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Fujifilm’s 102MP Cinema Camera vs ARRI, Sony, RED & Canon – Is the GFX Eterna 55 a Game-Changer?

Fujifilm’s 102MP Cinema Camera vs ARRI, Sony, RED & Canon – Is the GFX Eterna 55 a Game-Changer?

Fujifilm GFX Eterna 55 – Medium Format Enters the Cinema Fujifilm’s GFX Eterna 55 aims to “bring balance to the large-format market” nofilmschool.com by leveraging Fuji’s photographic heritage in a video-first body. It boasts the tallest digital cinema sensor ever sold openly nofilmschool.com – a native 4:3 sensor about 3× larger in image area than Super35 nofilmschool.com. “The native 4:3 large format sensor is a massive and flexible canvas – fantastic for anything from landscapes to portraiture-style imagery and beyond,” says cinematographer Oren Soffer, who tested the camera fujifilm.com. With 102 MP resolution (11648 × 8736) inherited from the GFX 100 II still camera
18 September 2025
Sony FX3 in 2025: The Mighty Mini Cinema Camera Still Reigns Supreme

Sony FX3 in 2025: The Mighty Mini Cinema Camera Still Reigns Supreme

Technical Overview: Full-Frame Cinema Power in a Compact Body The Sony FX3 is a unique hybrid of mirrorless and cinema camera design, offering high-end video capabilities in a tiny, 2 lb (0.89 kg) body (with battery) ts2.tech. It is part of Sony’s Cinema Line, sharing DNA with the higher-end FX6 and FX9, but miniaturized into a form factor similar to the a7 series cameras. Despite its size, the FX3 is built for video-first operation – evident in its feature set and design: Overall, the FX3’s technical package makes it a tiny yet truly professional video camera. It stands out by giving creators essentially the same imaging pipeline as a
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