- Entire Vivo X300 lineup supports a ZEISS 2.35× Telephoto Converter attachment for extended optical zoom [1], continuing Vivo’s camera partnership with legendary lens-maker ZEISS.
- Attachable lens kit in two styles: The base X300 gets a sleek silver clip-on lens and case, while the X300 Pro’s kit comes in black with a pro-style grip (complete with extra dials and shutter button) [2] [3].
- Turns phone into an 8× zoom camera: The 2.35× converter lens magnifies the X300’s periscope camera from ~85 mm to a 200 mm focal length, achieving roughly 8.3× optical zoom – far beyond typical phone zoom levels [4].
- Built for photography buffs: The X300 Pro’s kit adds an ergonomic camera grip and filter mount, mimicking a real camera’s feel [5] [6]. Dedicated modes (landscape, portrait, etc.) and 200 mm/400 mm/800 mm presets are enabled when the lens is attached [7].
- Cutting-edge camera hardware: The X300 series is rumored to use a 200 MP “Thanos” sensor (co-developed with Samsung) for unprecedented detail [8], with advanced stabilization (CIPA 4.5–5.5 stops) to keep long-zoom shots steady [9]. 4K 60 fps “Cinematic Portrait” video and other pro-grade features are also teased [10].
- Rivals take a different path: Phones like Apple’s iPhone 15 Pro Max (5×/120 mm telephoto) [11] and Samsung’s Galaxy S23 Ultra (10×/230 mm periscope) [12] rely on built-in zoom lenses. Vivo’s external lens strategy offers modular zoom beyond what those flagships natively achieve.
- Launch and availability: Vivo will launch the X300, X300 Pro (and likely an X300 Ultra) in China on October 13, 2025 [13]. International release is expected for the phones, though it’s unclear if the ZEISS camera kit will be sold globally [14]. Pricing is not yet announced, but the add-on lens kit (similar to last year’s ~$220 X200 Ultra kit) should come as an optional accessory for enthusiasts.
Vivo X300 + ZEISS: A Smartphone Camera Dream Team
Vivo’s upcoming X300 series is making waves in the mobile photography world, thanks to an unprecedented collaboration with ZEISS optics on an external lens kit. Vivo has partnered with the storied German lens manufacturer since the X60 series, co-engineering camera systems with ZEISS T✻ lens coatings and portrait modes inspired by classic ZEISS lenses. With the X300 line, this partnership goes beyond software tuning – Vivo is literally putting ZEISS glass on your phone. The entire X300 lineup (standard, Pro, and presumably Ultra) will support Vivo’s “vivo × ZEISS” 2.35× telephoto converter, marking the first time every model in a Vivo series can use an attachable pro lens [15]. This signals Vivo’s intent to take smartphone cameras to the next level, blurring the line between phone and professional camera gear.
The X300 series itself is poised to be a powerhouse even before adding any attachments. Leaks and teasers indicate Vivo is using cutting-edge camera hardware: notably, a bespoke 200 MP sensor codenamed “HPB Thanos” from Samsung [16]. This ultra-high-resolution sensor will serve as the X300’s main camera and as the periscope telephoto on the X300 Pro [17]. Such a high pixel count (the highest in any phone to date) promises exceptional detail – crucial when cropping or digitally zooming – and enables features like 4K 60 fps Portrait Video, a first in the industry that Vivo has been touting [18]. We can also expect all the usual Vivo–ZEISS co-engineered goodies: carefully calibrated color science, ZEISS T✻ anti-reflective coatings for reduced glare, and simulated bokeh effects modeled on ZEISS’s classic lenses for portrait shots. In short, the X300 series continues Vivo’s trend of throwing the kitchen sink at smartphone photography, from huge sensors and gimbal-like stabilization to AI image processing – now augmented by real glass optics from ZEISS.
The ZEISS Camera Kit: Clip-On Lens, Filter Magic, and Camera-Like Grip
Vivo’s official images showcase the X300’s attachable ZEISS 2.35× telephoto lens in a matching silver finish. The lens mounts onto a custom clip-on case, effectively turning the phone into a high-zoom camera. This removable lens dramatically extends the X300’s optical reach for distant subjects, while maintaining ZEISS’s optical quality standards.
The star of the show is undoubtedly the ZEISS 2.35× Telephoto Converter Kit that Vivo has developed for the X300 series. This kit is essentially a modular snap-on lens system – a concept we’ve only seen in niche forms before, now being embraced on a mainstream flagship. The core of the kit is a chunky telephoto lens (co-branded with ZEISS) that attaches to the phone’s existing telephoto camera via a dedicated mounting case [19]. In practice, it works like a removable lens on a mirrorless camera: you pop the X300 into the special case (which has a built-in lens mount), line up the markings, and twist on the lens until it clicks [20]. This converter lens doesn’t have its own sensor; instead, it optically magnifies the X300’s periscope camera by 2.35× [21]. On the previous-gen X200 Ultra, that meant turning its 85 mm (3.5×) lens into roughly a 200 mm (~8.3×) super-telephoto [22] – and we expect the X300 series to achieve a similar 200 mm focal length once the lens is attached. In other words, you go from about 3–5× zoom to around 8× optical zoom purely through glass, no digital trickery needed. The difference is immediately noticeable: at ~200 mm equivalent, you’re able to capture subjects way farther than any built-in phone lens can, with much less loss of detail. In testing on the X200 Ultra, images at 200 mm looked “fantastic” with pleasantly natural bokeh, easily outclassing the digitally zoomed shots [23]. Even at 400 mm (by combining the optical extender with sensor cropping), results were surprisingly solid – far cleaner and sharper than a normal phone trying to zoom that far [24]. That’s the benefit of real optics: the add-on lens delivers telephoto detail that no bare smartphone can match [25] [26].
Vivo’s camera kit isn’t just a lens, though. It’s a whole bundle of photography tools. The clip-on case serves as the mounting platform and also adds a classic camera aesthetic. There’s also a filter adapter integrated into the system – a nod to serious photographers who might want to use circular polarizers, ND filters, or other 67 mm filters on their phone camera [27] [28]. (ZEISS, being an optics company, produces high-end lens filters, so it wouldn’t be surprising if Vivo offers some co-branded filters for the X300 kit as well.) Additionally, the X300 Pro’s bundle features a Professional Imaging Grip that slides onto the case [29]. This grip isn’t just for ergonomics – though it does make holding the phone-camera much more comfortable – it also packs its own hardware controls. On the X300 Pro render, you can spot a physical shutter release button (with a two-stage press like a real camera) and what looks like a zoom or mode dial on the grip [30]. The grip likely connects via USB-C or Bluetooth to provide instantaneous shutter response and possibly an extra battery or controls for the camera app. It even has a tripod mount and a wrist/neck strap attachment in previous iterations [31], emphasizing that this is meant for deliberate photography sessions. Vivo essentially turned the phone into a pseudo-DSLR: you have a lens to swap on, a beefy hand grip with controls, and the ability to attach filters and tripod – all while using a phone sensor and software. It’s a bold fusion of smartphone convenience with camera-like flexibility.
The vivo X300 Pro’s camera kit comes with a black ZEISS teleconverter and a matching camera grip attachment. The grip (visible above with its shutter button and control wheel) gives the phone a DSLR-like handling and extra controls. Together with the 2.35× lens, the X300 Pro turns into a serious photography rig – yet all components can be removed to get your regular phone back when you’re done shooting.
Vivo has thoughtfully created two styles for the kit to match the different X300 models. The base X300 phone, which appears in lighter colors (like a powder blue/silver in promos), gets a silver-colored lens and case [32]. This keeps the look cohesive – your add-on lens will complement the phone’s design rather than looking like a clunky afterthought. Meanwhile, the X300 Pro (which is shown in black) receives a stealthy black lens, case, and grip combo [33]. The Pro’s camera grip even has tactile metal dials and possibly extra buttons for manual controls [34]. We don’t see a grip depicted with the base X300 in images (perhaps to keep its kit more compact), but Vivo’s announcement suggested any X300 model can use the grip if desired [35]. In both cases, the teleconverter lens is identical in function – only the color differs – and both attach to the phone in the same way. Notably, Vivo is also offering the converter in a new silver finish to go with the lighter X300 kit [36] (previously it was only black with the X200 Ultra). Beyond cosmetics, the company hasn’t hinted at optical improvements to the lens itself, which is a double-edged sword. On one hand, it’s great that the X300 Ultra (top model) will likely also support this same lens – meaning you could use one teleconverter across all your Vivo flagships [37]. On the other hand, it suggests the lens optics are unchanged from last year, so there’s no increase in magnification or new lens options…yet [38]. Enthusiasts are already hoping Vivo and ZEISS will introduce additional lenses – perhaps a wide-angle converter or a stronger telephoto – to truly build out a smartphone lens ecosystem [39]. For now, the 2.35× tele lens is the hero, and Vivo’s message is clear: if you want the ultimate zoom on a phone, grab this kit.
How Does It Compare to Other Camera Phones?
With its ambitious lens kit, Vivo is targeting the very peak of phone photography. So how does the X300 series (plus the ZEISS attachment) stack up against today’s camera-centric smartphones? Here’s a look at what the competition offers and how Vivo’s approach is different:
- Apple iPhone 15 Pro Max: Apple’s flagship made headlines with its new 5× optical zoom lens – a 12 MP periscope tele camera equivalent to 120 mm focal length [40]. This tetraprism-equipped lens is Apple’s longest zoom ever on an iPhone, providing excellent quality out to 5× and using Apple’s superb image processing to push to 25× digital. However, the iPhone’s zoom tops out where the Vivo X300’s add-on lens begins. At ~8× optical, Vivo can capture far-off subjects with true optical detail that the iPhone must rely on digital zoom for. Apple focuses on seamless convenience – its zoom is built-in, always there, and combined with rock-solid 3D sensor-shift stabilization [41]. In contrast, Vivo offers a modular solution that’s bulkier and meant for planned shoots. For everyday users, the iPhone’s hassle-free, integrated 5× zoom and Apple’s famed computational photography (Deep Fusion, Smart HDR, etc.) make it a fantastic point-and-shoot. But for a niche of enthusiasts, the X300 + ZEISS kit could deliver shots the iPhone simply can’t optically pull off, like picking out wildlife or sporting action from across a stadium – scenarios where a 120 mm lens isn’t enough.
- Samsung Galaxy S23 Ultra: Samsung has long been the zoom king in smartphones. The S23 Ultra packs a dedicated 10× periscope lens (around 230 mm equivalent) alongside a 3× tele, giving it incredible reach out of the box [42] [43]. It uses a modest 10 MP sensor for that lens, prioritizing zoom distance over resolution [44]. The result is true optical 10× plus surprisingly decent 20–30× hybrid zoom using AI upscaling – aka the famous “Space Zoom 100×” (which is really 10× optical + digital). In daylight, the S23 Ultra’s 10× shots are sharp and detailed, though the small f/4.9 aperture and sensor mean low-light long-zoom is a challenge [45]. Vivo’s approach with the X300 Pro is almost the inverse: use a very large, high-resolution sensor (200 MP) with a shorter 3.5× periscope, then boost it with the add-on lens when needed [46]. A 200 MP 1/1.4″ sensor binning to 12 MP can provide a cleaner base image with more light, potentially giving Vivo an edge in low-light or mid-zoom (5–10×) shots [47]. With the external lens on, Vivo can achieve ~8× optical – a bit short of Samsung’s 10× – but with a much larger sensor behind that lens, which could mean better detail and noise performance at equivalent zoom. Of course, Samsung wins on practicality: no extra parts needed, and its multi-lens setup (0.6× ultra-wide, 1× wide, 3×, 10×) covers a huge range instantly. The X300 with ZEISS lens is more for the dedicated photographer who doesn’t mind assembling their rig for a session. It’s worth noting Samsung itself hasn’t pursued external lens attachments (apart from third-party cases), instead betting on in-body tech. But with Vivo and others proving the concept, one wonders if a future Galaxy could ever support optional lens modules too.
- Google Pixel 8 Pro: Google takes a very different route – computational photography is its forte. The Pixel 8 Pro also sports a 5× (approx. 113 mm) telephoto camera with 48 MP resolution [48], similar in reach to the iPhone 15 Pro Max. What sets Pixel apart is how it leverages AI algorithms like Super Res Zoom to push up to 30× digital zoom with surprisingly usable results [49]. Google uses techniques like multi-frame fusion, where data from the main and tele cameras are combined, and advanced upscaling to preserve detail when zooming beyond optical limits [50] [51]. The Pixel 8 Pro is also packed with new AI features (Best Take, Magic Editor, Pro Controls) to optimize or even reimagine photos after you’ve taken them [52]. In essence, Pixel is all about making the most of the hardware through software. It doesn’t have extreme hardware like a 1″ sensor or 10× lens; instead, it’s tuned so that an average user can snap a variety of scenes and let the phone do the heavy lifting to ensure a great shot. So, comparing it to Vivo X300: out of the box, the Pixel likely offers a more streamlined camera experience (no attachments, consistent performance up to 5×, and excellent post-processing). Vivo, on the other hand, is courting the camera enthusiasts who relish manual control and optional gear for specialized shooting. With the ZEISS kit, a Vivo user can achieve true optical tele shots (8×) that the Pixel can only approximate with digital zoom. However, Google might argue that its 30× AI zoom is “good enough” without needing to lug around a lens. It’s a classic battle of hardware vs. software – and the X300 is clearly beefing up the hardware side to see just how far phone photography can go.
- Xiaomi 13 Ultra: Xiaomi’s 13 Ultra (2023) is often considered one of the best camera phones, and it shares a philosophical similarity with Vivo – a partnership with a famed camera brand (Leica for Xiaomi, ZEISS for Vivo) and a focus on pro photography features. The 13 Ultra packs four rear cameras, including two telephotos (3.2× and 5×) and an enormous 1-inch type main sensor with variable aperture, all tuned by Leica [53]. Xiaomi didn’t offer an add-on lens, but they did release a “Photography Kit” for the 13 Ultra that included a detachable camera grip with a physical shutter button and even a 67 mm filter adapter [54]. This sounds familiar – it’s very much like what Vivo is doing, minus the teleconverter lens. Xiaomi’s approach gives users better handling and the ability to use pro filters on the phone, but it doesn’t actually increase the optical range; the 5× (120 mm) built-in lens is as far as it goes. Vivo is essentially one-upping that by providing not just the grip and filter options, but an actual extra lens to push zoom farther. In terms of results, Xiaomi’s Leica-tuned imagery is known for beautiful color and contrast, and the 13 Ultra’s 5× lens produces excellent shots up to about 10× with cropping. Still, Vivo with an 8× optical plus a high-res sensor could take clearer long-range photos (200 mm vs 120 mm). Both companies are catering to enthusiasts: Xiaomi with its sleek pro-style kit (case, grip, lens cap, strap – even a Leica-look lens hood for style), and Vivo/ZEISS with this more ambitious optical converter. One could say Xiaomi focused on usability and style, whereas Vivo is focusing on optical performance, even if it’s a bit quirky. Interestingly, Xiaomi demonstrated a concept phone (12S Ultra Concept) that could mount full DSLR lenses, but that never hit the market. Vivo’s solution is far more practical and consumer-friendly, indicating that this niche is becoming an actual product category.
- Sony Xperia Pro-I: Sony’s Xperia phones have long targeted camera enthusiasts, and the Xperia Pro-I (late 2021) was their apex product – it features a 1.0″-type image sensor (the same used in some Sony RX100 cameras) and Zeiss Tessar optics, aiming for genuine compact camera image quality in a phone [55]. Sony didn’t go the route of interchangeable lenses for the Xperia, but they leveraged their camera heritage differently: the Pro-I has a dedicated two-stage shutter button, manual controls akin to an Alpha camera, and even support for external accessories. For example, Sony sells an optional Vlog Monitor, a small 3.5″ display that magnetically attaches to the back of the Xperia to act as a viewfinder for selfie video shooting [56], and a Bluetooth shooting grip/tripod (the kind they also offer for their compact cameras) [57]. In essence, Sony embraced the pro camera feel and video creator angle, rather than extending optical zoom. The Xperia Pro-I’s main lens is a fixed 24 mm equiv., supplemented by only a 2× tele and ultra-wide – so in pure zoom reach, it’s easily outgunned by the likes of Vivo, Samsung, or Apple. However, its image quality at 1× is stellar due to that huge sensor, and Sony’s color science and eye-tracking autofocus appeal to purists. Sony’s philosophy: give a phone the biggest sensor and pro UI possible, and let serious users integrate it with accessories (monitor, mics, etc.) if they want. Vivo’s new approach is almost the inverse: keep sensor size moderate but add big glass on top for specific scenarios. Interestingly, both Vivo and Sony partnered with ZEISS – Sony uses ZEISS T✻ coatings on its phone lenses and has for years, though the Xperia’s imaging kit is all in-body or accessory (no extra lenses). For a buyer deciding between these, it boils down to use case: Xperia Pro-I is for the photographer who wants a no-compromise sensor and manual controls in a phone (and maybe attach a small monitor for vlogging). The Vivo X300 Pro with the ZEISS kit is for the photographer who wants to experiment with optics – swapping a lens converter on for big zoom, using filters, having a camera-shaped grip when needed. It’s almost like comparing a high-end fixed-lens camera (Sony’s approach) to a mirrorless camera with an interchangeable lens (Vivo’s vibe). Both are pushing boundaries, just in different directions.
Release Date, Availability, and Expected Pricing
Vivo has confirmed that the X300 series will debut in China on October 13, 2025 [58]. The launch event will likely showcase the X300, X300 Pro, and possibly an X300 Ultra (since the previous X-series had an Ultra model) – with all of them supporting the ZEISS lens attachment. China will get these devices first, but Vivo typically brings its flagships to international markets (often India, Europe, etc.) a few months later under the same or slightly altered names. We expect some of the X300 models to launch globally in late 2025 or early 2026 [59], though Vivo hasn’t officially announced the global rollout yet. A big question mark is the ZEISS camera kit availability outside China. The concept of external lens kits for phones is still quite new and market-specific. For instance, Xiaomi’s 13 Ultra camera grip kit was not officially sold in the US (only in China/Asia), and Vivo’s own X200 Ultra kit last year was China-only, with enthusiasts elsewhere importing it. Vivo has simply stated it “remains to be seen” if the camera kit will be offered internationally [60]. If you’re abroad and keen on it, you might have to rely on import retailers or Vivo’s limited regional releases.
In terms of pricing, Vivo’s flagships tend to undercut Samsung/Apple a bit in China, but with top-end specs they’re still in the premium range. The X300 Pro and Ultra will likely be priced in the $900–$1200 range (equivalent), based on past models and depending on storage/RAM tiers. The base X300 will be somewhat lower, perhaps $700–$800 equivalent, aimed at competing with the likes of OnePlus 12 or Xiaomi 14 Pro. The real wildcard is the ZEISS Telephoto Kit price. For reference, the X200 Ultra’s photography kit (lens + case + grip) retailed for ¥1599 in China (about $220 USD) [61] [62], which was quite reasonable given it included a precision lens. Some third-party resellers marked it up ($300–$400 range due to limited availability). We can expect the new kit to be similarly priced or slightly higher if additional accessories are included. Vivo might even sell the case/grip and the lens separately – e.g. one could buy the “Pro Imaging Kit” (case + grip) and then the ZEISS 2.35× lens as an add-on. In fact, a retail listing for the X200 kit showed options: the grip-case alone, or bundle with the tele lens [63]. If Vivo follows that model, hardcore photographers can get the whole set, whereas casual users of the X300 might skip the lens and just enjoy the excellent built-in cameras.
One more factor is regional demand: in markets like Europe, there could be interest among enthusiasts, but Vivo would need to ensure certification and support if they officially sell the lens kit. It’s possible they’ll limit official sales to photography-heavy markets (China for sure, maybe India or select European countries) and gauge the response. The Oppo Find X9’s Hasselblad kit is similarly slated to debut in China in late 2025 [64] – these companies may be testing the waters domestically before venturing out.
The Bigger Picture: Phone Cameras Breaking Boundaries
Zooming out (no pun intended), the Vivo X300’s ZEISS lens kit exemplifies a broader trend: smartphone photography is entering a new phase where simply adding more built-in cameras isn’t enough – now companies are exploring modular, professional-grade upgrades. We’ve reached a point where an average high-end phone already has 3–4 cameras covering ultrawide to tele, and image quality is often fantastic for casual use. To stand out to the photography enthusiast segment, brands are thinking outside the box (or rather, outside the phone). As Android Authority noted, power users want more than what physical phone dimensions normally allow, and manufacturers are bumping against the limits of pocket-sized optics [65]. You can only cram so many lenses and so large a sensor into a slim handset. Vivo’s solution (and Oppo’s upcoming Hasselblad solution) is to give those users optional tools to “supercharge” the camera capabilities when they want [66]. It’s almost a revival of an idea from the past – remember the add-on phone camera mods of the 2010s (like Motorola’s Hasselblad True Zoom mod, or clip-on lenses for iPhones)? Those earlier attempts were made (Motorola’s mod offered a 10× zoom, but with a tiny sensor and mediocre results [67]), yet they never hit mainstream success, partly because the phone cameras back then weren’t good enough to pair with serious optics. Now, however, phone cameras have matured: large sensors, great baseline image quality, and advanced software. That makes these new add-on lenses far more viable and appealing – the X300 with the ZEISS converter can genuinely produce images that rival a dedicated compact camera with a long lens, as reviewers of the X200 Ultra kit discovered [68] [69].
We’re also seeing an interesting convergence of industries. Camera makers like Hasselblad, Leica, and ZEISS are increasingly involved in mobile imaging, not just for branding but for co-engineering hardware. The Oppo–Hasselblad kit will even use a magnetic attachment system and is touted as the first “professional photography kit” made by a camera brand [70]. This raises the bar and legitimizes the concept further – it’s not just a phone OEM making a toy, it’s Hasselblad or ZEISS lending their optics expertise to make sure these lenses deliver real optical quality. In the long run, if (and that’s a big “if”) these kits catch on, we might see a small ecosystem of phone-compatible lenses and accessories. Imagine third-party lens makers or filter manufacturers making gear for Vivo, or future phones from Xiaomi, Oppo, etc., having cross-compatible mount systems (one can dream!). For now, it’s more likely each brand will have its own proprietary system. But even that is a big shift from the sealed-box approach of Apple and Samsung.
Of course, it’s important to temper the excitement with some reality: most smartphone users will never attach a lens to their phone. Convenience and spontaneity are the hallmarks of phone photography; an overwhelming majority are happy with point-and-shoot simplicity. These lens kits are firmly targeted at enthusiasts – a niche audience that’s willing to trade convenience for capability. Vivo knows this; selling an external lens isn’t about volume, it’s about branding and showcasing what’s possible. If an incredible moon shot or wildlife photo taken on an X300 Pro + ZEISS lens goes viral, it boosts Vivo’s cred in the camera phone wars, even if few people buy the lens itself. It’s akin to car manufacturers building halo supercars to enhance the image of their practical sedans.
From a technology standpoint, Vivo’s achievement (and similarly Xiaomi’s and Oppo’s) is noteworthy. They’re effectively acknowledging that physics limits (sensor size, lens focal length) can be overcome by going modular rather than waiting for some sci-fi periscope to fit into 7 mm of phone thickness. It’s a sign that smartphone design might slowly inch back toward modularity in certain aspects, a departure from the “all-in-one” sealed trend of the last decade. Whether this becomes a lasting trend or a short-lived fad will depend on consumer reception. If enough photography lovers flock to Vivo’s solution, other brands (maybe even Samsung or Apple one day) could explore their own twist on it. Could we see a future iPhone Pro with an official Apple/Canon snap-on lens? Unlikely anytime soon – but not unimaginable in the long term, given how serious phone cameras have become in professional workflows.
In summary, Vivo’s X300 series and its ZEISS camera kit represent an exciting new chapter in mobile photography. It dares to ask: why should smartphones be limited by their thinness? If you want a better lens, just add one! This approach isn’t for everyone, but for the growing cadre of mobile photography enthusiasts – the folks who discuss sensor sizes and buy $1000 phones just for the camera – it’s an enticing proposition. The X300 series itself, with its monster 200 MP sensors and ZEISS optics, will likely rank among 2025’s top camera phones even without add-ons. With the lens kit, it leaps into a category of its own. As we await the launch on October 13, the big question will be how well this all works in practice and whether users embrace the idea. One thing’s for sure: the gap between smartphones and professional cameras just got a whole lot narrower – and the Vivo X300 is at the forefront of that movement. [71] [72]
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