^[77].
Max Video Resolution	4K (3840×2160) @ 120 fps (16:9 or 4:3 aspect) ^[78]. Supports 1080p up to 240 fps (960 fps via AI slo-mo) ^[79].	5.3K (5312×2988) @ 60 fps (8:7 full sensor or 16:9); 4K @ 120 fps; 2.7K @ 240 fps (slow-mo).	8K (7680×4320) @ 30 fps; 4K @ 120 fps; 1080p @ 240 fps ^[80] ^[81].
Stabilization	RockSteady 3.0 EIS; HorizonSteady (full 360° lock at ≤2.7K/60) ^[82]. Built-in horizon leveling up to 4K/60 (leveling within ±45°).	HyperSmooth 6.0 EIS; HorizonLock (360° with Max Lens Mod, or horizon leveling up to ±45° without mod). AutoBoost for adaptive stabilization.	FlowState EIS; 360° Horizon Lock (likely via crop as well). Comparable stabilization performance to competitors ^[83] ^[84].
Screens	Dual OLED touch screens – Front 1.46″ (360×360) and Rear 2.5″ (712×400); up to 1000 nits brightness ^[85] ^[86].	Dual LCD screens – Front 1.4″ (non-touch), Rear 2.27″; ~500 nits (estimated).	Single 2.4″ Flip-touchscreen (rear hinged); can face front. ~750 nits; larger viewing area since only one screen ^[87].
Waterproof	20 m (66 ft) without case ^[88]; 60 m with optional case. Built-in depth gauge for dive data ^[89].	10 m (33 ft) without case; 60 m with Dive Housing. No depth sensor (uses GPS altimeter above water).	16 m without case (approx, not officially stated here, but likely similar ~10–15 m); deeper with case. No built-in depth sensor.
Battery Life	1,950 mAh; up to 4 hrs @1080p/24 (screens off) ^[90] (~2 hrs at 4K/60 in practice). Fast charge: ~2 hrs use from 15 min charge ^[91].	1,720 mAh; up to ~1.5 hrs @1080p (or ~50–60 min at 5.3K/60 in tests). No official fast charge (approx 2 hours to full).	1,780 mAh (estimated); “long battery life” but generally less than DJI – roughly 80–90 min at 4K/60 per reviews. Option for dual-battery kit ^[92].
Audio	3 mics with stereo + wind reduction. Bluetooth mic support (pairs with DJI Mic 2 for wireless audio) ^[93]. External mic via USB-C.	3 mics with stereo + wind reduction. 3.5mm mic-in via MediaMod or USB adapter. Bluetooth audio input (supports earbuds as mic).	2 mics (stereo) with noise reduction; surprisingly good onboard sound ^[94]. External mic via USB-C (no native wireless mic system).
Storage	47 GB internal memory ^[95]; microSD slot (up to 1 TB) ^[96]. Wi-Fi 6 / USB 3.0 for fast transfers ^[97].	No internal storage; microSD slot (up to 512 GB typically). Wi-Fi 5 / USB 3.1 (Hero11/12 used USB-C with decent speeds).	No internal storage (requires microSD) ^[98]. Wi-Fi 5 / USB-C for data.
Notable Extras	Subject Tracking (auto-framing) built-in ^[99]; Live streaming via Wi-Fi; GPS info via optional remote ^[100]; Timecode sync; Pre-record buffer; Color temperature sensor (underwater); Quick release mounting frame included.	Built-in GPS & Accelerometer (telemetry overlays); Voice Control; “HindSight” pre-record mode; Scheduled Capture; Compatibility with Mods (Max Lens, MediaMod, Lights); GoPro Cloud backup (subscription).	8K recording (niche use); Flip screen design; Invisible selfie-stick effect (with 360 lens accessory); Log video (I-Log) for grading ^[101]; Strong mobile app editing suite (Insta360 app).
Launch Price (USD)	$349 (Standard Combo kit) ^[102]. $449 Adventure Combo (with battery case, rod, mounts).	$399 (Hero12 Black at launch; Hero13 similar). Often ~$349 with GoPro subscription deals. Special Creator Edition bundles ~$500+.	$399 (Standard Bundle) ^[103]. $419 Dual Battery Bundle. Typically includes some mounts, no SD card ^[104].

Table: Key specifications and differences between DJI Osmo Action 5 Pro, GoPro Hero12 Black, and Insta360 Ace Pro 2. (Hero13 Black shares many specs with Hero12, with updates like lens mods and minor tweaks.)

Other Competitors and Industry Trends

Beyond GoPro, DJI also faces competition from Insta360, a brand known for innovative 360° cameras and, more recently, high-spec action cams. The Insta360 Ace Pro 2 (launched Oct 2024) is the closest rival to the Osmo Action 5 Pro in terms of being a “next-gen” flagship. As seen in the table, it one-ups DJI on paper with 8K video capability. However, reviewers note that while it can capture 8K, it’s somewhat of a gimmick for most – the mode is limited to 30fps, generates enormous files, and has some caveats ^[105] ^[106]. The real strength of the Ace Pro 2 is its excellent 4K video quality (up to 4K/60 & 4K/120 slow-mo) and an I-Log profile that, similar to DJI’s D-Log, preserves dynamic range for editing ^[107] ^[108]. It uses a similar 1/1.3″ sensor (likely the same Sony CMOS or equivalent class as DJI’s), so image performance in good and low light is roughly on par with the Osmo Action 5 Pro. In fact, the Ace Pro 2 also touts 13.5 stops of dynamic range and very clean low-light footage for its class.

Where Insta360 differentiates is in design and ecosystem: the Ace Pro 2 has a single large touchscreen that flips forward 180° to face the user ^[109]. This clever design gives a bigger viewing area than the DJI or GoPro (which split the display into two smaller ones), but some users might miss having status info on both sides simultaneously. It’s a matter of preference – vloggers love the flip-out screen, whereas some action shooters prefer the always-on front screen of DJI/GoPro for quick glances. Insta360 also integrates heavily with its smartphone app; the camera is built to leverage Insta360’s AI-powered editing tools, like auto-reframing and the “Shot Lab” effects for which the brand is known. And if a user also wants 360° filming, Insta360’s ecosystem makes it easy to have both an action cam and a 360 cam working together (though the Ace Pro 2 itself is not a 360 cam).

However, Insta360’s cam lacks any internal storage, so you must use a microSD card from the start ^[110] ^[111]. It also doesn’t yet match DJI in battery stamina – while improved over earlier Insta360 cams, it’s typically closer to GoPro’s longevity (on the order of 1.5 hours of continuous 4K). One notable plus: the Ace Pro 2’s built-in microphones are surprisingly good; tests praised its audio clarity, potentially due to a larger mic chamber or better software noise reduction ^[112]. But if top-notch audio is needed, you’d still use external mics – and here Insta360 relies on either wired mics or third-party wireless kits (no bespoke solution like DJI Mic integration).

Another competitor in the action cam space is Sony, though they have not released a new traditional action camera in some years. Sony’s RX0 II (with a 1-inch sensor) is more of a niche option for cinematic use, and their once-popular AS series action cams have been discontinued. Akaso, DJI’s own former Action 2 modular cam, and others occupy the budget end but don’t really challenge the likes of DJI/GoPro in performance or features. We’re also seeing new entrants try unique approaches: for example, Insta360 GO 3 is a tiny thumb-sized cam for casual capture, and DJI’s Pocket 3 (a mini gimbal 4K camera with a 1″ sensor) crosses into action cam territory for travel vloggers seeking supreme image quality. But those are specialized devices; the main battle for the title of “best all-around action camera” is squarely between GoPro, DJI, and Insta360’s flagship models as of 2025 ^[113].

It’s worth noting that these brands sometimes take different philosophies: GoPro seems to be exploring modular add-ons and creative modes (e.g., interchangeable lens mods for Hero13, and the GoPro Max series for 360° capture), DJI is focusing on image quality and practical features (big sensor, long battery, tracking, pro-grade options), and Insta360 is pushing high resolution and AI software integration. As TechRadar observed, we now have “three very different takes on the action camera from three leading brands, and it’s us users who benefit from the fierce competition” ^[114]. In other words, the action cam market is more exciting than ever.

Rumors and What’s Next in Action Cameras

Looking ahead, there are plenty of rumors and official hints about upcoming models in late 2025 and beyond:

GoPro Hero14 Black: GoPro follows a yearly release cycle, so the Hero14 Black is anticipated in September 2025 (confirmed by GoPro’s CEO in an investor meeting that two new cameras are due by end of 2025) ^[115] ^[116]. The Hero14 is expected to debut GoPro’s next-generation GP3 chip for improved performance and efficiency ^[117]. This should boost capabilities – potentially enabling features like 8K video or higher frame rates, and better low-light noise processing. There’s also perennial speculation that GoPro might finally increase its sensor size (the 1/1.9″ sensor has been used since Hero11). Some rumors suggest a move to a 1-inch sensor for improved low-light and dynamic range ^[118]. However, others believe GoPro might save a 1-inch sensor for a different “pro” model or a low-light specialized camera in 2026 ^[119]. At the very least, we expect incremental improvements in image quality, possibly a higher resolution (maybe 6K video or 12-bit color), and further refinements to things like the UI and software features. GoPro’s CEO Nick Woodman also confirmed a new GoPro Max 2 (360-degree camera) is coming in 2025 ^[120], which might integrate some tech that could trickle down to the Hero line (like better stabilization or dual-lens capabilities for creativity). Additionally, GoPro is emphasizing software and subscription services; we might see tighter integration with their cloud, automatic highlight videos, and more advanced editing tools as part of the GoPro ecosystem ^[121].
DJI Osmo Action 6 (Pro?): DJI has not officially announced any successor yet, but based on their past cadence (Action 4 came one year after Action 3, and Action 5 Pro came ~1 year after Action 4), it’s possible we’ll see an Osmo Action 6 in late 2025 or 2026. The twist is whether DJI will stick to the “Pro” tier or release a non-Pro and Pro variant. Some community chatter suggests DJI might introduce a smaller “Mini” action camera or a slightly cheaper non-Pro Action 6, then follow with an Action 6 Pro later ^[122]. This is speculative, but given DJI’s habit of exploring different form factors (e.g., the magnetic modular Action 2 was a departure), a mini action cam akin to GoPro’s Hero Session or Hero11 Mini could be in the cards. As for tech improvements, DJI could aim for that coveted 1-inch sensor as well, or perhaps push frame rates (maybe 4K/240fps if the processor allows) or include built-in cellular connectivity for live streaming. For now, DJI is likely to watch GoPro’s next move and ensure their next release one-ups in key areas. There’s also a rumor that DJI was working on a 360 action camera (referred to as “Osmo 360”) to compete with Insta360’s X series ^[123]. In fact, in 2024 DJI did release the Osmo 360 camera, entering the 360° video arena. This shows DJI’s commitment to covering all bases in the action camera market, though the Osmo 360 is a separate line from the Action series.
Insta360: Having released the Ace Pro 2 in late 2024, Insta360 will likely continue its yearly upgrades. By mid to late 2025, we might hear about an Ace Pro 3, though there’s no strong info yet. Since the Ace Pro line is quite new, they may let the Ace Pro 2 breathe for more than a year unless GoPro/DJI leapfrog it significantly. On the 360-camera front, Insta360’s X series saw the X3 in 2022 and an X5 in 2024 (assuming the naming, since TechRadar mentioned an Insta360 X5, likely a higher-end 360 cam) ^[124]. If X5 is already out, an X6 could come by 2025 with improvements like 6K+ per lens video or better AI editing. Insta360 also collaborates with third parties (Leica for 1-inch sensor mods, and special editions like the MotoGP-themed “MM93 Edition” of the Ace Pro 2 ^[125]). So we may see more special bundles or co-branded releases that target niche audiences (e.g., a skateboard edition, etc.).
Other Brands: It’s possible we’ll see surprises from others. For instance, Ricoh/Pentax recently teased a comeback in compacts (though not action cams specifically). Canon and Nikon have largely stayed out of the action cam fight after brief forays (Canon’s IVY Rec and Nikon’s KeyMission were short-lived). Smartphones continue to encroach on action footage (with ever better stabilization and rugged cases), but dedicated cameras still reign for truly extreme use. New entrants like open-source projects or crowdfunded action cams occasionally pop up, but none have made a dent against the big three.

All told, the action camera segment is thriving. Competition is driving rapid innovation, and 2024–2025 have seen some of the biggest leaps in years – larger sensors, AI features, vastly improved battery life, and new form factors. For consumers, it means better choices at various price points. The DJI Osmo Action 5 Pro has set a high bar that future models will be measured against. GoPro’s next launch is hotly anticipated to see if they answer with a leap of their own (perhaps GoPro will integrate a 1-inch sensor or some breakthrough feature to reclaim the crown). And Insta360 will likely not sit still either.

In conclusion, the DJI Osmo Action 5 Pro is arguably the most advanced action camera on the market today, excelling in the fundamentals (image quality, stabilization, battery) and introducing novel features that give it an edge ^[126]. It stands strong against GoPro’s offerings, even outshining them in many regards, and holds its own versus Insta360’s high-resolution powerhouse. As one reviewer aptly summarized, DJI’s latest “focuses on improved battery life that allows us to keep the fun going” while delivering image quality that was previously unheard of in an action cam ^[127] ^[128]. Whether you’re an adrenaline junkie, a vlogger, or an outdoor filmmaker, the Action 5 Pro makes a compelling case as the camera to grab for your next adventure – at least until the next generation of action cams arrives to challenge its throne.

Sources: DJI Official Specifications ^[129] ^[130]; The Verge (Thomas Ricker) ^[131] ^[132]; TechRadar ^[133] ^[134]; DPReview ^[135] ^[136]; Digital Camera World ^[137] ^[138]; LoyaltyDrones Review ^[139] ^[140]; Insta360 TechRadar Review ^[141] ^[142].