Book Authors vs Tech Giants: In a new front of the AI copyright wars, Apple was hit with a proposed class-action lawsuit by two novelists on Sept 5, accusing the company of “illegally” ingesting their books to train AI reuters.com. “Apple has not attempted to pay these authors for their contributions to this potentially lucrative venture,” the complaint asserts reuters.com. The suit follows a wave of litigation from writers, news outlets and artists who allege Big Tech is pilfering content to feed AI models. Notably, Anthropic – maker of the Claude chatbot – agreed the same day to pay $1.5 billion to settle a class-action by authors claiming their novels were used without permission reuters.com. The deal, which Anthropic reached without admitting wrongdoing, is being hailed as a milestone. “This settlement sends a powerful message… that taking copyrighted works from pirate websites is wrong,” said lawyers for the authors, calling it the largest copyright recovery ever reuters.com. Under the agreement, Anthropic will destroy all downloaded books and could still face claims if its AI outputs infringe authors’ rights reuters.com. Hollywood Strikes Back: The media industry, already battling AI “clones” of actors and writers, saw a major studio take aim at
Video streaming in 2025 is a mature but fiercely competitive market, now pivoting from breakneck growth to balancing profitability and subscriber satisfaction. Consumers have more choices than ever – the average American subscribes to nearly four streaming services – and the major players are refining their strategies. The “big three” global services are Netflix, Amazon’s Prime Video, and Disney+, each with its own strengths: Regional and Niche Players: In the U.S., services like Hulu and Peacock compete for attention with exclusive TV series, next-day network TV episodes, and sports. Paramount+ offers CBS, Paramount films, Star Trek shows, and more – including sports like UEFA soccer – and has around 60 million subscribers globally. Many of these second-tier services are leveraging unique content niches or live sports to stay relevant. Internationally, homegrown streamers capture local audiences with regional content and live broadcasts.
Major streamers are rolling out a blood-curdling lineup of original horror films to satisfy every kind of fear fanatic. Here are the most anticipated premieres coming in the next weeks and months, and why they’re on every horror fan’s radar: It’s not just movies – streaming TV is crawling with terrifying new series and returning favorites. From English-language icons to international sensations, here are the horror shows everyone will be talking about:
Jenna Ortega as Wednesday Addams in Wednesday Season 2, Part 2 – one of Netflix’s marquee September releases. Netflix is kicking off the fall TV season in style, delivering both highly anticipated originals and big-name licensed titles this month thewrap.com thewrap.com. The streamer’s marquee release is Wednesday – Season 2, Part 2, which lands Sept. 3. The goth-supernatural comedy’s mid-season finale left fans on a cliffhanger, and Jenna Ortega’s Wednesday Addams returns to Nevermore Academy for an “abundance” of twists in the concluding episodes netflix.com netflix.com. In fact, Netflix even threw a mock “graveyard gala” to drum up buzz, with Ortega and co-star Emma Myers joined by surprise guest Lady Gaga unveiling a new tie-in song netflix.com netflix.com. The Wednesday hype is real – the show was a breakout hit in 2022, and Part 2 promises a climactic face-off that has social media abuzz. Another Netflix original generating excitement is Black Rabbit, an 8-part limited thriller dropping Sept. 18. Directed and produced by star Jason Bateman, Black Rabbit pairs Bateman with Jude Law as estranged brothers who run an exclusive New York nightclub – until old grudges and new dangers threaten to tear their world apart cosmopolitan.com. “It’s a very
In the battle of streaming platforms, Apple TV+, Amazon Prime Video, and Max have each carved out a unique niche. As of 2025, the streaming landscape is undergoing rapid changes – from price hikes and rebrands to new content strategies – making these services more competitive than ever. Below we compare these three major streamers across pricing, content libraries, user experience, tech specs, global reach, and recent developments. We’ll also see how they stack up against rivals like Netflix and Disney+ in the ongoing “streaming wars.” Apple TV+: Apple’s streamer launched at a rock-bottom $4.99/month in 2019, but has since seen substantial increases. In late 2023 the price jumped to $9.99, and by August 2025 Apple TV+ rose to $12.99 per month in the U.S. Foxbusiness. Notably, Apple TV+ has no ad-supported tier – all content is included ad-free with the base subscription. Apple bundles the service in its Apple One plans and often offers free trials, which has meant many users enjoy it at low or no cost initially. Still, even at $12.99, Apple TV+ undercuts some competitors’ premium plans, and Apple pitches it as a high-value proposition for “all ad-free” premium content.
June–July 2025 – The streaming wars kicked into high gear this summer, marked by blockbuster business moves, bold content strategies, shifting viewer habits, tech breakthroughs, executive insights, and legal showdowns. Below is a comprehensive roundup of the major developments in video-streaming and OTT media platforms worldwide over June and July 2025. Industry leaders and observers offered candid insights into these trends over the past two months:
Satellite television is a system of delivering television programming to viewers by transmitting signals via communications satellites orbiting the Earth. In a typical setup, broadcasters send their TV feeds to a powerful uplink dish on the ground, which beams the signals up to a satellite in space. The satellite, usually positioned in a high geostationary orbit 36,000 km above the equator, then relays those signals back down to Earth over a wide area. Households receive the broadcasts using a parabolic satellite dish antenna and a low-noise block downconverter that collects, amplifies, and converts the signals for a set-top receiver en.wikipedia.org. The receiver decodes the video and audio, allowing viewers to watch satellite channels on their TV. This direct-to-home delivery model enables hundreds of channels to reach even remote locations that lack cable infrastructure. In fact, one of the biggest advantages of satellite TV is its unmatched coverage – it’s often available in rural or hard-to-reach areas where terrestrial cable or broadband services are unavailable. This wide footprint made satellite TV a critical technology for expanding television access globally, from urban apartment blocks to isolated villages. The concept of using satellites for television was first envisioned in the 1940s, but it
July 1, 2026, 11:30 PM EDT. The National Stock Exchange of India has filed its Draft Red Herring Prospectus with SEBI, looking to raise about $3.5 billion via an IPO. The entire stake comes from existing holders like State Bank of India, Canada Pension Plan Investment Board, and Morgan Stanley, making up roughly 6% of NSE's equity. NSE ranks as the world's fifth-biggest exchange by market cap. The offering is set to be the largest Indian IPO in more than six years, beating out LIC's list in 2022. The prospectus does not mention cryptocurrency or blockchain, pointing to the focus on traditional markets as regulatory pressure and weaker retail crypto trading remain in India.